Balenciaga returns to the world of perfume, and does so in a big way, in the elegant spirit of its founder. The luxury house, owned by Kering, launches its first collection of ten fragrances, resurrecting Balenciaga’s historic perfume, Le Dix, which is now subtly reinterpreted after intense research. It is also opening its first perfumery. This project should be the first step towards an extension into beauty.
The ten fragrance collection – Balenciaga
The launch comes at an ideal time for the house to consolidate its very upmarket image by highlighting its links with its rich heritage, as it prepares to unveil on October 4 at Paris Fashion Week, the first collection of its new artistic director Pierpaolo Piccioli, who has succeeded Demna, who has left for Gucci.
Cristóbal Balenciaga, who had settled in Paris in 1937, created his first fragrance in 1947. It was called “Le Dix” and, as usual, he took meticulous care over every detail. A perfume that has since been forgotten. Aware of the aura of this mythical fragrance, the brand decided to take Le Dix as the starting point for its olfactory project, and launched a search for traces of the perfume.
“This rebirth of a lost icon began with a fifteen-year search by the house’s archivists, which culminated in the rediscovery of a bottle” containing the precious effluent, Balenciaga recounted in a press release.
From there, the original Dix formula, its bottle and packaging were scrutinized in depth to restore them as faithfully as possible, while at the same time modernizing them. The refillable bottles are reproduced identically, with a globular glass stopper and hand-tied ribbon, as is the sober black label, while the box containing them is deliberately aged, as if patinated by age. For its part, the fragrance has been revitalized by blending a precious iris absolute with innovative isolated iris aldehydes. It is further enhanced by violet leaf absolute and incense essential oils.
Alongside the Dix, nine other individualized, intensely colored juices have been created, “each expressing a bold clash between the mastery of French perfumery and the audacity of innovation”, restoring “Balenciaga couture in a bottle.”
Their names are linked to the spirit of the house and the story of its founder. Examples include “Getaria”, inspired by the Spanish coastline, named after Cristóbal Balenciaga’s birthplace, “Cristóbal” with its scent “enigmatic and discreet, yet radiating gravity”, and “No Comment”, in reference to the legendary silence imposed by the couturier around his creations.
A copy of the original Le Dix perfume – Balenciaga
In the past, a licensing agreement to develop a line of perfumes had been signed in 2008 between Balenciaga and the American Coty group. But this expired without being renewed. The project was therefore developed by the Kering Beauté division, set up by the Group in 2023, in conjunction with Balenciaga teams.
The collection goes on sale this September 10. Prices vary according to format. The 100 ml eau de parfum is priced at 260 euros, while the travel spray is 55 euros, for example. For this important launch, a dedicated boutique was inaugurated at 10 avenue George V. This is the address where Cristóbal Balenciaga set up his fashion house when he first arrived in France, and where the brand moved back two years ago. It was at this address that the famous perfume Le Dix was named.
The line will also be distributed in a selection of Balenciaga boutiques in Europe and North America, as well as on the brand’s e-commerce site, before being launched progressively in the Middle East, Asia and worldwide, according to the label.
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LVMH Moët Hennessy Louis Vuitton presented its first Life 360 Awards to recognise environmental progress in the group, in the same week as it celebrated earning the coveted CDP triple ‘A’ score.
A snapshot of LVMH’s Life 360 Awards – Lucas Barioulet
Held inside LVMH’s global HQ on Paris’ Avenue Montaigne on Wednesday evening, the group presented awards to 13 winning initiatives. These were selected from 187 submitted projects by 41 Maisons in a carefully staged presentation designed to highlight the environmental transformation undertaken by LVMH.
Teams from LVMH brands from several continents joined via video link- from Tiffany in New York and Chandon in Sao Paulo to Loro Piana in Milan and champagne marques gathered in Epernay.
“The Life 360 Awards illustrate how our Maisons are advancing the group’s environmental roadmap. This collective momentum confirms that these issues are at the very heart of our strategy… The winning initiatives point us in a clear direction: a responsible form of luxury, underpinned by concrete and ambitious action,” said Antoine Arnault, image and environment, LVMH, and the driving force behind the project.
Arnault, eldest son of LVMH’s chairman and controlling shareholder Bernard Arnault, in particular celebrated that LVMH had again been recognised with a CDP triple ‘A’ rating for its action on climate, forests, and water.
