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Dimas Gimeno (WOW): “Channels no longer exist, retail must move beyond physical and digital”

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Nazia BIBI KEENOO

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October 31, 2025

WOW opened its doors on Madrid’s Gran Vía in 2022, bringing a new department store concept to the heart of the Spanish capital. In 2023, it opened a second store on Calle Serrano and, in 2025, the company aims to reach €30 million ($32 million) in sales, with long-awaited profitability expected between 2026 and early 2027. Its founder, Dimas Gimeno, former president of El Corte Inglés, gave a talk on Thursday, Oct. 30, at the 4th Aragonese Congress on Commerce and Innovation, held in Zaragoza and organized by the Government of Aragon. FashionNetwork.com spoke with Gimeno about his vision for retail and the challenges facing the sector in general—and the platform he founded in particular.

Dimas Gimeno, founder of WOW – IV Congreso Aragonés de Comercio e Innovación

FashionNetwork.com: You mentioned at the beginning of your talk that retail defines a city’s identity. How can that identity be maintained in a world where commerce is increasingly uniform?

Dimas Gimeno: By focusing on the local. It’s essential to recognize that a city—and its retail—should represent local products. And that’s where I think Spain is particularly privileged, because it offers an extraordinary variety of craftsmanship and gastronomy. We are also manufacturers and home to thriving brands—that’s what tourists are looking for.

FNW: You maintain that omnichannel has not worked, despite being the big bet of many brands, and that we must move toward “phygital.” Why?

D. G.: Omnichannel is a concept—a goal. I think it was conceived the wrong way. Why do I think it didn’t work? Because, at the time, it was framed—quite logically for those of us already in the physical world—as the task of digitizing our offline reality. It made sense: if your business is there, you adapt the new to what you already have.

However, it has been demonstrated that this alone isn’t sufficient. It’s not about digitizing the physical, but about understanding that you have to be 100% digital and, from there, design your physical presence. Now they call it “unified commerce”; I call it “phygital.” The key is to understand that channels no longer exist. We must stop thinking in terms of “physical” and “digital.” There’s one customer who moves fluidly, engages with your brand constantly, and in different ways.

FNW: Do customers no longer make that distinction between channels?

D. G.: If you ask a customer about physical or digital channels, they probably don’t care. They may have discovered you on a social network; from there, if they decide to buy, they’ll naturally move to your e-commerce. And from e-commerce, you guide them into the physical store. Why? Because the physical store is where true loyalty is forged, the brand develops far more, and, above all, the conversion rate is much higher.

Think of the shopping basket we all recognize online: the key would be for that basket to be the same in-store and online. Omnichannel doesn’t work because it simply digitizes a physical process. And the first requirement for being unified is that your range is 100% available online. Many brands and retailers still haven’t achieved this because it’s highly complex.

FNW: How can small businesses face this challenge? These are the ones that give cities their identity.

D. G.: By being very true to themselves—making sure what they sell is authentic, different, and unique. In that respect, small businesses are unbeatable. They also have a tremendously valuable relationship with their customers. We’re talking about generations, neighborhoods, personal connections—that’s fundamental.

However, these businesses struggle to invest in technology because they’re too small. They should also make their physical offer purchasable online. But individually, they can’t do it. Platforms must emerge that aggregate many small players and, by pooling them, create a kind of digital marketplace that unites them. That’s where I think public funding should play a role.

Dimas Gimeno, in his talk in Zaragoza
Dimas Gimeno, in his talk in Zaragoza – IV Congreso Aragonés de Comercio e Innovación

FNW: Why do you believe the physical store is the future of retail?

D. G.: First, because I consider myself a shopkeeper and because I’ve been a salesperson; I know what I’m talking about and I know how important it is. It’s a wonderful profession, although it’s not always well-regarded because it demands hard work. But I’m an advocate because I’ve seen—and I know—what a well-executed physical store can do when a customer comes in and wants to buy everything. The digital channel can’t do that; only a physical store can.

If you add to that a distinctive, surprising product proposition and a salesperson who is well-trained, passionate about what they sell, and equipped with today’s technological tools, you’ll be creating something unparalleled. That’s the key to competing with the big platforms: it’s exactly what they can’t do.

FNW: Customer experience, along with omnichannel, is one of the most recurring concepts in recent years. What should retailers offer customers?

D. G.: If you asked someone from the last century about customer experience, they’d say, “What’s that?” The experience itself is a combination of various things. For example, you can have a beautiful store, but if the salesperson hasn’t treated the customer well, the experience is ruined.

