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Atelier Tuffery expands its vertical model with Merino wool production

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Nazia BIBI KEENOO

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August 1, 2025

Atelier Tuffery has been steadily expanding—not just in sales, which grew by 20% between 2023 and 2024 to reach €4.6 million before tax, but also in purpose. Since taking over the family business in 2014, Julien Tuffery, the fourth-generation descendant of founder Célestin Tuffery, and his partner Myriam have remained focused on reinforcing French craftsmanship and local production.

The Atelier Tuffery factory in Florac – DR

At the end of 2024, this approach led to the integration of two shepherds into the company and the purchase of 150 Merino d’Arles ewes, which gave birth to lambs. After the first lamb births, Atelier Tuffery now has a flock of 300 head. The company harvested the wool in the spring, which will be incorporated into some 1,500 products in its Autumn-Winter 2025/26 collection. It seems an anachronistic choice in a fashion and textile world with a fragmented value chain, but one that the company’s management has accepted.

Eventually, the company will have 500 animals.
Eventually, the company will have 500 animals. – Justine Hern

For more than ten years, the couple has been steadily expanding their range of jeans, priced between €100 and €250, combining classic and contemporary silhouettes, and their local production. Their Florac workshop soon became too small, and in 2022 the company invested €2.5 million to structure its production and inaugurate a 2,000-square-meter factory, open to the public.

By prioritizing production tools over communication, Atelier Tuffery is betting on creating a buzz around the values of quality, social and environmental responsibility, and proximity, with three-quarters of its products made in its workshops. Despite a complicated consumer environment, the brand continues to grow. It boasts a gross operating profit margin of 10%, enabling it to launch a new emblematic project with the creation of its own flock of Merino ewes.

“It’s a question of consistency and sincerity. To explain the decision to buy our own ewes, I have to point out that we’ve embarked on a long journey. I think that tomorrow we’ll be selling a pair of pants not just because they’re beautiful and well-made, but also for the whole story behind them. We were 30 years old when we took over the company, and we want to pass on the keys to a company that will be at the cutting edge in 30–40 years. Over the last ten years, we have invested in tools, manufacturing, transmission, and training. This represents some €7–8 million, but we’ve been able to do it while remaining profitable. If we had invested in advertising or marketing, Atelier Tuffery would certainly have a totally different reputation. But what would we have left behind? Our vision is that thirty years from now, we won’t be able to afford a model whose raw materials are mainly cotton and elastane, which means petrochemicals. But we can’t build everything we do on garment making, transmission, and manufacturing transformation if we don’t control our raw material sovereignty.”

A mastered value chain

Over the past ten years, the company has gradually worked its way up the value chain, initially securing its canvas suppliers, claiming to work with four weavers: the last Tarn workshop bought out four years ago, a workshop in the Vosges, a family-run company in northern Italy, and a Spanish denim manufacturer, Royo.

On the knitwear side, the brand works with French companies Malterre and Lemahieu. Even if, for pragmatic reasons, it retains a small proportion of its range incorporating 1.8% elastane, the company has also set about diversifying the materials it uses.

Julien and Myriam Tuffery
Julien and Myriam Tuffery – Justine Hern

In addition to cotton, denim’s flagship material, the brand exploits and energizes the supply chains of other French resources (which also enable it to claim a carbon impact three times lower than that of other jeans on the market), such as linen, hemp, and wool. For the last ten years, the company has been working with Merino sheep breeders in the south of France to add value to French wool, and claims to have recovered 15 tons of wool by 2024. This approach has enabled the company to state that 20% of its sales are now generated by products whose cotton has been replaced by locally sourced bio-fibers.

By 2025, Atelier Tuffery will have taken a further step towards developing products for which it controls the entire value chain, from agropastoralism to sales in its Montpellier workshop and store.

“The wool project was very close to our hearts because it comes from our region, which is classified as a UNESCO World Heritage Site for its sub-Mediterranean agropastoralism. For hundreds of years, transhumant flocks of sheep have shaped these territories. When we want to build a common-sense sovereignty, we turn to productions adapted to the territory. Wool is one such product, even if the industry has collapsed with the development of globalized cotton and synthetic materials. We’ve worked hard to redeploy the industry in Occitania. There are thousands of tons of wool in our region, and it would be a shame not to use it when it is burnt. When Myriam and I started knocking on farmers’ doors to use local wool in our jeans, we were seen as crazy. It took a lot of R&D to find the best blends of materials, but we did it!”

The company has structured its processing chain for wool collected in Lozère. It is then washed in Sologne at Laurent Laine, before being combed at Dumortier in Tourcoing. Next, the material is sent to the Filature de Dreuilhe in Ariège, before being sent to the Tissages d’Autan in Tarn, and finally to the Tuffery factory in Florac, where the garments are made. After collecting some 15 tons last year with its partners, the brand aims to maintain this harvest of Lacaune wool and add some two tons of its own Merino wool production within three years.