The giant French luxury behemoth underlined that its Life 360 environmental program (LVMH Initiatives For the Environment), is structured around five pillars: Climate, Biodiversity, Creative Circularity, Traceability & Transparency, and Stakeholders. With the group keen to publicly highlight successful initiatives and results.
All told, it claimed to have achieved a 55% reduction in its direct greenhouse gas emissions, reaching its 2026 target two years ahead of schedule. The preservation and regeneration of more than 3.8 million hectares of natural habitats. An increase to 33% in the share of recycled materials used in products and packaging. And the reduction of around one-third in its indirect emissions.
“The award-winning initiatives reflect the quality of the work carried out collectively around Life 360. They demonstrate tangible progress and create genuine momentum across the group by encouraging the sharing of the most effective solutions between our Maisons and with our supplier partners,” said Hélène Valade, environmental development director, LVMH.
The winning projects were selected by a jury composed of Group executives and experts.
Among the winners, Tiffany & Co. installed significant solar capacity at the Maison’s diamond cutting and polishing facility in Botswana, reducing greenhouse gas emissions, as well as training and hiring local craftspeople for the project.
Moët Hennessy reduced its transport-related carbon footprint, by notably increasing the share of maritime and rail transport. That led, in 2025, to a reduction of nearly 50% in transport-related carbon emissions compared with 2019.
Other awards went to Celine, Louis Vuitton, Rimowa, Chaumet, Christian Dior Couture, and Christian Dior Parfums, the latter for an ambitious strategy aimed at gradually phasing out virgin fossil-based plastics from customer.
While Guerlain played on its historic links to bees in an awareness-raising initiative on the role of these insects, delivered by employees and aimed at primary-school pupils around the world. And, via Women For Bees, a program in partnership with UNESCO enabling women to become beekeepers.
In terms of transparency, Bulgari dreamed up its own Digital Passport, via micro-engraving on each creation, readable via a smartphone scan using Al- revealing gemmological certificates, origin, and craftsmanship.
In addition to these awards, the jury presented a special ‘coup de cœur’ Prize to Moët Hennessy in recognition of its Living Soils, Living Together program, where the Champagne and Wines & Spirits labels work to reduce their environmental footprint.
Among which, Château Galoupet, a Cru Classé Côtes de Provence acquired by LVMH in 2019, has already been certified organic since 2023- deploying a regenerative viticulture approach. Covering crops on 100% of the vineyard, more than 2.6 km of agroforestry hedgerows, regenerative hydrology structures, increased soil organic matter, and the installation of numerous shelters for biodiversity.
If at times, the mood seemed a tad self-congratulatory among LVMH executives, one was also struck by the sense that the Group’s senior management had put real pressure on many brands to come up with genuine environmentally friendly solutions. Which made the whole event a plausible reason for applause and optimism.
In a move that celebrates the house’s Italian roots, Pucci is setting course for Sicily to unveil its new collection, ‘L’Alba.’ The fashion show will be held on April 17 at an as-yet-unspecified location on the island, where artistic director Camille Miceli intends to fuse Mediterranean light with the Maison’s vibrant aesthetic.
Emilio Pucci – Courtesy of Emilio Pucci Archive
“Sicily possesses a magnetic energy that aligns perfectly with the Pucci spirit,” said the designer. “The collection is an even deeper exploration of movement, colour, and rhythmic silhouettes, elements that will be heightened by this evocative experience.”
‘L’Alba’ promises to be a celebration of awakening and the first light of day, a moment when “a psychedelic night dissolves into the glow of the morning.” The collection will reinterpret Pucci’s stylistic codes through vibrant graphic motifs, reimagined archival prints, and refined textures.
In keeping with trending see-now-buy-now strategies, the collection will be available to purchase immediately after the conclusion of the fashion show.
The initiative aims to keep the excitement of the event alive, while also offering an immediate ‘souvenir’ of the Sicilian experience and reaffirming the indissoluble bond between the Maison and Italy.
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“Testing the market digitally” has almost become a cliché. Where brands once opted for a selection of retailers or even a first store, digital is now seen as a gateway to international markets. But while online activity can be managed from the domestic market, turning it into a profit centre means sidestepping a few pitfalls. This was highlighted by Mathieu Grodner, president of Simone Pérèle, who shared his experience, alongside experts Rémy Daguillard of Stellae and Basile Ricordel of Global-e, at the Welcome on Board event, organised by the various federations and professional committees for economic development both in the fashion sector and dedicated to exports.
