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Aigle reinvents its Paris flagship in Saint-Germain-des-Prés

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October 27, 2025

Aigle has unveiled its new flagship concept. On October 16, the French brand, part of MF Brands Group, inaugurated the new iteration of its historic Paris store. The address at 139 Boulevard Saint-Germain has been transformed. Spread over 250 square metres across two levels, the brand, founded in 1853, presents a new architectural concept called “Cocoon”, conceived as an immersion in its world, blending authenticity, technical prowess, and responsible commitment. The proposition is aligned with the brand’s reaffirmation, undertaken by management since 2022.

The Aigle store in Saint-Germain-des-Prés, Paris – Aigle

Conceived almost a year ago by Céline Saenz, the brand’s Head of Architecture, the project required over two months of work to deliver a new interpretation of the premises the brand has occupied since 1989.

The new design, intended for the brand’s flagships, gives pride of place to raw materials and light tones. Polished concrete, oak, travertine, and textured paint compose a minimalist backdrop where natural light takes centre stage.

The space is deliberately pared back and aims to neutralise the setting to better showcase the product. “We wanted to create a timeless, sincere setting, where nature, materials and light place the customer at the heart of our universe,” said Valérie Dassier, Aigle’s managing director.

The store features a café area.
The store features a café area. – Aigle

The merchandising approach organises products around a triptych of style, nature, and function, echoed by the visuals highlighted in the store. The product range is structured by theme, and the window displays take an educational approach: one stages the brand’s urban and outdoor lifestyle; the other reveals the accessories’ technical details and materials, particularly highlighting its commitment to using responsible materials. The brand is currently spotlighting its brand-new range for dogs.

Right from the entrance, the tone is set with the Aigle Saint-Germain-des-Prés café on the left. This welcoming counter also offers branded mugs and water bottles, with the aim of extending the brand experience by drawing on the neighbourhood’s literary references with a reading area. This flagship has been designed as a living space and activation hub, created to convey Aigle’s messaging around its collections and commitments.

An immersive journey through heritage, style and innovation

At the centre of the store stands the Rubber Forest, also known as La Cathédrale, the poetic heart of the concept. Inspired by the rubber tree plantations that are the source of natural rubber, this openwork dome in pale wood showcases elements from its manufacturing facility in Ingrandes-sur-Vienne, notably with a large photograph of the factory interior.

The Rubber Forest, a concept dedicated to the presentation of boots and shoes
The Rubber Forest, a concept dedicated to the presentation of boots and shoes – Aigle

The display incorporates a module that showcases the soles of the boots, as in the wall visual, underscoring the technicality and precision of Aigle’s craftsmanship. The range of technical and urban boots and shoes is presented around the dome, as well as on a central round table. An immersive virtual tour, accessible by scanning a QR code, extends this behind-the-scenes look at production.

“This is the first major element of the concept,” said Valérie Dassier. “The Rubber Forest brings highly poetic elements and also casts our manufacture in a very positive light. It’s important to bring the expertise of our master bootmakers to the customer, because we are very proud of it.” 

The 'Sea' zone and the brand's T-Kit range
The “Sea” zone and the brand’s T-Kit range – Aigle

Around this area, the brand highlights its sea collection as well as its selection of T-Kit products, enabling customers to build their own 2-in-1 jacket.

The route continues to the Earth for Tomorrow zone, which showcases the house’s CSR approach; the company has been a mission-led enterprise since 2020. Here, its commitments are highlighted, along with the repairability service developed with Green Wolf, an I:CO recycling station for the Second Souffle programme, and products illustrating sustainable innovation, such as a parka made from upcycled fishing nets.

Nearby, the modular events area, identifiable by its “sound shower”, reflects Aigle’s ambition to make its flagships vibrant experiential spaces. The musical creations broadcast during launches or collaborations are designed to draw customers into the space and punctuate the visit, enriching the sensory experience.

A redesigned monumental staircase, with an illuminated handrail emphasising its curves, leads upstairs. Its raw texture brings a rugged edge to the journey and sets up the discovery of a space that is both more intimate and more stylised.

Aigle

Upstairs, the womenswear collection, the new luggage line and the Études Studio capsule, stylistically sharper yet faithful to Aigle’s technical DNA, are on display.

The fitting rooms, where photographs of customers celebrate the Aigle community, are bathed in natural light filtered through a stained-glass window, evoking Parisian elegance. Alcoves spotlight emblematic models, from the Macadam boot to the Fulfeel urban ankle boot.

The sleek design and natural materials are intended to highlight the product.
The sleek design and natural materials are intended to highlight the product. – Aigle

This flagship opened on September 30, at the same time as its Hong Kong counterpart at Ocean Terminal. The concept is also set to open in Shanghai shortly, but is not intended to be rolled out across the brand’s roughly 60 stores in France or its 285 in Asia (mainly China).

