For its latest show, the house of Calvin Klein took us to an art foundation in East Village, which back in the founder’s glory days of purist minimalism was the neighborhood that gave birth to punk rock.
A look from the Calvin Klein spring/summer 2026 show in New York – Courtesy
The change in setting mirrored the change in direction under new designer Veronica Leoni, whose initial inspiration for this collection came from watching New Yorkers en route to work early morning. The whole collection riffed on work wear and workerist details, and the collection – especially the women’s element in a co-ed show – looked ideal for the thrusting ambitious women that populate New York.
Opening with a certain irony with aprons that morphed into curvy cocktails with pockets and no back – one in beige another in black.
Leoni cut superb voluminous coats – from slate-hued boiled chiffon great coats with horseshoe necklines, to a mannish double-breasted jacket worn open over satin top and shorts. Best of all, a hyper oversized sand-hued trench falling off the shoulders.
“This past year I really wanted to get close to the brand, close to its DNA and the traditions. To try to own it in my own way,” explained the Rome-born Leoni post show.
Backed up by a great soundtrack by Kid Harpoon including snippets of the immortal Caetano Veloso singing “Cucurrucucu Paloma”, Leoni broke new ground with bold theatrical looks: a divine dove grey plissé gown dissected like many ensembles by a leather string belt, or a massive enveloping battleship grey lambskin trench – again held taught with string leather.
A look from the Calvin Klein spring/summer 2026 show in New York – Courtesy
She even featured a couple of great dressing gowns in bold stripes, the model clutching office and apartment keys attached to leather lariats.
“Magnifying normality but bringing it to its next level. A sense of the raw beauty that one sees on the street here,” said Leoni, adding that an obsession she shared with her mother with the TV series “Dynasty” led to several power looks. “Part of the transatlantic DNA we are trying to build up here,” she smiled.
The cast appearing down an industrial stairway before touring around inside the Brant Foundation, a converted Con Edison substation that was formerly the studio of the legendary land artist Walter De Maria.
The show also include lots of insider puns: from the soundtrack that lifted a line about Calvin Klein in the movie “Back to the Future”, to the plays on possibly Calvin’s most famous signifier – underwear.
Playfully with a combo of floral Victorian bloomers with matching vest, or saucily with sports-bras that peaked above a crepe top with a sweetheart neckline or a fine wool deep gorge jacket.
A look from the Calvin Klein spring/summer 2026 show in New York – Courtesy
Before sending out a female model in logo long johns or completing a pair of sporty visors in the underwear trim. All the way to a brilliant tweed column made in fabric lattice of elasticated yarn and underwear trim.
Many of a splendidly fresh new cast – courtesy of the astute eye of Ashley Brokaw – sported workerist scarves on their head – like post-war Italian field workers.
For men, her slate grey denim suit with hunting jacket or a fantastic, crushed linen and hyper gathered muddy grey coat worn over long johns were great eye catching.
Adding more humor with a riff on cheerleaders, with pompons attached by string to the hem of several lingerie dresses.
All told, a very impressive display by Leoni in her second collection for the house. Greeted with sustained applause by an audience that included Lily Collins, Iris Law, Emily Ratajkowski, Naomi Watts and singer, Rosalia.
Target Corporation has opened a new concept store in New York’s SoHo district, introducing an experiential retail format.
Target opens new concept store in SoHo, New York. – Target
The location at 600 Broadway marks the debut of Target SoHo, a format the company describes as a “living, breathing style experience.”
It features curated zones built for product discovery. “Curated By”, a seasonal edit created in partnership with New York tastemakers, launches with actress and comedian Megan Stalter highlighting her Target picks across fashion, beauty and home. Meanwhile, “The Drop @ Target SoHo”, located on the first floor, will serve as a rotating showcase for monthly style collections.
The store also opens with the Broadway Beauty Bar, where celebrity makeup artist Katie Jane Hughes is curating her must-have Target beauty picks, and offering a social-driven space where guests can test products and create content.
Timed for the holiday season, Target is also introducing the “Gifting Gondola”, a photo-ready installation featuring exclusive merchandise, and a “Selfie Checkout” moment designed for social sharing.
“Style and design are part of Target’s DNA, and there’s no better place for us to showcase what’s next for our brand than in one of the style capitals of the world,” said Cara Sylvester, executive vice president and chief guest experience officer, Target.
“With Target SoHo, we’re bringing together the best of Target and the best of New York — elevated products, immersive storytelling and an experience that invites guests to explore, express and get inspired. This store is a bold reflection of our commitment to style, and it’s just one part of our larger investment in Target’s design-driven future that grows our roots even deeper in New York City.”
The company plans to continue evolving the location over the next year as part of a phased rollout. Target said the store will add new experiential zones, seasonal activations, and café and event programming through 2026.
The SoHo opening comes as Target increases its investment in New York, including a new headquarters space, partnerships tied to New York Fashion Week and now Target SoHo.