Mathieu Grodner (right) with Rémy Daguillard, from Stellae, and Basile Ricordel from Global-e at the Welcome on Board event – WOB
For the head of the premium lingerie brand, digital provided a complementary solution to its international brick-and-mortar presence. “We approached digital with our own platform,” said the grandson of the brand’s founder. “The question was how to develop our digital business in a way that was profitable, efficient, and compelling for our end customer. We were fortunate to have existing logistics flows in place to deliver a high-quality service to our customers wherever they are. We started with our core markets, the US and Australia, before expanding into other regions. You have to be able to adapt to different geographical areas and, increasingly, to the international context.”
Practically speaking, the brand had to deploy tools to clearly identify where its customers are located and offer an appropriate response in terms of language, currency, payment methods, taxes, customs duties, and even local logistical complexities.
“The complexity lies in removing all the barriers to purchase that may exist on the website,” said Rémy Daguillard, Stellae’s president for France, a logistics specialist for premium and luxury brands. “The aim is to ensure that the end consumer, whom you may have across the world, can enjoy the same customer experience as if your brand were domestic or local.”
“I would add that the question is not necessarily to sell everywhere in the world. Obviously that’s possible. Rather, can you do it and be profitable?” added Basile Ricordel, commercial director at Global-e, who recalls observing the digital expansion of the American brand Surface to Air. “E-commerce was seen as an El Dorado. But products were being shipped and customs duties and taxes were miscalculated. There was the issue of packaging, the choice of transport provider, or even the failure to take returns into account… In the end, costs can quickly stack up.”
Beware of hidden costs
The specialists emphasise that this accumulation rapidly erodes margins- and can even tip the business into the red. They therefore urge brands to scrutinise customs duties and taxes to avoid paying them several times over, and to right-size packaging to the actual dimensions of products, thereby reducing costs. They also recommend creating a returns collection point in certain markets to consolidate weekly or monthly returns and thus lower unit transport costs.
While e-commerce is a window into global markets, they nevertheless recommend a step-by-step approach to deployment. At Global-e, the company leverages its data to target potential markets in line with each brand’s needs. “We have insights into best practices, consumer habits, and macroeconomic trends, with the aim of improving conversion,” said Basile Ricordel. “In fact, given the international context, the US market is perhaps more complicated at the moment. Hence the idea of redirecting that investment budget towards other markets, such as Japan right now. But the idea is to focus on five to ten countries that warrant investment and work to generate margin.”
For his part, Rémy Daguillard also urges brands to avoid endless laundry lists and to take local and geopolitical realities into account. “Obviously, e-commerce in Russia right now is going to be tricky. But there are areas that aren’t closed and that require understanding. Mexico, for example, is a dynamic market for luxury goods, but it has specific features to take into account, with hidden costs.” The executive recounts the misadventure of customers who have to slip an extra note to couriers to be able to collect their parcels. “You can devise your best model; these things happen, and France doesn’t have the same norms as Mexico, Brazil, or Australia.”
“You can’t be adventurous on all fronts,” confirmed Mathieu Grodner, who pointed out that digital represents 20% of his business today. “You can’t be the best in every territory, and we’ve learned that the hard way. But we’re striving to be increasingly homogeneous worldwide, because today you can no longer claim to be an international brand if you have too much disparity, whether in your prices or in your offering.”
WOB
This prioritisation appears to be a key point, particularly in a geopolitical context that has been especially unstable in recent years, with the episode over US customs duties a notable flashpoint. The abolition of the de minimis exemption, which since 2016 had allowed brands to send parcels to the US without paying duties or taxes on products valued at under $800, has significantly disrupted export strategies for the US market.
“The question of the American market has indeed been top of mind for all our clients, who have been trying to adapt as best they can since August 29 to taxes and customs duties, particularly with the abolition of the de minimis rule. Since we developed a model that allows customs duties to be paid on the transfer price, this has reduced the impact,” said Rémy Daguillard.
“Throughout the debate on tariffs, brands were worried about how they would be affected,” agreed Basile Ricordel. “Questions are being asked about products made in Europe, but some brands also have products made in China. Brands are wondering whether they should hold local stock. And that raises questions such as appointing a fiscal representative… all while seeking the best option to avoid eroding profitability in the US.”
Opportunities therefore remain in the US, as in other markets, but the unstable economic and geopolitical context is prompting brands to take greater precautions when rolling out their digital business into new markets.
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