Atelier Tuffery has been steadily expanding—not just in sales, which grew by 20% between 2023 and 2024 to reach €4.6 million before tax, but also in purpose. Since taking over the family business in 2014, Julien Tuffery, the fourth-generation descendant of founder Célestin Tuffery, and his partner Myriam have remained focused on reinforcing French craftsmanship and local production.
The Atelier Tuffery factory in Florac – DR
At the end of 2024, this approach led to the integration of two shepherds into the company and the purchase of 150 Merino d’Arles ewes, which gave birth to lambs. After the first lamb births, Atelier Tuffery now has a flock of 300 head. The company harvested the wool in the spring, which will be incorporated into some 1,500 products in its Autumn-Winter 2025/26 collection. It seems an anachronistic choice in a fashion and textile world with a fragmented value chain, but one that the company’s management has accepted.
Eventually, the company will have 500 animals. – Justine Hern
For more than ten years, the couple has been steadily expanding their range of jeans, priced between €100 and €250, combining classic and contemporary silhouettes, and their local production. Their Florac workshop soon became too small, and in 2022 the company invested €2.5 million to structure its production and inaugurate a 2,000-square-meter factory, open to the public.
By prioritizing production tools over communication, Atelier Tuffery is betting on creating a buzz around the values of quality, social and environmental responsibility, and proximity, with three-quarters of its products made in its workshops. Despite a complicated consumer environment, the brand continues to grow. It boasts a gross operating profit margin of 10%, enabling it to launch a new emblematic project with the creation of its own flock of Merino ewes.
“It’s a question of consistency and sincerity. To explain the decision to buy our own ewes, I have to point out that we’ve embarked on a long journey. I think that tomorrow we’ll be selling a pair of pants not just because they’re beautiful and well-made, but also for the whole story behind them. We were 30 years old when we took over the company, and we want to pass on the keys to a company that will be at the cutting edge in 30–40 years. Over the last ten years, we have invested in tools, manufacturing, transmission, and training. This represents some €7–8 million, but we’ve been able to do it while remaining profitable. If we had invested in advertising or marketing, Atelier Tuffery would certainly have a totally different reputation. But what would we have left behind? Our vision is that thirty years from now, we won’t be able to afford a model whose raw materials are mainly cotton and elastane, which means petrochemicals. But we can’t build everything we do on garment making, transmission, and manufacturing transformation if we don’t control our raw material sovereignty.”
A mastered value chain
Over the past ten years, the company has gradually worked its way up the value chain, initially securing its canvas suppliers, claiming to work with four weavers: the last Tarn workshop bought out four years ago, a workshop in the Vosges, a family-run company in northern Italy, and a Spanish denim manufacturer, Royo.
On the knitwear side, the brand works with French companies Malterre and Lemahieu. Even if, for pragmatic reasons, it retains a small proportion of its range incorporating 1.8% elastane, the company has also set about diversifying the materials it uses.
Julien and Myriam Tuffery – Justine Hern
In addition to cotton, denim’s flagship material, the brand exploits and energizes the supply chains of other French resources (which also enable it to claim a carbon impact three times lower than that of other jeans on the market), such as linen, hemp, and wool. For the last ten years, the company has been working with Merino sheep breeders in the south of France to add value to French wool, and claims to have recovered 15 tons of wool by 2024. This approach has enabled the company to state that 20% of its sales are now generated by products whose cotton has been replaced by locally sourced bio-fibers.
By 2025, Atelier Tuffery will have taken a further step towards developing products for which it controls the entire value chain, from agropastoralism to sales in its Montpellier workshop and store.
“The wool project was very close to our hearts because it comes from our region, which is classified as a UNESCO World Heritage Site for its sub-Mediterranean agropastoralism. For hundreds of years, transhumant flocks of sheep have shaped these territories. When we want to build a common-sense sovereignty, we turn to productions adapted to the territory. Wool is one such product, even if the industry has collapsed with the development of globalized cotton and synthetic materials. We’ve worked hard to redeploy the industry in Occitania. There are thousands of tons of wool in our region, and it would be a shame not to use it when it is burnt. When Myriam and I started knocking on farmers’ doors to use local wool in our jeans, we were seen as crazy. It took a lot of R&D to find the best blends of materials, but we did it!”
The company has structured its processing chain for wool collected in Lozère. It is then washed in Sologne at Laurent Laine, before being combed at Dumortier in Tourcoing. Next, the material is sent to the Filature de Dreuilhe in Ariège, before being sent to the Tissages d’Autan in Tarn, and finally to the Tuffery factory in Florac, where the garments are made. After collecting some 15 tons last year with its partners, the brand aims to maintain this harvest of Lacaune wool and add some two tons of its own Merino wool production within three years.
“We’re finally starting to get to the heart of why I believe in reindustrialization: to reach volumes that allow us to have logical industrial operations. But we’ve had to work hard, because we have to sell them. Integrating our own wool is the last stage of the rocket. Having our own Merino wool gives us a very clear vision of wool quality. And we’re confident that this will spread throughout the region.”
