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Puma’s new boss takes helm trailing Adidas and a recovering Nike

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Bloomberg

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August 4, 2025

For more than two years, Puma SE’s top brass spoke of “elevating” the German brand and making its sneakers and apparel more aspirational. Since arriving last month, chief executive officer Arthur Hoeld has delivered a fairly blunt verdict: Puma, if anything, is now perceived as cheap.

Puma was founded in 1948 – Archivo

Hoeld, a decades-long veteran of cross-town rival Adidas AG, has the task of turning Puma around and charting a return to profit and growth. It’s not the first time the 77-year-old brand has needed a makeover, and former bosses like Jochen Zeitz, now head of Harley-Davidson Inc., and Bjorn Gulden, who became CEO of Adidas in 2023, both found ways to revitalise Puma’s leaping cat.

But Hoeld has significant hurdles to clear. Fast-growing brands like On Holding AG, New Balance and Hoka are winning customers and taking more shelf space at retailers. Adidas is still riding high on its retro Sambas, while industry leader Nike Inc. is bouncing back under company veteran Elliott Hill with products like the Vomero 18 running shoe, after a rare rough patch for the Swoosh.

Then there are challenges Puma can do little to control: a fast-appreciating euro and US President Donald Trump’s trade tariffs ramping up industry costs. Hoeld took the first step toward what looks like a textbook reset on July 24, delivering a brutal financial reappraisal that sees a 20% plunge in sales in the coming months and Puma losing money this year.

“That tells you that something is really quite wrong,” said Piral Dadhania, an analyst at RBC Capital Markets. “This is a fairly high-risk sort of turnaround. The execution becomes much more relevant in that situation.”

Hoeld first has to stop the bleeding. He is inheriting a growing pile of unsold sneakers and apparel in warehouses around the world that could take Puma more than a year to work through and to convince retailers to buy from the brand again, Deutsche Bank analyst Adam Cochrane said in a note.

“It’s pretty toxic,” said Ingo Speich, a portfolio manager with Deka Investment in Frankfurt, a major Puma shareholder. “If you produce more and more shoes and widen your product range — at the same time as you get less retail space because other brands are far stronger- then it gets difficult.”

After Puma’s profit warning, Hoeld linked the inventory challenge to big-picture questions that could take months to answer and even longer to execute on. “Do we have the right products for our consumers and our wholesale partners?” he asked. “If so, why is our brand not achieving the required visibility and engagement?” He promised to unveil his strategy in late October.

The slump is badly timed. The sneaker world has transformed in the past decade as Adidas and Nike pulled back from many retail partners, prioritizing direct-to-consumer sales channels in hopes of boosting profits. That approach backfired, with consumers embracing smaller brands like On, Hoka and New Balance that secured their products more space on retailers’ shelves.

Puma, though, failed to capitalize on Nike’s stumbles, while Adidas quickly reversed course under Gulden, winning back retailers who couldn’t get enough of the three-striped Sambas and similar models. Since Hill returned to Nike last fall, he’s been repairing relationships with retail partners including Amazon.com Inc., and the company appears set for a new era of growth.

For decades, Puma has occupied a tricky spot in the sporting goods world. Though it competes in everything from football and basketball to running, it’s much smaller than its main rivals Adidas and Nike in that multi-sport game. Its products typically command lower prices, though it’s had success when it carves out a niche, often as the underdog brand.

When Gulden arrived at Puma in 2013, he refocused the company on performance sports and leaned heavily on the brand’s one genuine superstar: sprinter Usain Bolt. The Jamaican inspired the slogan “Forever Faster” and featured on a TV ad frolicking with women in a hot tub. “Calling all troublemakers,” he said. “For danger, risk and potential fugitive status.”

Fast-forward just over a decade and there was little of that rebellious spirit in Puma’s “Go Wild” ad this spring, which was aimed at everyday runners looking for feel-good vibes. The campaign struggled to stand out against Adidas’s no-stress “You Got This” push, or On’s video featuring Sesame Street’s Elmo urging runners clad in the brand’s plushly cushioned trainers to not be so hard on themselves — because “soft wins.”

Yet it’s Puma’s Speedcat sneaker that typifies the brand’s turmoil. In 2023, Puma was slow to bring back its retro Palermo trainer to compete with Adidas’s Samba. At the time, Puma leaders said they would punch back by owning the likely follow-up trend for thin-soled, “low-profile” sneakers.

