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Deeny’s dozen: 12 best menswear collections this season

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These are my rankings of the 12 best menswear collections in the runway season that ended on Sunday evening in Paris, listed in chronological order. A season characterized by rampant color, stylish historicism, hybrid fabrics and a battle over the future of tailoring— to deconstruct or not? Enter the renaissance of male refinement.

Zegna

Zegna – Spring-Summer2026 – Menswear – – Dubai – ©Launchmetrics/spotlight

Though this collection was unveiled at the Dubai Opera, it was still easily one of Europe’s best arrays of new ideas. Recycled fabrics or hybrid threads; whisper-light deconstruction; and the first of many pajama suits in one-inch-wide vertical stripes in light silk voile. In a word, Alessandro Sartori at his best. Welcome to the lightest of layering.

Post Archive Faction (PAF)

Post Archive Faction – Spring-Summer2026 – Menswear – Italy – Florence – ©Launchmetrics/spotlight

Something of a breakout moment for Post Archive Faction (PAF) co-founder Dongjoon Lim, whose meeting of tough chic and street style was revelatory. Stiff dandy pajama suits in putty-hued toweling material; chiffon mesh crepe blazers that felt like light scouring pads; or desert-dry linen shirts presented to huge applause inside Stazione Leopolda. Very much the standout fashion show of Pitti.

Dolce & Gabbana

 

Dolce & Gabbana – Spring-Summer2026 – Menswear – Italy – Milan – ©Launchmetrics/spotlight

Expect a long, hot summer in 2026—ideally when wearing the latest from Domenico Dolce and Stefano Gabbana. Stripes, stripes and more stripes, leading to the finale where two scores of hirsute male models marched out in pajama pants, blazers, shorts and suits—all maxi-decorated with crystal, jet and strass. Casualwear chic conquers all.

Brioni

Brioni – Spring-Summer2026 – Menswear – Italy – Milan – ©Launchmetrics/spotlight

A moment of grace—and extreme levity—at Brioni, presented in a palazzo that once belonged to the Casati family, whose Maria Luisa Casati—artist muse and style icon—inspired one of John Galliano’s greatest shows. From perfectly cut pale shawl-collar silk-linen tuxedos, where adding enzymes reduced the shine, to a beige tuxedo embroidered with real gold thread in tiny designs of Brioni’s famed plant in the Abruzzi region, this was the finest example of haute sartorial style. And a thousand miles from AI.

Giorgio Armani

Giorgio Armani – Spring-Summer2026 – Menswear – Italy – Milan – ©Launchmetrics/spotlight

Giorgio missed his signature show due to ill health, and it did lack an edit. But it was still the best selection of the super-deconstructed summer suits made in silk and pajama fabrics. Giorgio’s polished Pantelleria panache at its best. Even absent, Armani remains menswear’s greatest tailor.

Louis Vuitton

Louis Vuitton – Spring-Summer2026 – Menswear – France – Paris – ©Launchmetrics/spotlight

Snakes-and-ladders chic from Pharrell Williams and his best collection so far for Louis Vuitton, staged in a massive fashion and music happening outside the Pompidou Center. The pay dirt coming in Williams’ excellent fresh tailoring: from snappy pop star double-breasted jackets worn with flared trousers, to micro blazers and wide pleated pants—very David Live album cover in Paris. Add “tailor” to Pharrell’s list of professions, after producer, rockstar, dandy and dad.

Grace Wales Bonner

Wales Bonner – Spring-Summer2026 – Menswear – France – Paris – ©Launchmetrics/spotlight

In a season defined by the renaissance of kicky tailoring, Grace Wales Bonner was completely in the zone with her blend of Afro-Caribbean panache meets active sports. Lean suits with ever-so-flared pants and jackets with contrast collars; Crombies accessorized with diamond baobab-flower brooches and berets courtesy of Stephen Jones, and the best eveningwear in menswear. All anchored by some amazing new Y-3 Field shoes.

Issey Miyake

Homme Plisse Issey Miyake – Spring-Summer2026 – Menswear – Italy – Florence – ©Launchmetrics/spotlight

After a far too restrained Homme Plissé collection in Pitti, the house’s IM Men “Dancing Texture” collection, in the soon-to-be-relocated Fondation Cartier, was a real beauty.

