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From manufacturing city to fashion future: Changshu pioneers China’s first ‘Technology is Touchable’ revolution

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October 23, 2025

China’s Suzhou is widely known as the City of Silk or, as the old saying goes, the Garden of Shanghai. However, in recent years, things have been changing in Changshu, which stands as one of Suzhou’s most renowned and important fashion industry manufacturing areas.

“Fashion Changshu” Brand & Outdoor Sports Industrial Development Conference – Changshu Organiser

 
During the high-profile period of this season’s fashion week, a powerful new event- Suzhou Tech Fashion Week (STFW)- captured the attention of the fashion industry from October 9 to 16. The inaugural event saw thousands of fashion and textile experts from around the world converge on Changshu, leading to dozens of domestic and international trade agreements, and garnering significant media acclaim.
 
Positioning itself as China’s first fashion event to explicitly focus on “Fashion with Technology,” STFW has initiated a fashion revolution under the powerful theme: “Technology is touchable, fashion is applicable.”

The initiative is strategic, not only leveraging Changshu’s established, robust local industrial chains, but also strongly advocating for a new trend: fostering an innovative consumption atmosphere driven by new technologies. The event is set to become a vital platform where future-forward design meets manufacturing prowess.
 
At this moment in history, the global textile industry is undergoing a triple transformation spanning technology, green development, and consumption. Simultaneously, China’s ‘dual circulation’ strategy is promoting domestic demand upgrades and self-reliance in the industrial supply chain.
 
“As a traditional textile powerhouse, Changshu is at a critical juncture, attempting to ‘cross over from a major manufacturing city to a major fashion city’. This requires both consolidating the advantage of its comprehensive supply chain and breaking through bottlenecks in high-end design and core technology to find new growth drivers,” said a local officer from Changshu. “Currently, we are utilising an ‘Outdoor Sports Plus’ strategy, focusing on outdoor athletic apparel (mainly functional jackets) as the second pillar of its industrial innovation and development. The goal is to build a new high ground for the outdoor sports apparel industry with national influence.”
 
Under the guidance of these government strategies and development initiatives, numerous enterprises have flourished, establishing themselves as leading pioneers in various specialised fields. Amongst them, a quintessential representative of Changshu’s success is Bosideng, which recently held its latest presentation at Paris Fashion Week.

AI design powers Bosideng's blockbuster products
AI design powers Bosideng’s blockbuster products – Changshu Organiser

 
On the fertile ground of Changshu’s textile and apparel industry, Bosideng is both a witness to the industry’s development and a major participant and driver. Bosideng is deeply embedded in the construction of the ‘Fashion Changshu’ regional brand, growing alongside local industry. It acts as a ‘chain-leader enterprise,’ driving the transformation and upgrading of the Changshu textile and apparel cluster towards high-end, intelligent, and green manufacturing.
 
After dominating the market and sales in China for over three decades, Bosideng has transformed into a global fashion giant. Today, the business is ranked among the world’s 500 most influential brands and China’s top 500 enterprises. It boasts a brand value of 118.058 billion yuan, having maintained its position in the exclusive 100-billion-yuan brand club for two consecutive years.
 
“The intelligent manufacturing base we invested in and built has spurred on the local area to establish over 300 intelligent production lines and workshops, providing strong support for Changshu to build a high-quality development demonstration zone for the Jiangsu Province’s high-end textile industry. It can be said that Bosideng is not only a ‘growth model’ for Changshu’s industry but also a vibrant representation of ‘Fashion Changshu’ on the global stage,” said an official spokesperson for the brand.

Changshu Garment City Market is one of the largest professional textile and apparel markets in China
Changshu Garment City Market is one of the largest professional textile and apparel markets in China – Changshu Organiser

In September 2025, Bosideng launched its Foldable 3-in-1 Expedition Down Jacket, which features the world’s first elastic GORE-TEX® fabric and innovative self-developed temperature control technology. This was a breakthrough innovation with “one garment, three ways to wear, easily managing a 20°C temperature difference.” Furthermore, the ‘Master Puffs’ collection, which was released in October during Paris Fashion Week, utilised airy, fluffy fabric and architectural aesthetic design. This was a revolutionary upgrade in both lightweight performance (reducing fabric weight by 70%) and thermal insulation, demonstrating the Chinese brand’s innovative strength to the global fashion community.
 