“We’re finally starting to get to the heart of why I believe in reindustrialization: to reach volumes that allow us to have logical industrial operations. But we’ve had to work hard, because we have to sell them. Integrating our own wool is the last stage of the rocket. Having our own Merino wool gives us a very clear vision of wool quality. And we’re confident that this will spread throughout the region.”

A strategy rooted in agropastoralism

For Julien Tuffery, the choice to build up this herd is a defense of agropastoralism, with animals that live freely all year round and are thus more resistant to disease, weeding the vineyards of the Hérault in winter and ascending via the Mediterranean garrigues to the plateaux of Lozère in summer. Like its production, this herd reinforces the brand’s terroir image. But the integration of this activity is also based on the company’s need to secure its supplies.

“This project has very substantial costs, but we couldn’t carry it out without integrating it. These sheep serve our daily needs, because we’re more than just a jeans brand. We’re a local player. We’re able to finance it because it’s part of the company’s overall economy, with a logic of ‘brand that makes, brand that sells’. Today, we’re doing it with our financial strength, so we can say to ourselves that in twenty years, we’ll have built up a herd of woollens that will enable us to design tomorrow’s business models,” says the entrepreneur. “We were quite traumatized by what happened to linen. Linen twill fabrics are now selling at around €35 a meter, excluding tax. It’s complicated because Asian countries are pre-empting us. If we can avoid this scenario with wool, all the better.”

A product with “a story to tell”

The CEO admits to an obsession with mastering his business model, taking the time to build and consolidate the different strata of his project. He focuses on profitable growth, making sure to gradually increase his production capacity to meet demand on his e-commerce site, at his factory, and in the Montpellier boutique opened last year.

Justine Hern

“We thrive in digital, but perform better physically because our in-person experience aligns more with who we are—an excellence of products to touch, a strong story to tell. But we don’t make any commercial decisions that might damage our values. Before developing a network of boutiques, we need to be sure we have the products to sell in those boutiques. You need factories and supply chains that stand the test of time. At a time when many companies were accelerating their commercial rollout, we insisted on our production facilities. We are super manufacturers: what’s important is that we generate a super margin. We have very solid shareholders’ equity. That’s cool, because when you go to see your banker, that’s the first thing he looks at.”

This focus on profitability is underpinned by a vision of financial autonomy to drive long-term transformation. With this in mind, Julien Tuffery admits that for the time being, he is not considering developing wholesale sales, as the margins of resellers today do not allow him to maintain prices in line with the market, in his opinion.

“That would mean a retail price of less than €40,” he says. “Right now, at €40, I’ve made half a pair of pants. I don’t want to change our model. In 1983, my dad went from 60 to three people in a village of 2,000 inhabitants, because big retailers left for North Africa overnight. We’ve learned a lesson from this, and a great deal of humility about development.”

On the other hand, Atelier Tuffery is looking to the future. Its industrial model is designed to be duplicated in other regions, with sites that are “hyper-human, hyper-agile, hyper-competent, hyper-versatile” and able to respond rapidly to local needs. But the next important step will be commercial. The brand feels ready to open new stores under its own name.

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United Colors of Benetton partners with Stranger Things to launch collaborative collection in India

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December 15, 2025

United Colors of Benetton has partnered with the fifth and final season of television series Stranger Things to launch a collaborative collection for men, women, and children in the Indian market.
 

United Colors of Benetton’s collaboration with Stranger Things – United Colors of Benetton

 
The casual wear collection was developed in close collaboration with Stranger Things’ costume designer Amy Parris and was inspired by Benetton’s own style archive, the brand announced in a press release. Some of the looks in the collection are reinterpreted 1980s archive pieces from Benetton, which have already featured the new series of Stranger Things, while others have been created in continuity with the original outfits.
 
“The connection between Benetton and Stranger Things came about almost by chance, at a vintage market in Los Angeles where I was looking for authentic ’80s pieces for the fourth season and where I repeatedly came across original United Colors of Benetton garments from that period,” said Parris in a press release. “Among them was a sweatshirt with the logo and the classic horizontal stripes, which was chosen for one of the characters and marked the first true encounter between the brand and Stranger Things. That intuition later led us to involve Benetton in creating the outfits of some of the fifth season’s protagonists, giving rise to a collaboration that unites the historical heritage of the brand with the aesthetics of the series.”

The ‘Stranger Colors of Benetton’ collection is accompanied by a campaign which mixes an ode to Benetton’s 1980s adverts with the world of Stranger Things. The selection of short- and long-sleeved T-shirts, sweatshirts, and knitwear has launched at Benetton’s stores and online in India with a second drop planned for February 2026.

