When Bernard Arnault, one of the world’s richest men and chairman of LVMH, dropped by Shanghai in September, many assumed his itinerary would be routine: check in on Louis Vuitton, Dior, and the rest of his empire’s boutiques in China’s most prestigious malls. But instead, Arnault did something unexpected.
At the new-age luxury shopping mall Qiantan Taikoo Li in Shanghai, Arnault stopped by Songmont, a minimalist leather goods label. There, he bought two handbags, according to people familiar with the situation who asked not to be named discussing a private matter.
He also went to another high-end mall and wandered into Laopu Gold, a homegrown jeweler that opened a store a few doors down from Cartier and Van Cleef & Arpels. He reportedly lingered for half an hour, muttering words like “exquisite” and “interesting.” It was a small gesture with big symbolism. Arnault, whose companies helped define modern luxury, was now browsing in boutiques that may represent its next chapter, at least in China.
The anecdote reflects how China’s $49 billion luxury market is changing fast. As the economy cools, spending on foreign premium brands has stalled. Instead, when Chinese consumers do splash out, they’re turning to homegrown labels. Their rise is redrawing the map of one of the world’s top luxury markets and forcing global players to take note.
Online retail platforms have been key to their growth. According to data compiled by BigOne Lab and analyzed by Bloomberg News, five domestic prestige brands in handbags, apparel, fragrance, cosmetics, and jewelry have outpaced seven foreign rivals in sales growth over the past two years.
E-commerce sales at Laopu Gold have surged more than 1,000% during the first three quarters of this year compared with two years ago, while Songmont’s online bag sales have grown about 90%.
By contrast, Gucci’s online bag sales in China have slumped more than 50% and Michael Kors’ has dropped about 40%. Other Chinese labels – make-up brand Mao Geping Cosmetics, perfumier To Summer, and luxury clothing label Icicle – have pulled off similar feats in their categories.
On Tmall, the country’s largest online retailer, revenues for some Chinese brands are on par or even higher than overseas ones: Laopu sold $630 million in its Tmall store over 12 months through to October, compared with $57 million for Van Cleef & Arpels, according to industry consultant Hangzhou Zhiyi Tech. Mao Geping’s revenue was $125 million, more than doubling Bobbi Brown’s sales. For Laopu Gold, sales for both online and in-store jumped 250% in the first half of this year, after doubling in both 2023 and 2024, according to its financial results. Mao Geping Cosmetics, a homegrown beauty label named after its celebrity founder, reported double-digit revenue growth so far this year as well as in 2024.
Meanwhile, Bain & Co. estimates that China’s luxury market, which is dominated by European giants like LVMH Moet Hennessy Louis Vuitton, Kering SA, and Burberry Group Plc, shrank by as much as 20% last year, its steepest decline since at least 2011. Though there have been glimmers of recovery, executives talk about “caution” and “uncertainty.”
China’s worsening economy has wrecked the appetite for global luxury brands. Demand that was supposed to return after the lifting of strict Covid restrictions has instead slumped for overseas firms. That disappointment has helped erase shares at key luxury houses, with LVMH down about 30% from their 2023 peak while Kering has plunged roughly 60% since its high in 2021 in Paris. In the US, Estee Lauder Companies Inc. shares are about 76% off their high in 2021. After spiking following the easing of Covid lockdowns in 2021, consumer spending in China has largely flatlined.
Representatives at LVMH, Kering, Channel, Richemont, Estee Lauder, Max Mara, Capri didn’t respond to requests for comment.
That’s leading shoppers to turn to domestic brands with their lower pricing. ICICLE’s cashmere and wool Aircoat is priced between about $1,123 to $2,808. Max Mara’s 101801 coat, often highlighted as comparable by Chinese consumers, costs more than $4,200. Songmont’s bucket bags, described by social media users as a dupe for Hermes’ Picotin Lock bags, sell for around $421, while the latter costs between $5,054 to $8,016.
It’s not just a China phenomenon. Shoppers globally have become more discerning, with consumers turning to labels that look premium at lower price points as they grow increasingly weary of spending on big name brands that keep raising prices.
But what’s more surprising is that the price tag alone isn’t the deciding factor, said Jacques Roizen, managing director of China consulting at Digital Luxury Group.
“Contrary to common perception, Chinese beauty brands aren’t competing on price – they’re building rich brand universes and prioritizing storytelling,” said Roizen. “For Western prestige beauty brands, the rise of local competitors should serve as both a wake-up call and a warning.”
That story is rooted in craft and cultural pride, and is resonating with younger Chinese shoppers who no longer see Western logos as tickets to sophistication. Instead, modern shoppers are hunting for items that feel more tailored to them, and many Chinese brands have turned that shift into their core identity. Labels like To Summer and Songmont draw deeply from local history, art, and everyday life. The message: modern luxury can be proudly Chinese.