Their hopes were pinned on the ’90s-era Speedcat — originally a product of Zeitz’s push to get Puma into motorsports — becoming a blockbuster. Celebrities including Jennifer Lawrence began to wear them in 2024 and Puma finally scaled up production earlier this year, with ex-CEO Arne Freundt saying it could be one of the hottest shoes of the summer.

Puma now acknowledges the shoe simply hasn’t caught on. Adding insult to injury, Adidas swooped in with its similar Taekwondo franchise to capture post-Samba demand, and it’s now outperforming Puma’s Speedcat models on StockX, according to the resale platform.

The Speedcat was key to Puma’s strategy to elevate the brand and help it command higher prices for other products. Instead, some versions of the 110 euro (127 dollar) sneaker can be purchased for as low as 88 euros on its website. Versions of the 100 euro Palermo are discounted as much as 30%. Adidas sells some versions of its Samba for nearly twice as much.

Speich hopes Hoeld’s decades of sales experience at Adidas will help. He spent years overseeing its retro footwear and apparel business, and led the Europe, Middle East and Africa division. He was head of global sales until October.

If Puma can produce some hot new products, Hoeld may do a better job of getting them into the right stores in front of the right customers, according to Speich. It’s not a matter of turning the brand “upscale,” he added.

Hoeld singled out the running franchise as having immediate potential. In 2021, Puma reentered the sport with its “Nitro” foam shoes, winning praise from hardcore runners and professionals. But it was slow to target more casual buyers, and Puma is currently only available in 20 of running-chain Fleet Feet’s nearly 300 locations in the US, for instance.

“When we talk innovation in our industry, running is one of these sports that matters,” Hoeld told reporters. “We are going to make sure that Nitro is going to be seen globally as a key platform for future success of Puma.”
 



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Portuguese fashion designer Micaela Oliveira honoured at Saudi Arabian Women’s Night 2025

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December 5, 2025

“It is with great pleasure that we announce Micaela Oliveira, the celebrated Portuguese designer, as one of the featured couturières at the Saudi Arabia Creative Women Forum 2025 Gala Dinner and Awards Ceremony,” the organisation declared on its social media channels, in a post also shared on the designer’s Instagram account, announcing the tribute at the event held on November 6 at the National Museum in Riyadh. The evening opened with an address by Princess Noura bint Saud bin Naif bin Abdulaziz Al Saud, patron of the Forum and founder of Saudi Fashion Week, followed by a runway show by the Portuguese designer, celebrating the rich traditions of this enchanted kingdom.

Lux

The publication further notes that the Trofa-born couturière “grew up surrounded by fabrics, prints, and creativity- a world that has shaped her lifelong devotion to fashion,” and that over the past 20 years she has “built an extraordinary career defined by elegance, daring, and refinement, consolidating her name among the leading designers of wedding dresses and haute couture,” the statement continues.

“Her creations- a harmonious blend of sophistication, sensuality, and femininity- embody her belief that each dress should tell a story, evoke emotion, and reflect the unique essence of the woman who wears it,” reads the message shared simultaneously on the Forum and the eponymous designer’s Instagram accounts.

“Guided by the values of exuberance, creativity, and impeccable craftsmanship, Micaela’s creations blend classic beauty with contemporary art, achieving a timeless charm,” the post adds, highlighting “a vision that transcends borders” that “continues to enchant the global fashion world, transforming dreams into haute couture masterpieces that celebrate individuality and the eternal elegance of femininity.”

Lux

For her part, Micaela Oliveira expressed her gratitude for the honour at the Saudi Arabia Creative Women Forum 2025 Gala Dinner and Awards Ceremony, which took place in Riyadh, the capital and principal financial centre of Saudi Arabia: “It was a privilege, as a designer, to travel to the Kingdom of Saudi Arabia, where I was honoured before members of international royalty and government representatives at a truly magnificent awards ceremony,” she said in a statement quoted by Lux.

“This prestigious award was presented to me by Her Royal Highness Princess Noura bint Saud bin Nayef bin Abdulaziz Al Saud, a pioneering woman and a leading figure in the Kingdom’s artistic community. I had the great honour of presenting a fashion show celebrating the rich traditions of this remarkable country during the Creative Women Forum 2025 Gala Dinner and Awards Ceremony.”

Instagram

“We are delighted to announce the return of the Creative Women Forum in Riyadh, which will take place from November 4–6, 2025, under the esteemed patronage of Her Royal Highness Princess Noura bint Saud bin Nayef Al Saud,” announced Creative Women Platform on Instagram. “This year’s forum will be held at the iconic Princess Nourah bint Abdulrahman University- the largest women’s university in the world.”