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Louvre Museum closed as workers strike

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December 15, 2025

The Louvre Museum closed its doors to thousands of disappointed visitors on Monday as staff launched a strike to protest working conditions at the Paris landmark, two months after a shocking robbery.

The glass entrance to the Louvre in Paris, France – DR

Workers are demanding extra staff and measures to tackle overcrowding, adding to the woes of the world’s most visited museum just as France is gearing up for the Christmas holidays.

The strike comes nearly two months after the museum was victim of an embarrassing daylight heist that saw crown jewels worth $102 million stolen.

“We are closed,” a security agent told visitors on Monday morning, according to an AFP journalist. “Come back in a few hours.”

Around 400 employees voted unanimously to continue their strike at a general meeting, the CGT and CFDT unions said.

“I’m very disappointed, because the Louvre was the main reason for our visit in Paris, because we wanted to see the ‘Mona Lisa’,” said 37-year-old Minsoo Kim, who travelled from Seoul to Paris with his wife for their honeymoon.

Natalia Brown, a 28-year-old tourist from London, said she was also disappointed. “At the same time, I understand why they’re doing it, it’s just unfortunate timing for us.”

Speaking on the eve of the action, Christian Galani, from the hard-left CGT union, said the strike would have broad support across the museum’s 2,200-strong workforce.

“We’re going to have a lot more strikers than usual,” Galani said. “Normally, it’s front-of-house and security staff. This time, there are scientists, documentarians, collections managers, even curators and colleagues in the workshops telling us they plan to go on strike.”

All have different grievances, adding up to a picture of staff discontent inside the institution, just as it finds itself in a harsh public spotlight following the shocking robbery on October 19.

Reception and security staff complain they are understaffed and required to manage vast flows of people, with the home of Leonardo da Vinci’s “Mona Lisa” welcoming several million people beyond its planned capacity each year.

A spontaneous walk-out protest on June 16 this year led the museum to temporarily close.

The Louvre has become a symbol of so-called “over-tourism”, with the 30,000 daily visitors facing what unions call an “obstacle course” of hazards, long queues, and sub-standard toilets and catering.

Documentarians and curators are increasingly horrified by the state of disrepair inside the former royal palace, with a recent water leak and the closure of a gallery due to structural problems underlining the difficulties.

“The building is not in a good state,” chief Louvre architect Francois Chatillon admitted in front of lawmakers last month during a parliamentary hearing.

Under-fire Louvre boss Laurence des Cars, who faces persistent calls to resign, warned the government in January in a widely publicised memo about leaks, overheating and the declining visitor experience.

After the memo, French President Emmanuel Macron announced a massive renovation plan for the museum, expected to cost 700 million to 800 million euros (up to $940 million).

Questions continue to swirl since the break-in over whether it was avoidable and why a national treasure such as the Louvre appeared to be so poorly protected.

Two intruders used a portable extendable ladder to access the gallery containing the crown jewels, cutting through a glass door with angle grinders in front of startled visitors before stealing eight priceless items.

Investigations have since revealed that only one security camera was working outside when they struck, that guards in the control room did not have enough screens to watch the coverage in real time, and that police were initially misdirected.

Major security vulnerabilities were highlighted in several studies seen by management of the Louvre over the last decade, including a 2019 audit by experts at the jewellery company Van Cleef & Arpels.

Their findings stressed that the riverside balcony targeted by the thieves was a weak point and could be easily reached with an extendable ladder- exactly what transpired in the heist.

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He’s back for another buy, non-exec snaps up more Dr Martens shares

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December 15, 2025

Dr Martens announced its independent non-executive director Robert Hanson has been continuing to purchase the brand’s stock, in what looks like a further positive sign for the global footwear retailer.

Dr Martens

In a release to the London Stock Exchange, Dr Martens said Hanson has just purchased another 104,000 shares, worth over £80,000. This is in addition to the 96,000 shares he purchased a week ago (8 December) to the tune of around £75,000.

Hanson, who joined the Dr Martens’ board in March as a non-executive director and was previously president of Americas at Levi’s as well holding CEO roles at American Eagle Outfitters. He looks to be banking on a positive future for Doc Martens (and his post) with directorship purchases taken as a sign they’re expecting an improving performance in the markets and at retail.

Dr Martens is currently working through a recovery from a major period of weakness and it seems to be yielding results. Its first half update in November showed progress, with the America recovering.

Six-month results for the FY26 period to late September showed the execution of its new strategy on track with full-price DTC revenue rising 6%.

But there were some negative figures with overall revenue on a reported basis dipping by 0.8% to £322 million. However, it would have risen by 0.8% at constant currency rates.

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