It’s a space that catches the eye, where you want to be, but where there’s also someone who attends to you, cares about you, perhaps even knows who you are. And thanks to that person, when you plan to buy one thing, you end up buying seven. That—and leaving satisfied—is a shopping experience. It’s about getting to know your customer, bringing them the product they want, even beyond that, and ensuring they return. And that was already true in the last century.

FNW: You discuss the importance of sales staff, but is it challenging to find those profiles for retail, as is the case in the hospitality industry?

D. G.: The service sector as such has the same problem: it’s not a career that’s well regarded. At WOW, we are successfully attracting top salespeople and, above all, young individuals who are eager to pursue a career in this field. This challenge has always existed: you need a good recruitment process, but you also have to train and motivate your people.

Another important point is to offer a professional career path within the company, with room for growth. If the idea is to hire people, keep them for a year, and then replace them… who wants to be a salesperson in a model like that?

FNW: Speaking of WOW, what is the company’s current status?

D. G.: We have been around for three and a half years. At that time, our ambition and what we want to achieve haven’t changed, but there has been a learning curve in understanding the economic model. It’s one thing to be clear that you’re presenting something truly unique and innovative, and another to learn how to translate that into profitability.

If you’re doing something different, you have to understand how you achieve profitability. It’s something we’ve already learned: we’re not profitable yet, but it’s a horizon we can already see. The idea is that, at some point next year, or at the latest, by the beginning of the following year, we will be profitable.

The key to our growth continues to be our commitment to the physical store, and in Spain, Barcelona is a city where we’d clearly like to be. But our big bet is digital. In digital, you can explore markets more cost-effectively and with less risk. The important thing, in any case, is to be profitable: no company grows if it isn’t.

FNW: What percentage does the online channel represent in your business?

D. G.: We had to change our technology platform less than a year ago, and now we’re working with Shopify. So we’ve had to reset our digital operations. Online is now growing strongly, and our idea is that, in 2026, it will account for more than 15% of the business. Of course, in the long term, it has to exceed that percentage by a wide margin.

FNW: Is your platform also available outside Spain?

D. G.: Yes, although, for the moment, we are only shipping within the European Union. The plan is to begin entering new markets in 2026.

FNW: Which store performs better, Gran Vía or Serrano?

D. G.: Serrano is a more rewarding store because it’s bigger; it delivers results more quickly. However, Gran Vía is surprising us: it’s a much more eye-catching store, and now that we’re taking greater care of it and expanding the range, it’s going to bring us plenty of satisfaction. Serrano has a higher turnover because it’s larger and has a much more recurrent customer base; Gran Vía is surprising us because it’s experiencing the boom along this retail corridor.

FNW: You talk about curating the assortment—what does that mean?

D. G.: The first phase of WOW was product curation, but obviously, this isn’t just about selecting brands; otherwise, we’d be a magazine or a museum, and we’d charge admission. From there, we embarked on a journey to understand the economic model and move a little closer to something more traditional—more commercial, with more recognizable stores.

At one point, we carried higher-priced products from luxury and semi-luxury brands, and we’ve phased out many of them—not because they didn’t sell well, but because of the purchasing model. We’ve had to evolve toward a more profitable format. When luxury brands force you to buy the merchandise, that’s where the numbers don’t stack up; it’s not so much about choosing one product or another.

Curating the range remains key, and we want to invest even more in it—bringing in different, innovative brands that can’t be found in physical stores. That’s the value proposition, regardless of whether the brands are expensive or affordable.

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Clarks fêtes 200th year, opens Milan pop-up with Candiani, expands global e-tail presence

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Nicola Mira

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December 5, 2025

British footwear brand Clarks is celebrating its 200th anniversary this year. In Italy, the brand is marking the bicentennial by opening a pop-up space within the Candiani Denim Store, in piazza Mentana 3 in Milan, where customers are able to personalise their Clarks shoes throughout December.

Clarks shoes can be personalised at the Candiani Denim Store in Milan – Clarks

From December 2 to 9, the Milanese store by Candiani, a premium Italian denim producer with its own jeans line, is hosting a Clarks pop-up shop. Visitors will have the opportunity to explore the British footwear brand’s history, its signature models, and learn about some of the leading figures who have worn Clarks and helped define its identity, influencing generations. A documentary about Clarks’s 200 years in business, entitled From Somerset to the World, will be screened inside the pop-up shop. The shop will showcase a selection of Clarks Originals models, including the Wallabee, Desert Boot and Desert Trek, as well as several items from the Fall/Winter 2025-26 collection, reinterpreting materials, shapes and colours with a contemporary feel.
 