“A powerful stage for a global gathering of visionary women,” it continues. “Join us for three transformative days filled with innovative leadership, inspiration, and ground-breaking ideas, as we explore creativity, entrepreneurship, sustainability, and the future of women in leadership.”

This time, the experience culminated in a fabulous gala dinner and awards ceremony, “celebrating the brilliance of the women who shape our world,” concludes Creative Women Platform, on its social media.

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Clarks fêtes 200th year, opens Milan pop-up with Candiani, expands global e-tail presence

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Nicola Mira

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December 5, 2025

British footwear brand Clarks is celebrating its 200th anniversary this year. In Italy, the brand is marking the bicentennial by opening a pop-up space within the Candiani Denim Store, in piazza Mentana 3 in Milan, where customers are able to personalise their Clarks shoes throughout December.

Clarks shoes can be personalised at the Candiani Denim Store in Milan – Clarks

From December 2 to 9, the Milanese store by Candiani, a premium Italian denim producer with its own jeans line, is hosting a Clarks pop-up shop. Visitors will have the opportunity to explore the British footwear brand’s history, its signature models, and learn about some of the leading figures who have worn Clarks and helped define its identity, influencing generations. A documentary about Clarks’s 200 years in business, entitled From Somerset to the World, will be screened inside the pop-up shop. The shop will showcase a selection of Clarks Originals models, including the Wallabee, Desert Boot and Desert Trek, as well as several items from the Fall/Winter 2025-26 collection, reinterpreting materials, shapes and colours with a contemporary feel.
 
In parallel with the pop-up shop (where a special event was staged on Thursday December 4), throughout December the Candiani Denim Store is giving Clarks customers the chance to create a personalised version of their shoes, choosing from two Clarks Originals models, the Wallabee and the Desert Boot. The limited-edition shoes will feature a personalised denim fob, and customers will be able to choose from an extensive library of patterns and designs. The motif chosen will be lasered directly on to the shoes at Candiani Custom, the denim brand’s urban micro-factory for bespoke jeans located next to the store.

FashionNetwork.com has had the opportunity to talk about Clarks’s distribution plans in Italy with Fabio Antonini, CEO of 3A, the company that has been distributing the British brand’s men’s and women’s lines since the Fall/Winter 2025-26 season.
 
FashionNetwork.com: Clarks has been busy overhauling its retail presence in Italy. What are the implementation steps, and what have the initial results been?

Fabio Antonini: Unlike the previous distributor, whose strategy was chiefly aimed at monobrand stores, we have rejigged Clarks’s distribution model by focusing on the wholesale channel and on a strong presence in multibrand stores. This is enabling us to rapidly extend our territorial footprint, making the brand more accessible and better integrated within the Italian market.

Fabio Antonini, CEO of 3A
Fabio Antonini, CEO of 3A

FN: How many more Clarks corners are you planning to open in 2026 in Italy? And what about Clarks’s monobrand presence? Are you considering other initiatives like the one with Candiani?

FA: We currently don’t have any plans for new corners or monobrand stores. Our strategy is focused on the wholesale channel and multibrand retailers. The initiative with Candiani was developed as a special project to celebrate Clarks’s 200th anniversary. Over the next few years, we will assess new collaborations and special projects, in line with the brand’s future requirements.
 
FN: In how many multibrand stores is Clarks currently distributed, and how many more are you planning to reach?

FA: In 2025, we have made Clarks available at 433 clients for a total of 619 doors [in Italy]. Next year, we’re expecting to grow the number of clients served by approximately 10%.
 
FN: Clarks recently announced and deployed a strategy designed to boost its position in global e-marketplaces, is it also being implemented in Italy?

FA: Clarks’s new global strategy is set to make the brand even more accessible and reachable by online consumers. Its expanded presence on new global marketplaces is making Clarks easier to access in Italy too, strengthening its online presence and making it easier for consumers to buy.
 
FN: What revenue result did 3A reach in fiscal 2024, how much did it grow by, and what is your forecast for 2025?

FA: In 2024, 3A generated a revenue of approximately €110.3 million, up 4.84% over the €105.2 million recorded in 2023. We’re expecting to grow at a similar rate in 2025.

Clarks

FN: Have there been new entries or other changes within 3A’s brand portfolio?

