VIPs and fashion insiders are jostling for invitations to one of the most-coveted shows at Paris Fashion Week: Matthieu Blazy’s debut at Chanel. But who is the 41-year-old designer?
The Franco-Belgian designer is relatively under the radar — not one of the celebrity names considered for the job — and was chosen for Chanel following a highly successful three-year tenure at Italian luxury label Bottega Veneta.
The new role marks a major promotion, catapulting him from a mid-sized Italian house to Chanel — the world’s second-largest luxury fashion label with annual sales of around $20 billion.
Blazy reportedly impressed during the recruitment process with his in-depth creative presentations. He embodies “a new generation with sincere humility,” Chanel fashion president Bruno Pavlovsky said when announcing his appointment.
Beyond his creative vision, that remark also underlined another of Blazy’s widely recognized traits: a lack of ego in an industry known for its larger-than-life personalities.
That makes him a strong fit for Chanel’s discreet family owners, Alain and Gérard Wertheimer, who were reportedly seeking a loyal and low-profile figure to become only the fourth creative director in the brand’s storied history.
“Chanel is a privately owned family house,” Serge Carreira, a fashion expert at Sciences Po university in Paris, told AFP following Blazy’s appointment. “The brand can take a long-term approach and allow time for things.”
Blazy’s biggest challenge will be leading Chanel into a new era after the 40-year reign of its legendary designer, Karl Lagerfeld.
Until last year, Chanel was led by Virginie Viard, Lagerfeld’s handpicked successor. The in-house team has designed this year’s collections.
‘Hottest tickets’
Blazy earned widespread acclaim at Bottega Veneta, where he modernized the iconic Italian leather goods house’s identity. He introduced a more daring, playful edge while broadening the product offering.
He led the launch of the brand’s first fragrances and high-end jewelry, and reinvented its signature “intrecciato” woven patterns with hit bags such as the Kalimero, Andiamo, and Sardine.
One of his most talked-about creations was a pair of $7,000 leather jeans, printed to look indistinguishable from traditional denim.
His Milan Fashion Week shows — attended by stars like Julianne Moore and Jennifer Lawrence — quickly became marquee events. “A top highlight, consistently among the hottest tickets,” said Robert Williams, luxury editor at The Business of Fashion, in comments to AFP.
But Chanel presents a different level of pressure. “The pressure to back up that creative edge with wearable designs is certainly a lot higher,” Williams added.
Blazy gave a glimpse of his aesthetic at the Venice Film Festival earlier this month, where British actress Tilda Swinton appeared in loosely cut white trousers and a short-sleeved blouse — an understated preview of what’s to come.
The full collection will be revealed in Paris on October 6, the penultimate day of Paris Fashion Week, which kicks off on Monday.
A heavy smoker who often dresses in jeans and a T-shirt, Blazy is known for his love of contemporary art and close friendship with Belgian designer Raf Simons — a mentor who hired him twice.
Raised in Paris by his art expert father and historian mother, Blazy grew up alongside a twin sister and brother.
“Tom Sawyer was my childhood hero,” he told The New York Times last year, referring to the free-spirited protagonist of Mark Twain’s novel.
His teenage rebellious streak led to him being sent to boarding schools in both France and England.
After completing high school, he studied fashion at La Cambre in Brussels. Upon graduation, he was hired by Simons — launching a career that has taken him through some of the most prestigious European and American fashion houses.
He first rose to public attention in 2014, as part of an anonymous collective that designed a collection for French label Maison Margiela.
British fashion journalist Suzy Menkes was so impressed with his fabric work that she publicly revealed his name in Vogue, writing: “You can’t keep such a talent under wraps.”
That exposure propelled him into new roles, including at Celine and later at Calvin Klein, where he rejoined Simons in New York.
Their two-year stint in the U.S. ended abruptly in 2018 when both were let go. Blazy described the moment to The New York Times, saying he found himself standing in the street with a cardboard box containing his office belongings.
“It felt like a movie,” he told The New York Times.
Nike Inc.’s top executive in Greater China, Angela Dong, is stepping down as the sportswear company looks to reverse a sales decline in the market.
Angela Dong – Nike
Dong will leave Nike on March 31, the company said in a statement. She’ll be replaced by Cathy Sparks who was previously leading the Asia Pacific and Latin America division. Nike also announced changes for the leadership of the Europe Middle East and Africa division.
The leadership changes suggest Nike is looking at a new strategy for Greater China. Chief Executive Officer Elliott Hill has recaptured some of Nike’s momentum since taking over, but China remains a key challenge, with sales plunging 17% in the latest quarter.