“We have another store concept, still fairly recent, which is working well. For example, at Capucines we have a Rubber Forest, but it’s more discreet. Our flagship concept is intended for openings in Europe or in new Asian countries,” explains the managing director. “We chose Saint-Germain because it’s our historic store, the largest and the one with the highest turnover. We needed to embody our commitment to transforming the brand, which we initiated three years ago.”

Founded in 1853 by Hiram Hutchinson, Aigle perpetuates its French boot-making know-how while developing a comprehensive universe of outdoor clothing and accessories. A subsidiary of MF Brands Group, the company operates in around twenty markets, mainly France and China, and recorded turnover of €274 million in 2024, split between Europe and Asia.

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Following the Far East, Testoni turns to Europe, focuses on the US and Middle East

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January 21, 2026

Testoni hails from Bologna, Italy, but in 2022 the luxury footwear and accessories maker came under the umbrella of Chinese group Viva China, which controls the Li Ning brand (which has just shown at Milan Men’s Fashion Week) and the British brand Clarks, having previously been acquired by Hong Kong-based Sitoy Group in 2018. The Emilia-based label, founded in 1929 and specialising in men’s footwear, has since placed greater emphasis on womenswear and, following a rebrand from a.testoni to Testoni 1929, in 2025 opened a 200 square-metre flagship on Via Manzoni in Milan.

Testoni, “Bracciano” moccasin, AW 2026/27

The Milan boutique is part of the brand’s relaunch plan. In the same vein, the company has taken on a larger showroom to support retail and wholesale activities, at Via Sant’Andrea 21, where the presentation of the Autumn-Winter 2026/27 collection was held. “We currently operate 30 single-brand stores; we have just opened a new one in Taipei,” Philip Yau, CEO of Testoni, tells FashionNetwork.com. “They are located mostly in Asia- in China, Japan, South Korea and, indeed, Taipei. But after focusing on the Far East, we now want to look more to Europe, with Italy as a starting point, and then move on to the US.”

“We had a presence in America in the past, but we had closed the business there. Now we will reopen that market, where we were selling 10 million shoes every year. We have a large distribution centre in Hanover, near Philadelphia. Retailers such as Macy’s and Nordstrom, with whom we have established contacts, can help us successfully resume business in that market,” continues Yau, who is also aiming for “operational, logistics, marketing and other synergies with the brands Clarks and Li Ning and with the group’s market reach.” “Asia remains a strong base for us at Viva China, where we own many companies,” he says.

Testoni, 'Moena' laser-cut sneaker, AW 2026/27
Testoni, “Moena” laser-cut sneaker, AW 2026/27

There are around 60 multi-brand stores that sell Testoni, making distribution highly selective at the top end. “Testoni has always been a more retail-oriented brand, but we are working to expand into wholesale as well, which we believe can be a strong driver of growth,” adds Testoni’s general manager, Enzo Vaccari. “So wholesale expansions are planned, especially in the US and other overseas markets. Nor are we neglecting e-commerce, which is quite small at present. It can do much more; we will work on it by leveraging the synergies we can establish with Clarks’ platform.”

Autumn-Winter 2026/27 has seen an increase in men’s styles and focuses on the Testoni brand’s core offer: loafers, moccasins, clean lines, no eccentricities, underscoring its craftsmanship. “In three years we will celebrate our 100th anniversary, so we have a very rich archive that could certainly form the basis of a museum,” Vaccari adds. “It is one of our dreams, because in our archive there are original products from the 1940s through the 1950s and 1960s, and we have all the original designs by Marisa Testoni, the daughter of Amedeo Testoni, the founder. At the moment, these materials are kept in Piazza XX Settembre, near the Montagnola in Bologna, but we are working to rethink the space and reorganise everything properly. We wanted Bologna to be the focal point of this project, because it is the city where we were born, where the company’s history lies.”

Testoni, AW 2026/27
Testoni, AW 2026/27

Testoni also makes handbags, another line that has expanded in terms of styles, while men still account for 70% of revenue and production. “However, we are trying to achieve a better balance between the collections: we need to develop more bags dedicated to women,” Yau notes.

From a financial standpoint, the official 2025 year-end has yet to be finalised, so Philip Yau does not intend to disclose Testoni’s annual turnover, which nonetheless grew in the single digits. The leading markets are China, Taiwan and Hong Kong combined- Greater China- accounting for 40%, followed by Japan. “But the US is and will be a key market for Testoni and for the entire Viva China group, as is the Middle East, not only through wholesale distribution but also via retail openings currently under consideration,” explains Enzo Vaccari. “In America we have just returned; we want to find a major retailer, like Macy’s, which has more than 300 doors. In the meantime, there will be consolidation of retail in Asia, where we are looking at other markets, such as Singapore and Malaysia, which we would like to enter within a couple of years, depending on the opportunities that arise.”

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Jaden Smith dreams up a Dadaist debut at Christian Louboutin

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January 21, 2026

Add designer to Jaden Smith’s considerable list of professions- along with actor, singer, and rapper- after the Californian creator dreamed up an impressive Dadaist display for his debut at Christian Louboutin.