FA: Yes, there have been changes. Our portfolio includes underwear by Nike, Jordan, Calvin Klein and Tommy Hilfiger, as well as footwear and other products by Clarks, Converse Shoes, Nike Swim, Nike, Jordan, Converse Apparel Kids, Lacoste Kids, Huggies Apparel and Crep Protect.

We’re pursuing a strategy aimed at introducing new lines with a distribution exclusive, to further enrich our portfolio also in terms of brand quality. Some new lines will feature as early as spring 2026.

Brand background

Clarks was founded in Street, Somerset, in 1825, when Cyrus Clark opened a tannery with his brother James. It began shoemaking by using leather offcuts to create slippers. In 1950, Clarks created the revolutionary Desert Boot shoes. Since then, Clarks has built an archive of over 22,000 models that have been worn across generations all over the world.
 
In fiscal 2024, Clarks’s parent company C&J Clark Ltd reported a revenue drop of 9.4%, to £901.3 million (approximately €1.07 billion), and a pre-tax loss of £39.3 million. This led the company to overhaul the Clarks brand, cutting overheads, modifying the marketing approach, and repositioning the range. The brand’s retail strategy too has been reappraised, streamlining the store fleet and developing initiatives like the Milanese pop-up store.
 
Clarks, in typically innovative fashion, is also expanding its online presence with several new launches on global e-tailers like Shein, Walmart, Target, Secret Sales and TikTok Shop. In the UK, Clarks has recently been introduced on Shein and Secret Sales, while in Europe it will be available at Secret Sales Netherlands and Dress for Less later this year. In the Americas, it has been featured on eBay for the last five years, and has recently reached Shop Simon, Shein and Walmart, while it will be available on Target this month.

Clarks has recently returned to Tottenham Court Road in London, with a new retail concept
Clarks has recently returned to Tottenham Court Road in London, with a new retail concept – Clarks

Clarks is also aiming to consolidate its presence on TikTok Shop. It launched on the Chinese social shopping channel in Singapore and Malaysia last year, and this year it has reached the UK and the Americas, with Europe set to follow in 2026. This expansion drive follows the September announcement of the first Clarks-owned digital marketplace, which is set to be launched in the UK in early 2026.
 
Candiani is an Italian family company founded in 1938 and based in Robecchetto con Induno, near Milan, in the Ticino Park Nature Reserve. Besides owning the store in piazza Mentana in Milan, with the Candiani Custom micro-factory for bespoke jeans, Candiani owns among others the patent for Coreva, the first and only biodegradable and compostable stretch denim available on the market.

Copyright © 2025 FashionNetwork.com All rights reserved.



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Brioni parts ways with design director Norbert Stumpfl

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December 5, 2025

Another creative director departure at a major brand is shaking up the fashion industry. It is now the turn of Austrian designer Norbert Stumpfl to leave Brioni. The label has just confirmed the end of its collaboration with the designer in a statement. Stumpfl had designed Brioni’s collections for the past seven years.

Brioni – Spring-Summer 2026 – Menswear – Milan – ©Launchmetrics/spotlight

The fashion house founded in 1945, which in 1952 became the first menswear brand to stage a fashion show (in Florence’s legendary Sala Bianca), has expressed its “deep gratitude for the contribution he has made over the years. During his tenure at Brioni, Norbert interpreted with precision the concepts of lightness and discretion, contributing to the evolution of the men’s wardrobe with a modern approach that pays homage to tradition,” Brioni said.

Federico Arrigoni, CEO of Brioni, said, “Our journey continues, and the Maison will continue to consolidate its tradition- perfection of craftsmanship, exceptional materials, and innovation in tailoring techniques- to create true masterpieces, from formalwear to leisurewear and accessories. Brioni pursues its mission of defining the contemporary codes of Italian elegance, while elevating its mastery of high tailoring and bespoke craftsmanship for those who lead and accept nothing but the exceptional.”

Since 2011, Brioni has been part of the Paris-based French luxury group Kering. From 2018 until his departure, the brand’s collections were designed by Norbert Stumpfl, the acclaimed Austrian menswear couturier, celebrated for his blend of impeccable tailoring and cutting-edge fabrics- among his creations were dinner jackets woven with 24-carat gold threads and enzyme-treated silk-linen blends with a soft, distinctive handle. During his tenure, Brioni also expanded masterfully into womenswear, expressing discreet luxury with rare aplomb.

A pinnacle of Roman sartorial luxury, the Italian label marked its 80th anniversary in late November with an exhibition of its superb tailoring and a gala dinner at the Chiostro del Bramante in Rome.

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