He said in December that China is “at the top” of the company’s list of priorities, and stressed the company needs to move faster.
Nike shares fell less than 1% in extended trading in New York. The stock fell 16% last year, the fourth consecutive annual decline.
Maybelline New York has named Chinese boy group Teens in Times (TNT) as its newest brand ambassadors and global partners.
Maybelline names Teens in Times (TNT)asbrand ambassadors and global partners. – Maybelline New York
In this role, TNT will front upcoming campaigns in China while also participating in broader brand initiatives, underscoring the universal appeal of Maybelline New York’s hero product lines beyond regional markets.
The appointment comes as Maybelline New York continues to accelerate its digital-first, youth-focused strategy on a global scale.
By welcoming TNT into the brand’s ambassador roster, Maybelline aims to inspire a new generation of beauty consumers to embrace individuality through high-performance, trend-setting products.
“Known for their exceptional talent, relentless work ethic, and authentic connection with their audience, TNT embodies the core values of Maybelline New York: self-expression, confidence, and the courage to “make it happen,”” the cosmetics company said in a statement.
Louis Vuitton has always been about hyper-savvy brand connections, all the way to its latest show whose centerpoint was a beautiful modernist architectural set.
Louis Vuitton fall/winter 2026 collection – FashionNetwori.com
From Bauhaus to Drophaus, the term Vuitton’s menswear creative director Pharrell Williams used to describe this elegant apartment, made in collaboration with the architectural firm Not A Hotel: a prefabricated house concept envisioned as a timeless space for future living. Think a blend of midcentury modern-meets-Joseph Dirand.
An ideal setting for this expression of modernist mode by Williams, which opened Paris Fashion Week Men’s at the Louis Vuitton Foundation on a wet Tuesday night in Paris. And don’t be surprised if some of the furniture Pharrell designed for this model home turns up in the hotel Louis Vuitton is said to be building on the Champs-Élysées.
A raised model home built inside a plywood crate the size of a small stadium, on which was stencilled in half-meter high letters “Louis Vuitton Fall-Winter 26 Men’s Collection”.
An ideal Instagram backdrop for hundreds of guests, or micro and mega influencers. Many of whom where sat front row wearing the hand-made, caramel-colored Babouche slippers Williams kindly sent as a gift with his formal invitation.
A huge show backed up by a gospel choir attired in black professors’ gowns at one end, facing a full orchestra at the other.
Louis Vuitton fall/winter 2026 collection – FashionNetwork.com
Without question, the most commercially minded yet also timeless of Pharrell’s five shows so far for the house, focused on crisp, cohesive tailoring. Opening with classic six-button jackets and the flared pants that Pharrell favors, many composed in new LV technical fabrics reflective under light.
Though the heart of the matter was the travel-wear: natty crinkly jerkins so one never needs to fear coming off a long-haul flight with a crumpled look. Padded urban ski jackets with fur-trimmed hood, or chambray shell jackets for a little dash.
One also had to love the splendid ankle-brazing gents coats, finished with matching woollen bows, or vicuna zippered and pocketed sweatshirts. Above all, the American designer toned way down the streetwear, and concentrated on contemporary tailoring, and casual chic, albeit never too quiet but rippling with panache.
In accessories, a fab’ new series of monogram backpacks, elongated and finished with extra micro pockets should be huge hits. Many boasting cuddly fox companions that looked like must-have ornaments.
And, of course, it would not be a Pharrell Vuitton show without a few mammoth trunks. Two standouts this season were an uncanny light-filled, stained-glass-window version of a Tiffany lamp, followed by a beautifully made intarsia vista of Pont Alexandre III and the Eiffel Tower.
Louis Vuitton fall/winter 2026 collection – FashionNetwork.com
All of which won Pharrell a huge ovation – led by a powerhouse front row that included First Lady Brigitte Macron; “Adolescence” protagonist Stephen Graham; it-guy Djo; and crooner, John Legend.
Williams took a leisurely bow, backed up by a soundtrack he produced at the Louis Vuitton in-house recording studios. It included compositions like Pray For Ya by John Legend; Sex God by Jackson Wang (feat. Pusha T); Disturbing The P by A$AP Rocky (feat. Pharrell Williams); and The One by Voices of Fire (feat. Pharrell Williams) and Hit-A-Lik by Quavo.
In a word, another hit show, and collection, by Williams. Not bad going for what is technically his night job.