Designer Brands Inc., the Columbus, Ohio-based owner of the DSW Designer Shoe Warehouse, The Shoe Company and Shoe Warehouse retail chains, announced on Tuesday that net sales decreased 3.2% in the third quarter ended November 1.
Designer Brands Q3 sales dip 3.2%. – DSW
The company achieved net sales of $752.4 million. Comparable sales fell by 2.4%, with the U.S. retail segment down 1.5%, Canada retail down 6.6%, and the brand portfolio segment’s direct-to-consumer channel plunging 21.5%.
Reported net income attributable to the company reached $18.2 million, or $0.35 per diluted share. Adjusted net income was $19.6 million, or $0.38 per diluted share.
“Our third quarter performance represents another meaningful step forward in our transformation, as we demonstrated continued sequential improvement across multiple financial and operating metrics,” said Doug Howe, chief executive officer.
“Stronger consumer demand and improved in-store execution drove improved comparable sales in the third quarter compared to the second quarter. Our team also delivered a meaningful increase in gross profit and diligently managed expenses, which helped drive an increase in operating income over last year.”
Looking ahead, the company expects net sales to decline between 3% and 5% in fiscal 2025. Adjusted operating profit is projected in the range of $50 million to $55 million.
Howe added, “I’m encouraged that this positive momentum has extended into the early part of the fourth quarter, reinforcing the progress of our strategic initiatives and positioning us well as we close out the year. While macroeconomic pressures persist, we are confident in our ability to navigate the near-term environment and continue making progress on our long-term strategies.”
In 2025, Zalando has stepped up its pace in the Iberian Peninsula with two key moves: it entered Portugal and expanded its offering in Spain with the launch of its beauty category there. These two developments align with the German platform’s ambition to be more than a purely transactional tool; it aims to be a place of inspiration and entertainment for its customers.
Zalando takes stock of 2025 in the Iberian Peninsula – Shutterstock
One of Zalando’s milestones on a global- and, of course, Iberian- scale was its entry into Portugal last October, a launch accompanied by its suite of technological tools, such as its AI assistant, available in Portuguese, and partnerships with local brands to help them, in a two-way relationship, reach a European audience.
Portugal is the company’s 26th market, and its activities in southern Europe are grouped within the cluster led by Eloisa Siclari, which includes Portugal, Spain, and Italy. Portuguese customers have access to a catalogue of more than 200,000 items and, although it has been operating in the country for just over two months, the European giant notes Portuguese consumers’ strong propensity to shop the streetwear category.
Zalando’s arrival in Portugal also strengthens the link between the Portuguese and Spanish markets: the platform’s logistics centre in Illescas (Toledo) serves Portuguese customers, cementing the complex’s status as “a key logistics hub in southern Europe.” The same centre has expanded its operations in recent months into the beauty category, supporting the German e-tailer’s expansion into this segment.
New key partnerships in the Spanish market
Zalando describes Spain as “a fundamental market,” both for its potential and because Spanish brands are “a key growth driver” for the platform and a “valuable asset” for its customers. In 2025, the German company signed agreements with Spanish labels such as Bimba y Lola, Hoff, Aristocrazy, Tous, Brownie and, more recently, Unode50.
The company maintains that brands find in it not only another sales channel, but a “gateway” to more than 52 million customers in the continent’s key markets. It illustrates this with the performance of Singularu, a Spanish jewellery brand with 80 stores in Spain and turnover of €30 million in 2024, which is relying on the German giant for its European expansion in e-commerce. According to figures provided by Zalando, the jewellery brand grew 117% year-on-year in 2025 on the platform, with more than 10 million visits (up from 5.7 million a year earlier), and 74% of its sales via the e-tailer coming from Germany, Belgium, Poland, and Italy.
Singularu is one of the Spanish brands featured on Zalando
“6% of the audience with brand affinity interacts with Singularu; in other words, the brand already ‘resonates’ on Zalando, but there is still much to capture by expanding coverage to audiences adjacent to trend-led jewellery,” explained the business.
“On a platform it’s difficult to project what your brand is all about, but Zalando allows us to reach audiences we can’t access otherwise. And we can do that with our visual proposition and by deciding what we want to communicate. We are very happy with this relationship, which is increasingly close, and the results back it up,” said Fernando Peris, vice-president of e-commerce and marketplaces at Singularu.
“Why does Zalando choose to collaborate with local brands? In Spain, for example, consumers demand Spanish brands. It is beneficial for them, but also for us as a platform. The fact that local brands have an international clientele is also a success; there are brands with a lot of potential. And there is some national pride there,” said Eloisa Siclari, Zalando’s managing director for southern Europe.
Also in 2025, Zalando marked one year since the launch of its revamped Plus programme in the Spanish market, rolled out in summer 2024. By 2026, it plans to expand the programme and offer customer experiences, “going beyond transactional benefits”.
And beyond Iberia? Next year is shaping up to be one of expansion for the European company: it plans to enter new markets, as well as strengthen its in-house logistics and bolster its operations.
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