Songmont’s philosophy emphasizes “Eastern aesthetics,” with the designs of its stores reflecting Chinese calligraphy. To Summer builds scents around traditional ingredients like tea, osmanthus and preserved orange peel and uses porcelain made in Jingdezhen, China’s most important ceramics production center. ICICLE draws on the Confucian ideal of harmony and restraint.
It’s a concept that Songmont’s founder Fu Song consciously designed from the start.
“We’ve positioned ourselves as a Chinese brand rooted in local culture,” she said. “In the global fashion conversation, there are still too few Chinese voices.”
The strategy works especially well online, with the marketing more attuned to local consumers. Songmont launched its own podcast focusing on the lives of urban women, which is resonating for its celebration of self-worth and diverse life values rather than social status, said BigOne partner Amber Zhang. The campaign struck deeper than those from global brands, she said.
For shoppers like Wan Yihuan, a 30-year-old Shanghai finance worker, that message hits home. Once a self-described Hermès and Tom Ford addict, she now carries a $210 Songmont hobo bag and wears Mao Geping makeup. “I fell into the trap of consumerism when I was younger,” she said. “Now I just want things I truly like.”
Among the new Chinese players, Laopu Gold stands out for its more-than 100% revenue growth in physical stores since early 2024, where Tiffany and Bulgari have seen double-digit declines, according to BigOne data. At Beijing’s exclusive SKP mall, Laopu Gold’s sales rose more than 200% in the first half of the year, according to a person familiar with the figure who declined to be named discussing a private matter. In October, it opened a store in Plaza 66, a glass-clad cathedral of luxury long dominated by European names, becoming the first domestic brand to establish a presence in all ten of China’s top-tier malls.
It may seem strange to associate Made-in-China with luxury, a country where low-cost manufacturing helped drive its economy to the world No. 2 spot. But these domestic premium brands are challenging that perception with a slower and more premium manufacturing process that’s relayed to consumers through localized marketing campaigns.
In 2013, ICICLE bought a garment factory that manufactures for Max Mara in China’s eastern Jiangsu province. Songmont uses full-grain top-layer cowhide and gold-plated hardware, crafted by artisans with decades of traditional sewing and craftsmanship experience from the founder’s hometown. Laopu Gold incorporates elaborate filigreed shapes and enamel glazes into its jewelry. Mao Geping, China’s answer to America’s Bobbi Brown, teaches makeup application on local models to millions of fans online.
Their popularity is spreading outside China’s border. In London, 16-year-old Naomi Jiang now looks beyond marquee labels when buying handbags. Finding designer brands like Hermes overpriced, she chose Songmont for its design and value instead. “We’re getting a more diverse, higher quality selection of clothing,” she said.Executives at the Chinese brands, including Songmont, To Summer and Mao Geping, say they want to expand globally. The brands haven’t disclosed their overseas sales yet but analysts’ consensus is that the amount is likely still small.
“Chinese brands must look beyond China,” To Summer’s founder and chief executive officer Elvis Liu said. “Why are global brands often better positioned in their competition against Chinese brands? Because they are backed by the global market. If you only have the Chinese market, it’s like you are a local brand and this will put you at a very disadvantageous position amid the competition.”
Still, obstacles loom. Few domestic brands have crossed the 10-billion-yuan ($1.4 billion) annual revenue mark, said Michelle Cheng, retail analyst at Goldman Sachs Group Inc. “China’s market is huge, so you can hit 1 billion yuan with hot products, or even 3 to 5 billion,” she said. “But further growth depends on having a strong management team, talented staff, and long-term vision.”
The high sales growth figures also stem from a low base: the top 10 best selling brands in China’s personal luxury segment are all Western brands, accounting for 63%, or about $31 billion, in sales last year, according to Euromonitor International data. In contrast, no Chinese brands have more than 0.5% of the market share, the data showed.
The bigger risk may be psychological, with the same economic malaise that led to European brands’ sales waning potentially spreading to domestic brands too, said Cheng. “For luxury to truly grow, you need rising wages and a growing middle class, both of which are being challenged by ongoing economic headwinds,” she said.
Take Guo Wenjun, who once spent over $70,000 in a shopping spree – Rolex, Chanel, even a toddler-sized Armani jacket. Now, the 37-year old has a child in an expensive international school and feels job uncertainties are mounting. She’s turned to buying $7 tote bags and $4 T-shirts from budget shopping site 1688.com.
“Luxury used to make me feel like a queen,” she said. “Now it no longer has that magic.”
NYC-based footwear brand Koio is relaunching The Primo, the high-top sneaker that debuted the brand in 2015, in a limited-edition collaboration with leatherworker and YouTube creator Rose Anvil for its tenth anniversary.
Koio relaunches the Primo with Rose Anvil. – Koio
The updated Primo maintains Koio’s original Italian build standards, with internal upgrades including a full leather Strobel board, leather toe cap and counter, and a gum outsole. The upper is crafted from vegetable-tanned, untreated Vachetta calf leather sourced from Italian tannery Conceria Annarita, allowing the sneaker to naturally darken and develop a unique patina with wear.