Performance dance art met adventurous design, fabrics and color. As design trio Yuki Itakura, Sen Kawahara and Nobutaka Kobayashi showed scale-like motifs echoing across suits, tunics, kimono jackets and draped trench coats—made in hues of acid greens, violet blues and dazzling turquoises. The color palette of the season and a lesson to cool guys on how to stand out in a crowd.

Dries Van Noten

Dries Van Noten – Spring-Summer2026 – Menswear – France – Paris – ©Launchmetrics/spotlight

Very much the noisiest applause of the season was for the menswear debut of Dries Van Noten, where feminine fabrics and hues met fluid menswear tailoring. Revamped and rippling opera coats; double-breasted blazers with noble volumes; pale trenches with crystal-embroidered shoulders; silk tops in Edwardian rugby shirt colors with plissé pajama pants. These were the clothes that the cast most enjoyed being seen in this June. Always a telling sign.

Dior

Dior Men – Spring-Summer2026 – Menswear – France – Paris – ©Launchmetrics/spotlight

In the season’s biggest debut, Jonathan Anderson at Dior, the Northern Irishman zoned in on the house’s DNA—especially womenswear designs by Monsieur Dior himself—to create a powerful, pathbreaking fashion statement. Like Monsieur’s famed Bar Jacket whipped up in Donegal tweed. Or Monsieur’s Autumn 1948 multi-fold Delft dress made in silk faille that morphed into multi-leaf white denim cargo shorts. Or Christian’s Autumn 1952 dimpled moiré coat, La Cigale, that became undulating men’s greatcoats. Turning Dior’s DNA upside down for the 21st century—and about time too.

Craig Green

Craig Green – Spring-Summer2026 – Menswear – France – Paris – ©Launchmetrics/spotlight

The most fertile imagination in menswear, Craig Green helped close out the season with a show that was simply sensational. Riffing through materials, epochs, cultural references and diverse artistic moods, Green developed a Beatles-inspired psychedelic fantasy that lesser talents can only dream of even imagining. While his multi-tagged and tied opening straightjackets were the season’s best—and boldest—look.

Taakk

Taakk – Spring-Summer2026 – Menswear – France – Paris – ©Launchmetrics/spotlight

Takuya Morikawa of Taakk staged the final official show of Paris menswear—and talk about a sweet F-finale. Morikawa wants men to be sophisticated next summer, with all manner of innovative dyeing processes and silhouette-enhancing details. Elegant light coats were given volume through multiple sculptural embroideries, made in ribbons drawn from the same fabric as the garment. Dévoré technique coupled with foam printing processes created indistinct fusions of printed motifs, embroidery and gradient effects. Surface chic at its best.

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Guizio expands retail footprint with Miami store opening

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December 14, 2025

New York–based fashion brand Guizio is expanding its retail footprint with the opening of its second store, at Aventura Mall in Miami, this month. 

Guizio expands retail footprint with Miami store opening. – Guizio

Designed in collaboration with Brandi Howe, the new Miami store reflects the brand’s refined aesthetic and contemporary edge, while introducing elements inspired by Miami’s vibrant energy. 

It opens with a robust assortment of womenswear, along with an exclusive, limited-edition Puma sneaker available only at the Miami location.

“Opening a Guizio store in Aventura Mall is such a special moment for me,” said Danielle Guizio, founder and designer. “It allows us to connect with our community here and share the brand’s energy in a new way. Bringing our world to Miami felt like a natural next step in growing Guizio, and we’re so excited for what’s ahead.”

Guizio founded her namesake womenswear label in 2014 and continues to offer ready-to-wear collections that celebrate the modern-day woman.

Through her collections, woven knits, structured suiting, and signature corsets are emboldened with asymmetrical details, purposeful cut-outs, ruching and custom hardware. The label has become a favorite among talent such as Sabrina Carpenter, Olivia Rodrigo, Rosalia, and more.

The opening follows the success of the brand’s SoHo flagship in New York, which opened in September 2024. 

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Santiago Cucci on IKKS: ‘It’s time for us to refocus on our flagship brand’

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December 14, 2025

In October, this was not necessarily the frontrunner in the race to take over the IKKS Group. The French premium ready-to-wear specialist, owner of the eponymous brand as well as One Step and I.Code, attracted around a dozen bidders after being placed in receivership at the start of autumn, including the respective owners of The Kooples, Pimkie, Morgan and Caroll.

