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Crew Clothing results show another strong year for expanding firm

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January 5, 2026

Crew Clothing’s accounts for 2024 show an improving trajectory at the business that continued its ambitious expansion plans in 2025.

Image: Crew Clothing

The accounts, newly filed at Companies House, show turnover rising to £123.39 million in the 52-week period from £117.16 million in the previous period (which was actually a 53-week one). 

Meanwhile adjusted EBITDA rose to £23.99 million from £18.21 million. 

Comparing the two years on a 52-week basis, turnover increased by 7% with significant growth across its core channels. E-commerce – that is, its own website – was up 14% and its stores rose 9%. That included underlying like for like stores growth of 4% with new openings driving the rest of the increase. Sales through third parties and wholesale made up a smaller portion of the business as it expanded its own channels, dropping back by 3% versus the previous year.

The adjusted EBITDA figure was up impressively and was driven by the strong sales performance as well as the cost of sales increasing at a much slower rate.

Meanwhile profit after tax for the latest year came close to doubling, reaching £19.4 million after £11.2 million in the previous period. 

Earlier in the year the company had already shared the news that its Christmas and Q4 2024 performances were strong. In weeks 51 and 52 of the trading year, total business sales increased an impressive 45% compared to the previous year. Within this, digital demand leapt 70%, “reflecting the growing shift to online shopping”. Meanwhile, store estate net sales rose by a very strong 22%. And third-party channel sales also grew by 34%, driven by partnerships with retailers such as M&S and John Lewis.

In Q4 as a whole, total like for like sales were up 17% and the company also reported a record-breaking Black Friday period, with total business sales growing 23% from the peak trading period of Black Friday through to the end of December. 

As mentioned, the year saw the company focusing heavily on its own channels and this continued into 2025. 

Last year saw more new stores in key locations, an entry into athleisure, and further investment in tech to streamline and optimise its processes.

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Hanna Andersson names new digital chief

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January 7, 2026

Hanna Andersson announced on Tuesday the appointment of Kacey Sharrett to the role of chief digital 0fficer at the premium children’s apparel brand.

Kacey Sharrett – Courtesy

In her new role, Sharrett will oversee the Portland, Oregon-based company’s digital ecosystem and customer experience, “leading strategies that strengthen acquisition, engagement, and loyalty as the brand continues to advance its digital capabilities,” according to a press release.

With nearly two decades of leadership experience across digital, direct-to-consumer, e-commerce, performance marketing, and omnichannel strategy, Sharrett most recently served as head of direct to consumer at GoPro, where she led global e-commerce and performance marketing initiatives.

Prior to that, Sharrett was vice president of e-commerce and digital 0perations at Barnes & Noble, after 15 years in leadership roles with Toys “R” Us and Babies “R” Us, developing operational and digital expertise.

“Kacey brings a powerful combination of strategic vision, digital depth, and operational leadership,” said Aimée Lapic, chief executive officer of Hanna Andersson.

“Her experience modernizing digital capabilities, developing high-performing teams, and driving performance marketing at scale will be invaluable as we continue advancing Hanna’s own digital foundation and unlocking new ways for customers to experience our brand.”

Founded in 1983, Hanna Andersson is known for its Swedish-inspired luxury kids clothes and pyjamas sets. In 2016, Private equity firm L Catterton acquired the premium children’s apparel and lifestyle brand.

 

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Fabletics launches first athlete-curated collection with Ja’Marr Chase

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January 7, 2026

Fabletics has launched its first-ever collection created in partnership with a professional athlete, unveiling an exclusive men’s line with American football star Ja’Marr Chase.

Fabletics launches first athlete-curated collection with Ja’Marr Chase. – Fabletics

The collaboration marks the brand’s debut athlete ambassadorship and signals a new phase in the evolution of Fabletics Men, which was introduced in 2020.

“In partnership with Ja’Marr, we’re ushering in a new era for Fabletics and how we disrupt men’s apparel,” said Fabletics co-founder Don Ressler. “This collaboration is about the intersection of peak performance, something that Ja’Marr embodies on and off the field, and unmistakable personal style. It’s a combination that, yet again, sets Fabletics apart from the pack – bringing bold confidence, unique innovation, and unmatched quality to the category.” 