A strategy rooted in agropastoralism
For Julien Tuffery, the choice to build up this herd is a defense of agropastoralism, with animals that live freely all year round and are thus more resistant to disease, weeding the vineyards of the Hérault in winter and ascending via the Mediterranean garrigues to the plateaux of Lozère in summer. Like its production, this herd reinforces the brand’s terroir image. But the integration of this activity is also based on the company’s need to secure its supplies.
“This project has very substantial costs, but we couldn’t carry it out without integrating it. These sheep serve our daily needs, because we’re more than just a jeans brand. We’re a local player. We’re able to finance it because it’s part of the company’s overall economy, with a logic of ‘brand that makes, brand that sells’. Today, we’re doing it with our financial strength, so we can say to ourselves that in twenty years, we’ll have built up a herd of woollens that will enable us to design tomorrow’s business models,” says the entrepreneur. “We were quite traumatized by what happened to linen. Linen twill fabrics are now selling at around €35 a meter, excluding tax. It’s complicated because Asian countries are pre-empting us. If we can avoid this scenario with wool, all the better.”
A product with “a story to tell”
The CEO admits to an obsession with mastering his business model, taking the time to build and consolidate the different strata of his project. He focuses on profitable growth, making sure to gradually increase his production capacity to meet demand on his e-commerce site, at his factory, and in the Montpellier boutique opened last year.
Justine Hern
“We thrive in digital, but perform better physically because our in-person experience aligns more with who we are—an excellence of products to touch, a strong story to tell. But we don’t make any commercial decisions that might damage our values. Before developing a network of boutiques, we need to be sure we have the products to sell in those boutiques. You need factories and supply chains that stand the test of time. At a time when many companies were accelerating their commercial rollout, we insisted on our production facilities. We are super manufacturers: what’s important is that we generate a super margin. We have very solid shareholders’ equity. That’s cool, because when you go to see your banker, that’s the first thing he looks at.”
This focus on profitability is underpinned by a vision of financial autonomy to drive long-term transformation. With this in mind, Julien Tuffery admits that for the time being, he is not considering developing wholesale sales, as the margins of resellers today do not allow him to maintain prices in line with the market, in his opinion.
“That would mean a retail price of less than €40,” he says. “Right now, at €40, I’ve made half a pair of pants. I don’t want to change our model. In 1983, my dad went from 60 to three people in a village of 2,000 inhabitants, because big retailers left for North Africa overnight. We’ve learned a lesson from this, and a great deal of humility about development.”
On the other hand, Atelier Tuffery is looking to the future. Its industrial model is designed to be duplicated in other regions, with sites that are “hyper-human, hyper-agile, hyper-competent, hyper-versatile” and able to respond rapidly to local needs. But the next important step will be commercial. The brand feels ready to open new stores under its own name.
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The world’s largest fashion retailer staged a stock-market comeback this week as Inditex SA’s push to differentiate itself from fierce ultra-low-price competition shows signs of bearing fruit.
Inside a Zara store – Zara
The owner of Zara, Bershka, and Massimo Dutti has seen its shares jump 14%, putting them on track for their best week in five years. Strong third-quarter results, coupled with accelerating November sales, were seen as evidence of the company’s resilience against weaker consumer sentiment.
This week’s surge put the stock on course for an annual gain, after what had previously looked like a lacklustre 2025. Inditex- whose second-largest market is the US- had been punished for its exposure to tariffs and a weaker greenback, amid concerns about softening consumer demand and intensifying competition from Chinese fast-fashion firms.
While its 10% rise this year trails the 50% jump for UK retailer Next Plc and the 19% gain at Sweden’s Hennes & Mauritz AB, Inditex is now outperforming the broader European retail sector. Analysts have welcomed the firm’s push to steer its Zara and Massimo Dutti brands further into the premium segment as it seeks to outmuscle competitors such as Shein and Temu. “The strategy is not to chase ultra-low prices, but to deliver premium-looking products at a good-value price point,” Alphavalue analyst Jie Zhang wrote in a note.
After this week’s rally, Inditex is trading at a substantially higher valuation than peers at 26 times forward earnings- on par with luxury behemoth LVMH. The firm’s strong third-quarter earnings reinforce “the quality of the business and will make investors question whether the right peer group for this company is luxury rather than retail in our view,” said Deutsche Bank AG analyst Adam Cochrane.
Inditex’s latest trading update spurred upward earnings revisions and price target upgrades, with more bullishness among brokers likely to follow, as the current consensus 12-month forward price target doesn’t leave any room for further upside. “These growth levels should provide reassurance of the continued opportunity for outperformance, including into 2026,” said JPMorgan & Chase Co. analyst Georgina Johanan.
A partnership between Agromethod Labs and CITEVE is advancing hydroponic cotton cultivation, a project that could make Portugal the only country in Europe to host the entire cotton value chain, from fibre to clothing.
Agromethod Labs was founded earlier this year with the mission of developing more sustainable, future-oriented agricultural solutions. Its founder, Raquel Maria, a chemist by training with a long track record in academic research, explains that the impetus to create thestart-upstemmed from a personal concern.