In parallel with the pop-up shop (where a special event was staged on Thursday December 4), throughout December the Candiani Denim Store is giving Clarks customers the chance to create a personalised version of their shoes, choosing from two Clarks Originals models, the Wallabee and the Desert Boot. The limited-edition shoes will feature a personalised denim fob, and customers will be able to choose from an extensive library of patterns and designs. The motif chosen will be lasered directly on to the shoes at Candiani Custom, the denim brand’s urban micro-factory for bespoke jeans located next to the store.

FashionNetwork.com has had the opportunity to talk about Clarks’s distribution plans in Italy with Fabio Antonini, CEO of 3A, the company that has been distributing the British brand’s men’s and women’s lines since the Fall/Winter 2025-26 season.
 
FashionNetwork.com: Clarks has been busy overhauling its retail presence in Italy. What are the implementation steps, and what have the initial results been?

Fabio Antonini: Unlike the previous distributor, whose strategy was chiefly aimed at monobrand stores, we have rejigged Clarks’s distribution model by focusing on the wholesale channel and on a strong presence in multibrand stores. This is enabling us to rapidly extend our territorial footprint, making the brand more accessible and better integrated within the Italian market.

Fabio Antonini, CEO of 3A
Fabio Antonini, CEO of 3A

FN: How many more Clarks corners are you planning to open in 2026 in Italy? And what about Clarks’s monobrand presence? Are you considering other initiatives like the one with Candiani?

FA: We currently don’t have any plans for new corners or monobrand stores. Our strategy is focused on the wholesale channel and multibrand retailers. The initiative with Candiani was developed as a special project to celebrate Clarks’s 200th anniversary. Over the next few years, we will assess new collaborations and special projects, in line with the brand’s future requirements.
 
FN: In how many multibrand stores is Clarks currently distributed, and how many more are you planning to reach?

FA: In 2025, we have made Clarks available at 433 clients for a total of 619 doors [in Italy]. Next year, we’re expecting to grow the number of clients served by approximately 10%.
 
FN: Clarks recently announced and deployed a strategy designed to boost its position in global e-marketplaces, is it also being implemented in Italy?

FA: Clarks’s new global strategy is set to make the brand even more accessible and reachable by online consumers. Its expanded presence on new global marketplaces is making Clarks easier to access in Italy too, strengthening its online presence and making it easier for consumers to buy.
 
FN: What revenue result did 3A reach in fiscal 2024, how much did it grow by, and what is your forecast for 2025?

FA: In 2024, 3A generated a revenue of approximately €110.3 million, up 4.84% over the €105.2 million recorded in 2023. We’re expecting to grow at a similar rate in 2025.

Clarks

FN: Have there been new entries or other changes within 3A’s brand portfolio?

FA: Yes, there have been changes. Our portfolio includes underwear by Nike, Jordan, Calvin Klein and Tommy Hilfiger, as well as footwear and other products by Clarks, Converse Shoes, Nike Swim, Nike, Jordan, Converse Apparel Kids, Lacoste Kids, Huggies Apparel and Crep Protect.

We’re pursuing a strategy aimed at introducing new lines with a distribution exclusive, to further enrich our portfolio also in terms of brand quality. Some new lines will feature as early as spring 2026.

Brand background

Clarks was founded in Street, Somerset, in 1825, when Cyrus Clark opened a tannery with his brother James. It began shoemaking by using leather offcuts to create slippers. In 1950, Clarks created the revolutionary Desert Boot shoes. Since then, Clarks has built an archive of over 22,000 models that have been worn across generations all over the world.
 
In fiscal 2024, Clarks’s parent company C&J Clark Ltd reported a revenue drop of 9.4%, to £901.3 million (approximately €1.07 billion), and a pre-tax loss of £39.3 million. This led the company to overhaul the Clarks brand, cutting overheads, modifying the marketing approach, and repositioning the range. The brand’s retail strategy too has been reappraised, streamlining the store fleet and developing initiatives like the Milanese pop-up store.
 
Clarks, in typically innovative fashion, is also expanding its online presence with several new launches on global e-tailers like Shein, Walmart, Target, Secret Sales and TikTok Shop. In the UK, Clarks has recently been introduced on Shein and Secret Sales, while in Europe it will be available at Secret Sales Netherlands and Dress for Less later this year. In the Americas, it has been featured on eBay for the last five years, and has recently reached Shop Simon, Shein and Walmart, while it will be available on Target this month.

Clarks has recently returned to Tottenham Court Road in London, with a new retail concept
Clarks has recently returned to Tottenham Court Road in London, with a new retail concept – Clarks

Clarks is also aiming to consolidate its presence on TikTok Shop. It launched on the Chinese social shopping channel in Singapore and Malaysia last year, and this year it has reached the UK and the Americas, with Europe set to follow in 2026. This expansion drive follows the September announcement of the first Clarks-owned digital marketplace, which is set to be launched in the UK in early 2026.
 