But in the home stretch, the duo of Michaël Benabou, co-founder of VeePee (then called Vente Privée) and head of the investment company Financière Saint James, and Santiago Cucci, a specialist in premium ready-to-wear and former head of the Levi’s and Dockers brands, who for a time supported the leadership of Dutch label G-Star, strengthened their bid. The entrepreneur, a sports enthusiast who knows the case well, having taken over as chairman of the HoldIKKS holding company last year, knows that competitions are decided right up to the last minute. Despite the loss of almost half the workforce, their offer, which safeguards 546 jobs and includes 119 directly operated stores, won the backing of the group’s works council (CSE) and was formally approved by the Paris Court for Economic Activities.

A few hours after the decision was made official, Cucci outlined his roadmap for IKKS to FashionNetwork.com.

Santiago Cucci headed Levi’s in the United States and set a new tone at Dockers – Archive Dockers

FashionNetwork.com: What was your reaction to the announcement of the court’s decision?

Santiago Cucci: We’re delighted to be taking over this iconic brand. I think it’s a brand that touches the hearts of the French. We all have a history with IKKS, whether from our younger years or through our children, often tied to festive moments. This means there’s a whole generation entering adulthood already very familiar with the brand and feeling positively towards it. That’s the capital we’re taking on today. And this affinity extends well beyond end consumers: of the 118 affiliates we contacted, 116 said yes.

FNW: Because beyond the 119 directly operated stores, you had to convince partners to come on board…

SC: Whether with affiliates, suppliers we had to renegotiate with, or across the entire value chain through to consumers, I believe the whole ecosystem still holds the brand in very high regard. Our job now is to make the brand desirable, using digital tools that deliver a strong and seamless customer experience.

FNW: You’re keeping 546 jobs, many of them in stores. What are the next steps, particularly on the social front?

SC: As we’re taking over the company, on Monday I’ll be in Saint-Macaire to meet the employees who are part of the project. We’ll be putting together a new management team across most functions over the next few weeks. I would like to thank the management team, who have done their utmost to steer the company through difficult conditions in recent years. In our takeover plan, we have committed to investing 700,000 euros to acquire the brand’s assets and inventories, and 700,000 euros to contribute to the PSE. Matters concerning those who are leaving will be handled by the court-appointed liquidator. However, we intend to rehire a few people to help secure the path forward over the coming months.

FNW: In your plan, a number of activities were to be discontinued. Where are you going to focus your efforts?

SC: We’re refocusing on IKKS’s adult business. We’re putting the junior business on hold. Even though that’s the brand’s roots, in France the leading player in the junior market is the second-hand segment. We have to accept that reality. But those consumers who were juniors are now adults and already have a relationship with the brand. At the same time, the group had been managing I.Code and One Step. It’s time to refocus on the flagship and discontinue the two brands and childrenswear. It’s important to note that the junior segment accounts for 82% of IKKS’s losses.

The IKKS Junior line will be put on hold
The IKKS Junior line will be put on hold – IKKS

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FNW: Does this mean that you think the adult part of IKKS, the core on which you’re refocusing, could be profitable fairly quickly?

SC: You’re right. As early as the first year—2026, which will be a transitional year—we have a profitable business model, with reinvestment back into the company.

FNW: Alongside the buyout, you announced a 16 million euro investment package. What are your investment priorities?

SC: We’ve budgeted almost 17 million euros to get the supply chain engine up and running again. It’s a real machine. We’re going to invest in boosting the brand’s desirability, and in IT infrastructure that is from another era, which we’ll upgrade in the first quarter. In my experience, I’ve always been quick to transform companies.

FNW: What will you bring over from your experience at Levi’s and Dockers? What do you think is essential to the successful evolution of a brand?

SC: We’re going to clarify the brand’s identity and values. We’ll enhance the customer experience, particularly by engaging more meaningfully with our community and relying a little less on promotions alone. To do this, we’ll invest in infrastructure and in our go-to-market. We’ll invest in production capabilities so we can be more flexible and hold inventory that matches market needs. We want to be less dependent on promotional periods.

FNW: Is the idea also to reduce the share of revenue coming from markdowns?

SC: You have to be clear about prices. You can’t set a price and then run permanent promotions afterwards. So we’re going to bring more clarity for consumers to the pricing structure, especially at the start of the season. By the way, the design team has done a great job, which is why we’re keeping them on. Now we’re going to make this offer more visible, with a pricing structure that has to be logical. Encouragingly, the results for this reworked adult offer are positive.