“Academia allows us to change the world on a small scale. I felt it was time to bring that knowledge into the real world and have a greater impact on future generations,” she told Portugal Têxtil.
Although Agromethod Labs works across several fields, cotton quickly stood out, building on previous research, notably by researcher Filipe Natálio, currently at the Applied Biomolecular Sciences Unit (UCIBIO) of the School of Science and Technology at Universidade Nova de Lisboa (NOVA FCT). “But we want to continue working on other types of crops and other seeds. Agromethod Labs is bigger than cotton,” she says.
Approaching CITEVE marked a turning point. According to the founder, the hydroponic cotton project “was very much on paper” and required initial investment and a solid technological partner. “CITEVE was decisive. It came along at the right time and finally gave us the opportunity to get started with something that we had already thought about extensively, but which was not yet in a position to move forward,” she says.
The collaboration has made it possible to implement a functional mini pilot, already with measurable results, and to prepare the next phase: a larger-scale pilot that will incorporate vertical farming to maximise the production area.
Advantages and challenges
Hydroponic cultivation offers significant advantages, notes Raquel Maria. “We can grow anywhere in the world, without reliance on sunlight and without geographical limitations,” she explains. It also enables continuous production. “We are no longer limited to a single annual harvest. We can get three or four harvests a year,” she says.
Early results also show improvements in the fibre. “We have obtained cotton with better mechanical properties and greater whiteness, which can reduce some stages in textile processing,” says Raquel Maria.
Even so, the founder of Agromethod Labs recognises that there are challenges, particularly in terms of costs, since this cultivation technique is more expensive. However, incorporating vertical farming in the new pilot could help. “If we double the production area, we can get closer to the economic viability we want,” she believes. Considering the higher costs and added value of the fibre, the raw material produced “in the initial phase will be directed to specialised markets,” she says.
The small-scale production carried out in a room at CITEVE has already made it possible to produce yarn from hydroponic cotton. The next symbolic goal will be “to make a T-shirt and be able to say that it was made with cotton produced in Portugal would be wonderful,” confesses Raquel Maria.
With expansion planned for the next six months, the aim will be to significantly increase production and take an important step closer to the market. According to the founder of Agromethod Labs, the Portuguese textile industry has already started to show enthusiasm. “There have been several expressions of interest. We are completely open to collaborating with Portuguese companies,” she says.
However, the ambition goes beyond fibre production. “Portugal could be the only country in Europe to have the entire value chain- from raw material to end product- in a single territory. That would be a milestone for the country,” concludes Raquel Maria.
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Dancing in the Clouds: the 2026 colour designated by the Pantone Color Institute is Pantone 11-4201 Cloud Dancer: “A neutral shade of white that fosters calm, clarity, and a creative breathing space in a world full of noise.”
Pantone 2026
Pantone’s website crashed as the countdown ended, while the announcement on social media showed a woman dressed in white, gazing dreamily at a cloud-filled sky.
Since 1999, beginning with Cerulean Blue, Pantone’s global experts have been naming the Color of the Year, the shade they believe will become prevalent across fashion, food, design, and entertainment; in 2026, that mantle falls to Cloud Dancer.
Cloud Dancer is a blank canvas on which to begin anew, explained Leatrice Eiseman, executive director of the Pantone Color Institute: “An invitation to open new paths and new ways of thinking.”
The mood is clearly one of serenity and an invitation to open new chapters; the election in New York of the young mayor Zohran Mamdani could be an example of this new philosophy. And yet, given the recent political climate in the US under Donald Trump, some, such as New York Times fashion editor Vanessa Friedman, have raised the possibility of MAGA and anti-DEI instrumentalisation, since the white of 2026 has ‘wiped out’ the 2025 colour, Mocha Mousse, a light brown between cappuccino and chocolate.
“Skin tones did not influence this at all,” Laurie Pressman, president of the Pantone Institute, was quick to point out, noting that Pantone has already received similar questions about other recent choices. “With Peach Fuzz in 2024 and then with Mocha Mousse 2025, we were asked whether the choice had anything to do with race or ethnicity. That’s not how it works. We try to understand what people are looking for and which colour can hopefully provide an answer.” And so Pressman invites us to look beyond metaphors: “It’s a softer white,” she said, describing the hue. “It isn’t a pure white, it isn’t a technical white, it isn’t that optically very bright white that, if we think back to the post-Covid period, people were seeking. This is deliberately an unbleached white, a very natural-looking white.”
Meanwhile, the launch of Cloud Dancer has attracted a host of brands eager to keep pace: Hasbro’s Play-Doh has created a tub of Play-Doh in this hue, while Post-it has released pads in the same shade as part of its Neutrality Collection; and the Mandarin Oriental luxury hotel chain will centre its afternoon tea and spa experiences on this minimalist colour. Spotify has also come on board, in its first collaboration with Pantone, creating a multisensory experience that translates “the emotion of colour” into sound through personalised playlists.
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