Candiani is an Italian family company founded in 1938 and based in Robecchetto con Induno, near Milan, in the Ticino Park Nature Reserve. Besides owning the store in piazza Mentana in Milan, with the Candiani Custom micro-factory for bespoke jeans, Candiani owns among others the patent for Coreva, the first and only biodegradable and compostable stretch denim available on the market.

Copyright © 2025 FashionNetwork.com All rights reserved.



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Brioni parts ways with design director Norbert Stumpfl

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December 5, 2025

Another creative director departure at a major brand is shaking up the fashion industry. It is now the turn of Austrian designer Norbert Stumpfl to leave Brioni. The label has just confirmed the end of its collaboration with the designer in a statement. Stumpfl had designed Brioni’s collections for the past seven years.

Brioni – Spring-Summer 2026 – Menswear – Milan – ©Launchmetrics/spotlight

The fashion house founded in 1945, which in 1952 became the first menswear brand to stage a fashion show (in Florence’s legendary Sala Bianca), has expressed its “deep gratitude for the contribution he has made over the years. During his tenure at Brioni, Norbert interpreted with precision the concepts of lightness and discretion, contributing to the evolution of the men’s wardrobe with a modern approach that pays homage to tradition,” Brioni said.

Federico Arrigoni, CEO of Brioni, said, “Our journey continues, and the Maison will continue to consolidate its tradition- perfection of craftsmanship, exceptional materials, and innovation in tailoring techniques- to create true masterpieces, from formalwear to leisurewear and accessories. Brioni pursues its mission of defining the contemporary codes of Italian elegance, while elevating its mastery of high tailoring and bespoke craftsmanship for those who lead and accept nothing but the exceptional.”

Since 2011, Brioni has been part of the Paris-based French luxury group Kering. From 2018 until his departure, the brand’s collections were designed by Norbert Stumpfl, the acclaimed Austrian menswear couturier, celebrated for his blend of impeccable tailoring and cutting-edge fabrics- among his creations were dinner jackets woven with 24-carat gold threads and enzyme-treated silk-linen blends with a soft, distinctive handle. During his tenure, Brioni also expanded masterfully into womenswear, expressing discreet luxury with rare aplomb.

A pinnacle of Roman sartorial luxury, the Italian label marked its 80th anniversary in late November with an exhibition of its superb tailoring and a gala dinner at the Chiostro del Bramante in Rome.

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Another original Hermes Birkin bag sells for $2.86 million

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December 5, 2025

An Hermes handbag that once belonged to Jane Birkin was sold for $2.86 million (2.45 million euros) at auction in Abu Dhabi on Friday, just months after the record-breaking sale of her first bag from the French brand, Sotheby’s said.

Jane Birkin with one of her signature Hermes bags – Sotheby’s

Hermes first created the design for the British singer and actress in 1984 and it has gone on to become a modern and highly prized classic, sought by fashionistas the world over. The first prototype was sold for 8.58 million euros ($10 million) at a Sotheby’s auction in Paris in July, smashing previous price records for a handbag.

The one sold on Friday was a ‘Birkin Voyageur,’ which was gifted to the former wife of French singing legend Serge Gainsbourg in 2003. The final sale price was around six times times higher than the estimated price range of $230,000-$430,000 given before the sale.

“Jane Birkin’s handbag legacy continues to captivate collectors,” Sotheby’s said in a statement sent to AFP, adding that bidding took place over 11 minutes between six collectors. The new owner was a phone buyer and has not been identified.

The handbag was one of four owned by the late celebrity, who used to sell them to raise money for charitable causes. It has a handwritten inscription in French inside from Birkin that reads: “My Birkin bag, my globetrotting companion.”

A third Hermes bag owned by Birkin is set to go under the hammer on December 15 at the Hotel Drouot auction house in Paris. It was entrusted by the late star to her friend and biographer Gabrielle Crawford, who is selling it to help fund the future Jane Birkin Foundation, Drouot said in a statement.

Produced in very limited numbers, the modern Birkin bag manufactured by Hermes has maintained an aura of exclusivity and is beloved by celebrities such as the Kardashians, Jennifer Lopez, and Victoria Beckham. The most expensive fashion item ever sold at auction was a pair of ruby red slippers worn by actor Judy Garland from The Wizard of Oz in 1939, which sold for $32.5 million in 2024 in Dallas, Texas, according to Sotheby’s.

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