In addition to local brands’ commitment to R&D in the technology sector, Changshu is experiencing a vibrant resurgence through the burgeoning fields of cross-border e-commerce and live-streaming commerce.
 
Furthermore, the Changshu Garment City stands as one of China’s largest professional textile and apparel markets, generating an annual transaction volume exceeding 150 billion yuan. By attracting over 40,000 market entities and employing more than 100,000 people, including nearly 50,000 live-streaming commerce professionals, this dynamic area has successfully established a booming market landscape known for its “Online and Offline Dual 100 billion” transactions.
 
In recent years, Changshu textile and apparel enterprises have been actively going global. They are transitioning from a traditional ‘OEM export’ model to a new stage of independent brand expansion abroad with a global supply chain layout. An increasing number of small and medium-sized enterprises are adopting a ‘joint internationalisation’ model to share overseas market resources and channels.
 
Looking ahead, a new development path for these enterprises involves establishing overseas production capacity in Southeast Asia (such as Vietnam and Cambodia). By utilising local labour cost advantages to set up apparel production bases, their products can effectively spread to markets in ASEAN, Australia, and beyond.

by Sissi Chu
 

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Boss presents inaugural ‘Boss Award’ in Miami Beach

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December 8, 2025

Boss is further deepening its role as a patron of the international art scene and as a partner of Art Basel. At the inaugural Art Basel Awards Night in Miami Beach last week, the fashion house presented the Boss Award for Outstanding Achievement for the first time. The 2025 award goes to the artist Meriem Bennani, whose multimedia practice is renowned for its innovative, humorous, and critically engaged storytelling.

Meriem Bennani is known for weaving humour, pop-cultural aesthetics, and digital language into her storytelling. – BOSS

The Moroccan-born New Yorker works across a variety of artistic media, including video, sound, animation, sculpture, and large-scale installations. She is known for combining humour, pop-cultural aesthetics, and digital language in her narratives to create immersive, playful yet incisive works that resonate with audiences.

The prize was presented by CEO Daniel Grieder and creative director Marco Falcioni. The award will continue to recognise artistic practices that open up new perspectives and spark relevant social dialogue.

“I am deeply honoured to have my work recognised by such an iconic brand that has long championed innovative art that speaks to a wider public. This award inspires me to continue creating works that challenge perspectives and celebrate the beauty of collective experiences,” said Meriem Bennani at the award ceremony.

The highlight of the ceremony was the installation of an immersive catwalk entitled “1995–2025: 30 Years of Arts Sponsorship,” which spotlighted the brand’s arts patronage over the past three decades. Milestones included the “Paper Suit” by artist James Rosenquist from 1998, which marries the timeless craftsmanship of tailoring with the ephemerality of paper. Also featured were the Hugo Boss Prize, awarded for many years in collaboration with the Solomon R. Guggenheim Foundation and Museum, and a retrospective of the Hugo Boss Asia Art Award, launched jointly with the Rockbund Art Museum in Shanghai.

“Art has been an integral part of our DNA for over 30 years, and our partnership with Art Basel takes our commitment to a new level. We are proud to present the inaugural Boss Award for Outstanding Achievement to its first recipient, Meriem Bennani. This award marks the beginning of an exciting journey, and we look forward to shaping the future of art together,” said CEO Daniel Grieder.

The Art Basel Awards, launched in February, honoured 36 medallists from the contemporary art sector in nine categories. Bottom right, Meriem Bennani holds the Boss Award.
The Art Basel Awards, launched in February, honoured 36 medallists from the contemporary art sector in nine categories. Bottom right, Meriem Bennani holds the Boss Award. – HUGO BOSS

“Fashion is an integral part of our everyday lives and serves as a bridge between the individual and society, often blurring the line between functionality and art. From our beginnings to our latest fashion show, Hugo Boss has been committed to the dialogue between fashion and contemporary art, as it continues to inspire innovation, creativity, and forward-thinking ideas,” added creative director Marco Falcioni.

The Boss Award is endowed with $100,000 and supports both future projects and a charitable initiative of the laureate’s choice. The award is open to living artists working across all media, with a particular focus on emerging talents who are shaping discussions within and beyond the art world.
 

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Comité Colbert elects Hélène Poulit-Duquesne as new chair of luxury federation

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December 8, 2025

The Comité Colbert has unanimously elected Hélène Poulit-Duquesne to be the new chair of the leading French luxury federation. Poulit-Duquesne, the CEO of Maison Boucheron, succeeds Laurent Boillot. She will take up her new responsibilities in June 2026, working alongside Bénédicte Épinay, general delegate of the Comité Colbert.

