UK fashion catalogue and online retailer Damart is expanding its UK business into physical stores. And the “big adventure” begins by building on its four-month association with Associated Independent Stores (AIS).
Damart
As part of the brand’s retail expansion, Damart is to first open an in-store concession with Sheffield independent department store Atkinsons on 3March.
But the big news is the retailer has also secured concessions with British Garden Centres, starting with three stores opening in Morpeth (1 March), followed by Gloucester and Rugby, with “many more locations across the UK… in the pipeline”.
Alison Fisher, trading and merchandise planning director at Damart, said: “This [expansion] is part of a new era for Damart UK and a successful build on our membership of AIS, as we work with members to broaden their offering to the 55+ female customer.”
She added: “In addition, working with British Garden Centres taps directly into our customer base, as we know there is perfect synergy with their customer and ours. We’re looking forward to having our customers be able to touch, see and feel our range in store, so they can fully experience the quality and dedication to detail, and try on a range of inspiring looks.”
Damart currently has one physical store at its Bingley (Yorkshire) headquarters… “so expanding into physical stores will enable customers to engage with the retailer in a way that is not possible online and in print, significantly reinforcing its brand appeal.”
Two like-minded “leading and legacy” brands in contemporary occasionwear are now linked up. Club L London has acquired Lavish Alice (for an undisclosed seven-figure sum) “uniting two leading, legacy brands”. They will continue to operate as a standalone brands.
The “strategic move” marks Club L London’s first acquisition and includes all aspects of Lavish Alice’s operations… intellectual property rights, website, inventory, social media accounts, and customer data, the new owner said.
“This comprehensive integration strengthens Club L London’s market position and accelerates global expansion, positioning both brands for enhanced growth and innovation in the fashion industry,” it added.
And behind the acquisition is a £44 million 2004 turnover, a 51% year-on-year increase.
“Club L London continues to drive strong results through strategic investments and operational innovations. With Lavish Alice joining its portfolio, the brand expands its design-led luxury offering, furthering its vision for a scalable, multi-brand platform” Club L said.
“Alice is poised to scale, innovate, and reach new levels of success while staying true to its distinct identity”, the new owner added.
Katie Randev, founder and CEO, added: “This acquisition is a strategic step in our journey to scale globally and further elevate our brand portfolio.
She added: “Bringing Lavish Alice into the Club L London Group strengthens our market presence and reinforces our position in the premium fashion space. It’s a brand I’ve always respected for its design integrity and strong identity.”
Lavish Alice founders Lee Bloor and Matthew Newton added: “From being stocked in world-renowned retailers to dressing A-list celebrities, Lavish Alice has been a true labour of love. We are proud to pass on our legacy to Club L London, a leader in the occasionwear space, and look forward to seeing the brand continue to thrive in its next chapter.”
Luxury business Lanvin Group reported its 2024 full-year preliminary revenues on Friday (ahead of its earnings report due in April) and it was clearly a tough period for the firm as it reported revenue down as much as 23% to €328 million.
The company said this reflected “a transitional year marked by creative evolution and strategic realignment amid market headwinds”.
The Lanvin, Sergio Rossi, Wolford, St John and Caruso owner also said it was prioritising “creative renewal and operational agility amid [the] evolving luxury landscape”.
So let’s look at the figures in detail. The Lanvin brand’s revenue dropped 26% to €82.7 million, while Wolford was down 31% at €87.6 million. Meanwhile, St John dropped 12% to €79.2 million and Sergio Rossi plummeted 30% to €41.9 million. Caruso was down ‘only’ 7% at €37.1 million.
If we look at the figures by geography we can see that EMEA was down 28% at €145.3 million while revenue in North America fell 13% at €128.58 million. Greater China plunged 37% to €33.29 million and the rest of the world was down 12% at €20.9 million.
Moving on to look at the figures by distribution channel, the company said that direct-to-consumer/e-commerce revenue fell 19% to just over €200 million while wholesale was down 28% at €115.8 million. Other revenue fell 31% to just over €12 million.
