The 81st Venice Film Festival welcomed one of fashion’s most iconic designers on Tuesday with the world premiere of “Marc by Sofia,” a new documentary directed by Oscar-winning filmmaker Sofia Coppola. The film offers a rare behind-the-scenes look at Marc Jacobs and his creative process as he builds his Spring 2024 ready-to-wear collection.
Marc Jacobs’ creative process captured in new Sofia Coppola documentary – AFP
Premiering out of competition, the film marks Coppola’s first foray into documentary filmmaking and centers on her 30-year friendship with Jacobs. Their personal connection enabled an intimate and cinematic portrayal of the designer’s workflow, from selecting fabrics to the final runway execution.
“I was excited not to have a script or a plot,” Coppola told reporters in Venice. “It was really me discovering his process… and intertwining it with the history of what he’s made and his references and the artists he’s collaborated with.”
The film tracks the 12 weeks leading up to Jacobs’ Spring 2024 show during New York Fashion Week. It blends archival footage, studio vignettes, interviews, and personal moments, showcasing Jacobs’ deeply instinctive and non-linear approach to design. “We are not very linear in the way we work,” Jacobs says in the film, surrounded by swatches and samples spread across his desk.
A personal perspective
Having Coppola behind the camera brought both comfort and vulnerability, said Jacobs. “Corny as this sounds, I feel like this was really a beautiful love letter—to me, my work, and to our friendship,” he told Italian broadcaster Rai on the red carpet.
Jacobs, who rose to prominence in the late 1980s with his grunge-inspired collections, served as creative director at Louis Vuitton from 1997 to 2013, helping transform the French house into a global fashion powerhouse. Today, he remains the head designer of his namesake brand under LVMH.
The film also offers glimpses of his earliest career moments—including footage from his Parsons graduate show that Jacobs said he had never seen before. “There were a few moments that really surprised me,” he said, recalling the emotional weight of revisiting his early work.
Coppola described the project as “a fun treasure hunt,” referencing the process of piecing together vintage imagery, clips from 1990s New York, and personal photos—including moments with Jacobs’ grandmother—to construct the documentary’s visual identity.
“I wanted it to feel personal but never be intrusive,” Coppola said. “It was really a personal portrait of my friend. It wasn’t a marketing piece or a commercial.”
A cinematic fashion show
The film culminates with Jacobs’ Spring 2024 show, where models walked in oversized wigs and Twiggy-inspired lashes. “To see that energy and stress and excitement right before the show… and to film it in a cinematic way—that was new for me,” Coppola shared.
The documentary lands at a pivotal time for the Marc Jacobs brand, as recent reports from “The Wall Street Journal” suggest that parent company LVMH is considering a potential sale. The company is currently estimated to be worth $1 billion.
After ending 2024 down 2.1%, Italy’s childrenswear sector is expected to end 2025 with turnover of just over 3 billion euros, a decline of 3.2%, according to preliminary estimates by Confindustria Moda‘s Economic and Statistical Research Office. The value of production is expected to fall by 4.8% year on year.
In foreign trade, childrenswear exports are forecast to decline by 3.2%, bringing the total value of overseas sales to 1.5 billion euros and accounting for 48.9% of sector turnover. By contrast, imports are expected to grow by 1.8%, taking the total to almost 2.6 billion euros.
With regard to foreign markets, the analysis can be limited to babywear, which, according to Istat, fell by 3.9% in the first nine months of 2025 to 112.7 million euros. This negative trend affected both EU (-1.2%) and non-EU (-5.9%) markets.
During the period under review, the United Arab Emirates confirmed its position as the leading destination for babywear, posting growth of 18.1% to 10.3 million euros, equivalent to 9.2% of total exports. Despite a 2.3% contraction, Spain climbs to second place and accounts for 9.1%, while France takes third place with growth of 1.3%. The US, a strategic market for babywear, slips to fourth following a marked 17.0% decline, to 8.6 million euros and a 7.6% share. The UK and Germany, the fifth and sixth destination markets respectively, also contracted, but at very different rates: the UK recorded a modest 3.6% decline, with a value of 6.8 million euros, while Germany suffered a more pronounced 16% loss, with turnover of 4.8 million euros, corresponding to 4.3% of total exports for the segment.
Conversely, China, in seventh place, shows moderate growth (+4.5%) to 4.6 million euros, followed by Russia and Poland, with particularly strong increases of 35.3% and 63% respectively. Sales to Israel also rose sharply, up 131.2% to 3.9 million euros, taking its share to 3.5%.
Among other European markets, Portugal and Bulgaria, the eleventh and twelfth, both show increases of 1.9% and 0.3% respectively; while Greece and the Netherlands, in fourteenth and fifteenth positions, show declines of 12.3% and 14.5%, respectively. In the Middle East, in addition to the aforementioned Emirates, Qatar (2.9 million euros, +8.9%) and Saudi Arabia (2.2 million euros, +25.6%) stand out, strengthening their overall contribution.
Finally, with shares of less than 2%, Belgium and Romania show significant growth, with increases of 52.3% and 12.6%, respectively, while Croatia and Japan register smaller negative changes of 7.8% and 0.5%, respectively.
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Monica Vinader has chosen English singer/songwriter Sienna Spiro as the face of the aspirational, ambitious premium jewellery brand.
Sienna Spiro
The “meaningful collaboration” links the jewellery brand “known for its design integrity and exceptional quality” to “one of music’s most compelling emerging voices… with her lyrics rooted in feeling and intention, qualities that closely align with Monica Vinader’s approach to design”, we’re told.
Throughout the campaign, Spiro wears the new Infinity collections as well as Monica Vinader pieces engraved with lyrics from her song ‘You Stole the Show’.
The engravings spotlight the brand’s personalisation services, “transforming jewellery into objects of meaning, from song lyrics and private messages to personal mantras”, the retailer said.
The brand, which has several stores in London, plus stores at Liverpool One, in Manchester and Edinburgh, appointed a new CEO in November. Sebastian Picardo now heads the previously family-run brand founded by siblings Monica (artistic director) and Gabriela (non-exec director) in 2008.
At the time of his appointment, the sisters said Picardo is “perfectly placed to guide our next phase of growth” and will work to accelerate the business’s global reach, “scaling innovation, inspiring existing and new audiences, and setting new standards for modern luxury jewellery”.
Scottish gymwear brand Dfyne has opening a 21,623 sq ft headquarters in Glasgow that “marks a major milestone in the company’s growth just four years after launch”, it said.
Dfyne
Designed in collaboration with workplace designer/builder Oktra, the new HQ provides a permanent base for Dfyne’s growing team and “reflects the brand’s ambition, identity, and people-first values.. as the business continues to grow”.
The opening marks ‘phase one’ of the project, with further phases planned to extend the workspace and complete the ground floor fit-out, it said.
The workplace is organised around a series of “clearly defined zones, balancing focused workspaces with informal collaboration areas and spaces to showcase Dfyne products”.
“Cultural storytelling” is also embedded within the design. Brown leather seating in the new meeting booths references a brown leather sofa from Dfyne’s original headquarters – a piece closely associated with the brand’s early days and formative moments.
“This detail symbolises [our] journey from a small founding team to a fast-growing international brand, while maintaining a strong connection to its roots”, it said.
CEO Oscar Ryndziewicz added: “In only four years, and thanks to our incredible community, we’ve grown to such a level that we can create a new, tailor-made space for our team that embodies our brand values. With the creation of unique workspaces, our new HQ is purposefully designed to enable everyone who supported the company’s growth to spark connections and inspire innovation.”