“Reintroducing the Primo for our ten-year anniversary is incredibly meaningful,” said Johannes Quodt, co-founder of Koio. “It was the shoe that launched the brand, so bringing it back with Rose Anvil’s technical rigor felt like the right way to honor its legacy. The Vachetta leather will age beautifully, making this one of the most personal and character-rich versions we’ve ever created.”
The Primo first debuted in February 2015 at Koio’s Bowery pop-up, created by the founders as their ideal high-top sneaker. The silhouette remained a core style for five years before the brand shifted focus as its range expanded. Koio continued to receive requests from collectors and longtime customers to bring back the original design, prompting the reissue as part of the brand’s tenth-anniversary celebrations.
“The Primo was already a well-built sneaker, but replacing every internal synthetic component with leather significantly elevates the craftsmanship,” said Weston Kay, Rose Anvil. “Using untreated Vachetta leather means the shoe doesn’t just look good out of the box but it continues to improve over time.”
Koio’s work with Rose Anvil follows the success of their first collaboration—the Koio x Rose Anvil Capri Triple White—which sold out in less than 24 hours.
The limited-edition Primo is priced at $325 and is now available exclusively online.
Victoria’s Secret & Co. on Friday reported better-than-expected sales in the third quarter, prompting the U.S. lingerie giant to raise its full year outlook.
Victoria’s Secret raises full-year outlook on strong Q3. – Victoria’s Secret
The Ohio-based company said sales for the three months ending November 1 totalled $1.472 billion, up 9% from the third quarter of 2024 and above its previously communicated guidance range of $1.390 billion to $1.420 billion. Meanwhile, total comparable sales for the third quarter of 2025 increased 8%.
Victoria’s Secret recouped its earnings, reporting a net loss of $37 million, or $0.46 per diluted share, compared to net loss of $56 million, or $0.71 per diluted share, for the third quarter of 2024.
“With two iconic brands, Victoria’s Secret and Pink, a curated product assortment, high-emotion marketing and a relentless customer focus, we are reinforcing our leadership in global intimates and beauty,” said Victoria’s Secret & Co. CEO, Hillary Super.
“As we continue to advance our Path to Potential strategy, we are accelerating global growth, elevating brand distinctiveness, and unlocking greater value across our ecosystem to drive long-term profitable growth.”
Looking ahead, the company is now forecasting full-year net sales in the range of $6.450 billion to $6.480 billion, compared to prior guidance of $6.330 billion to $6.410 billion for the full year 2025. Adjusted net income per diluted share is estimated to be in the range of $2.40 to $2.65, compared to prior guidance of $1.80 to $2.20.
For the fourth quarter, the company is forecasting net sales to be in the range of $2.170 billion to $2.200 billion compared to last year’s fourth quarter net sales of $2.106 billion.
Bernard Arnault has paid homage to the late Frank Gehry, the brilliant Canadian-born architect who passed away on Friday in Los Angeles.
Frank Gehry
For Arnault, Gehry designed the Fondation Louis Vuitton, widely seen as the most important work of contemporary architecture ever commissioned by a luxury brand.
Gehry died aged 96 Friday after a short respiratory illness, bringing to an end a truly remarkable career that included buildings such the highly acclaimed Walt Disney Concert Hall in Los Angeles and titanium-clad Guggenheim Museum Bilbao, his greatest masterpiece.
“I am profoundly saddened by the passing of Frank Gehry, in whom I lose a very dear friend and for whom I shall forever retain boundless admiration. I owe to him one of the longest, most intense, and most ambitious creative partnerships I have ever had the privilege to experience. His oeuvre, crowned by the Pritzker Prize, is immense. He will remain a genius of lightness, transparency, and grace,” Arnault said in a release.
In October 2014, in the presence of French president François Hollande, Gehry and Arnault opened the Fondation Louis Vuitton, a brilliant Deconstructivist building with a price tag that ran to some €800 million. Riffing on late 19th-century French architecture which revolutionized the use of glass like the Grand Palais and combining that with computer technology and 3D design, Gehry created a beautiful structure. Built on the edge of the Bois de Boulogne, its unique shape suggested a giant sailboat gathering wind in its sails.
Fondation Louis Vuitton – Courtesy
“Frank Gehry – who possessed an unparalleled gift for shaping forms, pleating glass like canvas, making it dance like a silhouette – will long endure as a living source of inspiration for Louis Vuitton as well as for all the maisons of the LVMH group. With the Fondation Louis Vuitton pour la Création, he bestowed upon Paris and upon France his greatest masterpiece, the highest expression of his creative power, commensurate with the friendship he bore our city and the affection he showed for our culture,” Arnault added.
Gehry was to go on a design several stores and handbags for Louis Vuitton and has two more buildings in the pipeline for the luxury marque. A super-store concept building on Rodeo Drive in LA, due to open in two years, and an adjacent structure beside Louis Vuitton Foundation.
“My wife, my children, and I express our deepest condolences to his wife, Berta, and to his children,” concluded Arnault.