Softening market, strategic agility
Clearly, those numbers don’t paint a pretty picture and the group said that it had to deal with “a softening market in FY2024”. But it also “demonstrated strategic agility by proactively aligning its operations with evolving market conditions”.
While those preliminary revenues “reflected broader industry trends, the group’s decisive actions — including optimising its retail network and enhancing operational efficiency — underscored its commitment to long-term prospects,” we’re told.
It explained that its diversified brand portfolio “demonstrated varying degrees of resilience in 2024”. Of course, it’s important to remember that every single one of the brands saw revenue dropping, most of them by double digits.
Sergio Rossi
Yet although both St John and Caruso revenues were among the falls during the year, the company seemed pleased with their performances overall and said they “showed stability, underscoring the strength of their loyal customer base and distinct market positioning”.
Wolford was in a much worse position with that 31% revenue decline. The company “faced temporary disruptions in logistics and was affected by a macroeconomic downturn,” we’re told.
Meanwhile, Lanvin and Sergio Rossi, “despite facing industry-wide headwinds, embraced bold creative renewal, setting the stage to redefine their artistic visions and chart a course toward future growth”.
As for those revenue numbers by region, Lanvin Group said that it saw “stability in Japan and North America” while EMEA and Greater China “experienced softer demand”. In fact, last year EMEA endured “a decline in wholesale purchases, reflecting a cautious distributor sentiment, particularly affecting Lanvin and Sergio Rossi”.
In Greater China, “sales continued to underperform compared to the previous year, during which the group implemented targeted strategies to reignite growth in this key market”.
Japan and North America “demonstrated greater resilience in the face of these challenges, underscoring the strength of Lanvin Group’s brand equity in these regions”.
St John
It added that this year is “poised to be the cornerstone of future development, with a strengthened leadership team and bold creative visions set to reinvigorate the group’s portfolio”.
The group is “enhancing its management capabilities by developing a dynamic leadership team under the new executive president, Andy Lew, and establishing a second headquarters in Europe to strengthen local presence while optimising decision-making efficiency”.
It has also “proactively consolidated its store network, focusing on core business units and optimising its retail footprint” while the appointment of a new artistic director and creative director at Lanvin and Sergio Rossi, respectively, “is expected to boost sales, with Peter Copping‘s debut show in January 2025 receiving widespread acclaim”.
It’s all about ‘Raw Power’ this spring/summer for Agent Provocateur as the 30-year-old high-end lingerie brand presents its seasonal collection and accompanying campaign.
Grrrrrrrr-power fromAgent Provocateur
Already famous for its edginess, the brand’s collection is said to be a “bold and electrifying tribute to the essence of sexuality, individuality, and unapologetic self-expression”. It’s brought to life in a campaign shot by British photographer Charlotte Wales, in collaboration with the brand’s creative director Sarah Shotton and stylist Karen Langley.
At the heart of the collection lies the idea of “stripping back to the basics of what it means to provoke… not through noise or spectacle, but through a woman’s innate, primal power”.
So for SS25, lingerie becomes “an extension of the wearer, fitting like a second skin and enhancing her fierce allure”.
It’s also more than just clothing, we’re told: “It’s an intimate companion to her moments of passion, wherever they may take place”.
Shotton’s collection takes inspiration from the “boldness of women throughout the decades, marrying vintage touches with a distinctly modern edge”. It takes references from classic Americana and the edgy glamour of 90’s London (when and where Agent Provocateur was first conceived) and reinterprets them in a contemporary way, “resulting in a look that feels both nostalgic and refreshingly current”.
Fine silk and French lace are adorned with crystals, while black PVC is softened with bows to reimagine the femme fatale. Intricately embroidered details, gold-plated chain accents, and showgirl-esque tassels “add an air of opulence, creating a mood that is both daring and luxurious”.
Signature pieces from this collection include elevated bridal designs crafted from delicate tulle and hand-finished embroidery, alongside swimwear, “kink-inspired” dress-up designs and the return of some reimagined past-favourites.
So SS25 “is a celebration of choice, with no setbacks, only the freedom to express every facet of the feminine identity”.
The SS25 collection is available online and in stores worldwide now.