Hélène Poulit-Duquesne – Boucheron

 
Poulit-Duquesne has been a long-term active member of the Comité Colbert. As CEO of Maison Boucheron, she has served on the association’s board of directors since 2018 and became its vice president in May 2022.
 
“I am proud and happy for the trust placed in me today. My roadmap is to continue supporting the Comité Colbert’s major challenges: promoting our expertise and supporting our industries, collectively promoting our values and our Houses internationally, and placing sustainable development, a future challenge for the planet and our professions, at the heart of our strategies,” said the Boucheron CEO in a release.

The Comité Colbert’s membership includes a wide variety of French luxury labels such as fashion houses like Louis Vuitton, Balenciaga, Dior, Givenchy, Jean Paul Gaultier, and Balmain; fine wines like Château Lafitte Rothschild and Perrier Jouët champagne; perfume brands- Frédéric Malle, Guerlain, and Francis Kurkdjian; jewellers such as Van Cleef & Arpels and Messika; and master chefs and restaurants including Yannick Alléno, Taillevent, and Guy Savoy.
 
“Each Maison of the Comité Colbert, beyond its individual performance and regardless of its market share and size, has a greater role to play: that of defending values that are universal and cement the foundation of our collective: the values of art, culture, and craftsmanship, the hand of man. Because they have meaning, they give meaning. They enrich the lives of millions of people and inspire them to dream,” insisted Poulit-Duquesne.
 
A notably experienced executive, Poulit-Duquesne has held senior positions in three of the largest luxury groups in the world- LVMH, Richemont, and Kering.
 
Hélène Poulit-Duquesne is a graduate of ESSEC Business School in the Paris suburbs, who began her career at LVMH before joining Cartier International, the key brand in the Richemont Group, in 1998. In 2010, she joined its Executive Committee as director of international marketing, before joining the Kering Group at the end of 2015 as CEO of Maison Boucheron.
 
“I am delighted at the prospect of working with Hélène Poulit-Duquesne to serve, together with our collective, the influence of an industry whose excellence and creativity are one of the major jewels in the crown of the French economy. We are committed to supporting its development, honouring its expertise, and amplifying its international influence,” added Épinay.
 
Created in 1954 on the initiative of famed perfumer Jean-Jacques Guerlain, the Comité Colbert is a non-profit association recognised as being of public interest, bringing together 98 French luxury houses and 17 cultural institutions. The Comité Colbert’s goal is to work together to promote the French art of living internationally, as well as to preserve and pass on French expertise and creativity.

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British photographer Martin Parr dies aged 73

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Nicola Mira

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December 8, 2025

British photographer Martin Parr, renowned for his colour-saturated pictures and the ironic gaze with which he observed his compatriots’ daily life, passed away on Saturday aged 73. The announcement was made by the Martin Parr Foundation in a press release.

Martin Parr – Afp

“It is with great sadness that we announce that Martin Parr (1952-2025) died on December 6, 2025, at home in Bristol,” stated the foundation. Magnum Photos, the agency for which Parr had worked for a very long time, gave the sad news at the same time.
 
Parr became famous thanks to his highly recognisable aesthetic featuring close-up shots and a saturated palette, and the amused, sympathetic eye with which he observed his favourite themes, like mass tourism and consumerism, and his subjects, from sunbathers with crimson-baked skin to village fête participants.

Over the last 30 years, Parr’s style won over many fashion labels, and he collaborated with some of the top luxury houses. Last year, the Fashion Faux Parr book traced his links with the fashion world, featuring some 25 images taken over the course of several decades.
 
Parr’s influence extended beyond the domain of photography aficionados, even if his documentary-style work, sometimes described as kitsch, earned him as many admirers as detractors.
 
Parr was born in Surrey on May 23, 1952. He was introduced to photography by his grandfather, an enthusiast himself, and began taking pictures in black and white, like the great masters of the 1970s.
 
He rose to prominence in the mid-1980s, with The Last Resort, a study of working-class people on holiday in New Brighton in Merseyside. It was a foretaste of his future work, notable for the use of flash photography for exteriors shots too.
 
After a career fraught with challenges, Parr became a full member of Magnum Photos in 1994, despite Henri Cartier-Bresson’s initial opposition. He went on to lead the agency from 2013 to 2017.

With AFP

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