Branded with the tagline “Chasing No One,” the two-part collection draws inspiration from Chase’s lifestyle and is designed to support the modern man. The first drop includes core styles from Fabletics Men’s best-selling “The One” franchise, a natural link to Chase’s nickname, “Uno,” alongside limited-edition graphic T-shirts and hoodies co-created with the athlete. The collection also introduces DNA, a new Fabletics silhouette derived from the arch of the brand’s “F” logo.

In addition to new designs, the collection features several of Fabletics’ established men’s styles, such as The One Jogger and Short, the Effortless Tee, the Don Cruiser Jacket and the Convertible Travel Bag. Looking ahead, the second drop will debut GridTech, a new proprietary fabric developed to deliver warmth without added weight.

“As an athlete, what I wear is not only a reflection of my personal style, but a testament to the importance of how I move on the field, in the gym, and in all aspects of my life,” said Chase. “Fabletics has allowed me to create a  collection that’s not only about looking bold 24/7, but how fashion and performance go hand-in-hand in helping build your confidence in being the best.” 

Chase joins Kevin Hart as a leading figure for Fabletics Men, which has grown into a $300 million business since its launch.

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‘Art and Fashion in the Gulbenkian Collection’ exhibition to open in Lisbon, featuring Alexander McQueen, Balenciaga, Givenchy and Vivienne Westwood

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January 7, 2026

The Calouste Gulbenkian Foundation (FCG), located next to Praça de Espanha in Lisbon, has announced that the exhibition entitled ‘Art and Fashion in the Gulbenkian Collection’ will open on April 18, presenting iconic and enigmatic works by Portuguese and international figures. Running until June 22 in the Main Gallery and closed only on Tuesdays, the exhibition “invites us to enter a space where art breathes fashion and fashion awakens art,” said the eponymous foundation, named after the Ottoman Armenian petroleum engineer and businessman who was born in Istanbul, Turkey, became a naturalised British citizen, and later settled in the Portuguese capital.

Gulbenkian.pt

Curated by Eloy Martínez de la Peña, the exhibition is accompanied by a catalogue illustrated with photographs by Jon Cazenave, shot exclusively for this project, which forms part of the FCG’s 70th anniversary celebrations.

“What links Vivienne Westwood to the French 18th century? Guo Pei to an Ancient Egyptian funerary mask? Balenciaga to an Assyrian bas-relief? Or Alexander McQueen and the House of Givenchy to Japanese prints?” read the foundation’s website.

“In a sensory experience, works from the Gulbenkian Collection are set in dialogue with leading figures in haute couture and contemporary design, revealing forms, symbols and gestures that transcend time,” it explained.

“Starting from Calouste Sarkis Gulbenkian’s (1869–1955) deep interest in art and fashion, the exhibition begins by showing how the Gulbenkian couple followed the trends of their time,” it continued.

“The richness and diversity of the Gulbenkian Collection — with works of art from Ancient Egypt to the 20th century — allow us to explore how recurring motifs in the history of art are taken up and reinterpreted by contemporary fashion, in national and international contexts.”

This is a journey through around 100 works from the Gulbenkian Museum, shown side by side with 140 garments by names such as Alexander McQueen, Balenciaga, Dior, Jean Paul Gaultier, Versace, Vivienne Westwood and Yves Saint Laurent, to name a few, not forgetting Portuguese designers such as Alves/Gonçalves, José António Tenente, Maria Gambina, Nuno Baltazar and Nuno Gama.

“Paintings, sculptures, jewellery and other objects enter into dialogue with fashion pieces that reinvent, narrate, decipher or complete them,” the exhibit website also stated. “These are unexpected encounters that show how the aesthetics, ideas and sensibilities that inhabit this Collection can illuminate the world of fashion.”

In short, it is an invitation to “understand how beauty travels through time”, via diaphanous couture gowns that reveal to the attentive eye what “texts do not always say: hierarchies, aspirations, social rituals, silences and revelations.”

“From classical painting to contemporary design, clothing becomes a mirror that shows that art and fashion have always shared the desire to narrate the human condition,” it concluded.

This article is an automatic translation.

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