Jaden Smith’s take on the world of Christian Louboutin – FashionNetwork.com

 
Evoking a whole plethora of influences from Greek mythology and the Great Paris Exhibitions to Dadaism and the great movement for Civil Rights, in an elaborate set in a disused warehouse in Montparnasse. Mount Parnassus, you will recall, was the home to nine muses in arts and sciences.
 
Two fine works of footwear even had Greek names: The Plato Loafer, a 2017 model with Swisscheese like holes, which Smith updates with the new Neo CL signature on a steel silver coin. And the Asclepius Sling- named after the ancient god of medicine- with the same emblematic coin detail and metallic hardware on the backstrap.

“I brought my personal interest on Greek mythology in as I thought it would resonate with people, as humans at the end of the day are all very similar. I’m combining my perspective of being an African American designer, linked to my more Dadaist thinking into the heritage of a French maison,” explained courteous 27-year-old.

Mythology meets luxury
Mythology meets luxury – FashionNetwork.com

 
Close by stood a Nam June Paik worthy mound of TVs, with video showing images of Martin Luther King’s 1963 March on Washington, The Sphinx, and clips from Dadaist filmmaker Hans Richter.
 
“That art piece is about the overdose of information we experience. This revolution that we are in the midst of right now. And the fact that information is being thrown at us all the time. And the psychological effects of looking at 10 screens at the one time. While also drawing correlations between my ancestry and Christian’s ancestry, and the history of art,” said Smith, attired in a giant gangster jeans, an oversized parka and pearl encrusted beanie.
 
Another installation was a broken temple with fluted columns on which were perched Jaden’s new bags.  Notably a series of humungous backpacks and biker satchels, some with a dozen exterior zippered pockets with gold lettering reading- coins, pills, keys, tools, phone, documents, phones, and chargers. Alongside a surrealist tote finished like a bucket of overflowing paint and a Dadaist style back made in a black and white photo of an urban madding crowd.

Creator Jaden Smith
Creator Jaden Smith – FashionNetwork.com

 
The whole space was dubbed Christian Louboutin Men’s Exhibition, as a small group of models bathed, inevitably, in red light, circulated wearing the new footwear and bags. Large red fabric rolls made into benches allowed one to enjoy a large video montage, including Jaden as a Wagnerian hero posed in front of gothic castles. Which is where we spotted founder Christian Louboutin, in a video stirring a large vat of red paint, before symbolically handing over a paintbrush to Jaden.
 
“It’s about craftmanship, extreme luxury, and highest level of design. That’s what Christian Louboutin is all about,” said Smith, describing the brand’s DNA.
 
Eyebrows were raised when Christian appointed Jaden to the position of creative director, as Parisian designers with two decades long CVs gritted their teeth that an untrained talent got such a coveted position. However, judging by this display, Jaden Smith has the chops, talent, and grace to be very effective in this role.
 
One suspects the gods of style and time are probably rather pleased.

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The Denim Lab project examines the environmental impact of denim at Milan Fashion Week

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January 21, 2026

To coincide with Milan Fashion Week, the S|STYLE 2025- Denim Lab is setting up at Fondazione Sozzani for an edition devoted to the future of sustainable denim and water management in the textile industry. Led by the S|STYLE Sustainable Style platform, founded in 2020 by independent journalist and curator Giorgia Cantarini, this initiative forms part of an ongoing programme of research and experimentation into responsible innovations applied to contemporary fashion.

Designers brought together for the S|STYLE 2025 – Denim Lab project – Denim Lab

The exhibition, open to the public on September 27 and 28, features a site-specific art installation by Mariano Franzetti, crafted from recycled and regenerative denim. Conceived as an immersive experience, it brings fashion design, technological innovation and artistic expression into dialogue.

Water: a central issue in fashion sustainability

Developed in collaboration with Kering‘s Material Innovation Lab (MIL), the Denim Lab brings together a selection of young international designers invited to create a denim look using low-impact materials and processes. They benefit from technical support and access to textiles developed with innovative technologies aimed at significantly reducing water consumption, chemical use, and the carbon footprint of denim production.

This edition places water at its core, an essential issue for a fabric whose production has traditionally demanded substantial volumes of water, from cotton cultivation through to dyeing and finishing. Denim therefore serves as an emblematic testing ground, both familiar and closely associated with the environmental challenges facing the fashion industry.

Outfit created for the Denim Lab by designer Gisèle Ntsama, one of the participants
Outfit created for the Denim Lab by designer Gisèle Ntsama, one of the participants – Maison Gisèle

The fabrics were developed by PureDenim Srl, a specialist in low-impact dyeing techniques, while treatments and finishes were applied by Tonello Srl, a recognised leader in sustainable washing and finishing technologies. The selected designers, from Europe, Asia, and Africa, each offer a distinctive interpretation of denim, blending formal exploration, textile innovation and reflection on the contemporary uses of clothing.

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