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Anders Rahr, CEO of Danish brand NN.07, sets out to conquer US market

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December 14, 2025

Launched in 2006 in Copenhagen, Danish menswear brand NN.07, founded by Victor Lindh and Ulrik Pedersen, is taking on the American market. After opening a store in Soho last year, the sustainable, minimalist, and timeless Danish wardrobe will be coming to a new store in Los Angeles in 2026. CEO Anders Rahr explains the brand’s ambitions to FashionNetwork.com.

Anders Rahr, CEO at NN.07 – DR

FashionNetwork: When did the brand enter the U.S. market, and how well is it received by the Californian public today?
Anders Rahr: We’ve had a U.S. presence through wholesale for several years, and 2024 marked a more strategic step forward with the opening of our first retail store in Soho, New York. 
California has grown into one of our most engaged regions – both online and through retail partners. There’s a strong appreciation there for well-crafted, versatile pieces. People are really connecting with our timeless – yet expressive – take on menswear, and our focus on everyday wearability.
 
FNW: You have stores in New York, Copenhagen, and London. Are you considering other openings in the U.S.?
A.R: Opening in Soho was a milestone for us. It’s our first physical space in the U.S. – in a city where we’ve experienced a consistent demand. The store gives us a chance to offer the full NN.07 experience: the product, the atmosphere, and the details that define us. 
We’re currently searching for the right location in Los Angeles and are aiming to open there in the second half of 2026. As with all our stores, it will be a thoughtful step, relevant for the city and built for a long-term presence.

FNW: What other developments does the brand have in mind for the American market? 
A.R: The U.S. is a key growth market for us. We have a team on the ground and local warehousing in place to support that growth. Wholesale remains a vital part of our model – we work with around 600 stockists globally – including strong U.S. retailers. However, the number of stockists is secondary to the relationship we have – we grow through partnerships that share our values on brand, quality, and how the consumer is served. We’re also looking with interest at other key cities in the U.S. for future retail opportunities, guided by where we see strong engagement. At the same time, we’re widening our partnerships with some of the country’s leading retailers to deepen our presence.

NN.07 Soho store
NN.07 Soho store – DR

 
FNW: Your brand will soon celebrate its 20th anniversary. How has it evolved over the last 20 years and how do you explain its current international success?
A.R: NN.07 has always been grounded in timeless design and quality craftsmanship. Over time, we’ve grown – first across Europe and now globally – by staying consistent and building deep relationships with partners and consumers. It all comes from that clarity: we focus on doing a few things really well. Our focus remains on the product – creating the future classics. Garments that hold up, that people come back to, and that speak to a considered way of dressing. 
What’s ahead feels even more exciting than what’s behind.
 
FNW: Other Scandinavian brands are also doing well in California, such as Toteme, Anine Bing, and Ganni. How do you explain this new interest in Scandinavian brands in the American market?
A.R: There’s a growing interest in brands that offer both quality and a clear point of view on timeless design. For us, it’s less about where you come from and more about the mindset you bring. Scandinavian design culture values purpose, restraint, and longevity – and when it comes to us, we have built on that with a design language that feels richer and more globally attuned. That balance seems to resonate in the US. We focus on creating garments that feel personal, adaptable, and made to last – pieces that are meant to be lived in.
 
FNW: Are there any other international developments planned in other markets?
A.R: Yes, and our international approach is a city-by-city thinking. We have just opened dedicated space at Galeries Lafayette in Paris, and Harrods in London. We’re also preparing for further expansion of selective retail and wholesale in key cities across Europe and North America where we already have a loyal following and long-term potential.

NN.O7 winter collection
NN.O7 winter collection – NN.07

FNW: Have you partnered with anyone in particular to accelerate your new developments?
A.R: We’ve been fortunate to build strong partnerships – both with leading retailers and experienced talent. Across markets, we work closely with people who understand both our brand and the local landscape – whether that’s through retail, distribution, or strategic collaborations. In the U.S., we’ve brought on Justin Berkowitz (former men’s fashion director of Bloomingdale’s) as strategic partner to drive our retail expansion. His perspective and background in American menswear are a real asset as we grow.
 
FNW: How do you approach sustainability? Do you still limit production volume?
A.R: For us, responsibility isn’t marketing – it’s a way of working. It guides how we design, what we produce, and the partners we work with. Building a strong brand also means building a better one.
We make garments that are built to last – in both quality and style. That means designing with purpose, reducing waste and carbon impact, moving to plastic-free packaging, and choosing long-term suppliers we trust. We don’t have all the answers, but we stay transparent and committed to progress.

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