French journalist and TV personality Mademoiselle Agnès, a renowned chronicler of the fashion scene and its secrets, often crosses the border into the product world. In the past, she has amused herself by refreshing the looks of ready-to-wear brands Damart and Tati. This year, Mademoiselle Agnès has worked on a sophisticated collaboration with long-established French leather goods brand Le Tanneur.
Le Tanneur X Mademoiselle Agnès – Le Tanneur
It all started with a small seamless purse, the Sans Couture. Le Tanneur’s new handbag line, featuring the Jean medium-sized model and the Grand Jean in XL format, is a fresh take on the Sans Couture’s sleek, functional design, made with soft leather and available in sizes that will allow busy women to slip their laptops into these bags, priced respectively at €550 and €700. “I began with [Le Tanneur’s] iconic seamless purse as a basis. We needed to develop the right technique, almost like that of a glass-blower, to increase its size and transform it into a relatively large handbag, and even an extra-large one. We redesigned the wave-shaped flap, added silver and golden nickel buckles for the handles, which I wanted both short and long for ease of carrying, to eventually give it a look that would appeal to everyone,” said Mademoiselle Agnès.
Discreetly hidden behind the handbag’s flap, the Jean le chat branding in silver, a nod to Mademoiselle Agnès’s British Shorthair cat called Jean. The handbags can be worn in a variety of ways thanks to the double handles, shoulder strap and cross-body strap. The colours available are bright neutral shades like coffee brown, reed green, and ivory. The collaboration also includes a series of leather accessories that can be affixed to the bags like charms: a glasses case, a post-it holder, a pen holder and a photo holder.
Le Tanneur
Asked about what sparked her interest for working with Le Tanneur, a brand founded in 1898, beyond its French identity, Mademoiselle Agnès mentioned a Proustian ‘madeleine’ moment: “As a child, I used to have a Tann’s satchel [by Le Tanneur], and I thought about the ad that said ‘t’as ton Tann’s!’ (you and your Tann’s), meaning you were cool. Le Tanneur is a brand with something a bit transgenerational about it. I was immediately drawn to the idea of designing [a Le Tanneur bag]. Seeing it worn in the street would feel like seeing someone wearing their heart on their sleeve, as [French rock singer] Bashung said.”
What were the key criteria in this collaboration? “Respecting the brand’s heritage while developing a shape that was new for Le Tanneur, and establishing an excellent connection with the team of enthusiastic, receptive and committed young women working in a beautiful Parisian space at La Madeleine, where we shot the campaign,” said Mademoiselle Agnès. She envisages further drops in this collaboration, saying that “I can already imagine three new shades like a deep green, a cherry red and a very bright pink.”
The collaboration is part of a transformation phase for Le Tanneur. As Managing Director Nicolas Gibert told FashionNetwork.com, the brand is intensifying its digital communication, expanding its export activity and, at the end of last year, it opened a flagship store with a customisation atelier in Paris, at 16 boulevard des Capucines. The collaboration with Mademoiselle Agnès seems to be part of these efforts aimed at boosting the appeal of the brand, which generated revenue of €27 million in 2023.
END. promised it would be going big on its 20th anniversary celebrations and judging by the fashion retailer’s itinerary of events it’s actually huge.
With three events already under its belt in the January-March period, there are over 20 in the pipeline for the rest of the year involving a programme of curated events, pop-ups, activations, collaborations and partnerships “crafted hand-in-hand with brand partners who have journeyed with END. over the last 20 years”.
Participants include a host of big brands including A Bathing Ape, Adidas, Aries, CP Company, Crocs, Needles, Puma, Salomon, Stone Island, Umbro, Universal Works, Y-3, “and many more”.
It’s all in recognition of a brand that has grown from an independent in Newcastle to an international name with flagship locations in Newcastle, Glasgow, Manchester, London, and Milan, “defining its position as a trailblazer bridging the gap between luxury and streetwear, balancing exclusivity with accessibility with its signature curation of the world’s biggest brands to the most sought-after emerging labels all under one roof”.
The 20th anniversary will also honour the brand’s North East roots and the best of British subculture “focusing on narratives deeply connected to the retailer’s heritage, customers and cultural influences, touching on nostalgic themes from the coast to the corner shop and nightlife to the classic British pub”.
Global threads manufacturing giant Coats Group is quitting its US Yarns business, resulting the closure of its Performance Materials (PM) facility based in Kings Mountain, North Carolina.
It comes after a strategic review of the wider Americas yarns business that has already resulted in the closure of the Toluca, Mexico facility in December. The review, which started in Q4 2024, concludes that the Americas Yarns business doesn’t fit with Coats’ future strategy, noting the exit from this non-core operation “will result in a positive annualised impact to both the PM and Group adjusted EBIT margins”.
The exit process is expected to complete in Q2 and Coats said it anticipates to generate a modest cash inflow, after closure costs, that will “allow management to focus on driving forward and growing other parts of the group’s attractive portfolio.
In 2024, revenues and EBIT for US Yarns was $68 million and $3 million, respectively.
Last month, Coats delivered a trading statement that highlighted “strong delivery, exciting medium-term targets with compounding cash and earnings growth”.
While the business reported a string of positives for the year ended 31 December (total revenues up 8% to $1.5 billion; apparel and footwear revenues up 13%; EBIT up 16%), it also noted that the PM business continued to drag across all North America end markets while there was also structural softness in North American Yarns.
The writing was perhaps on the wall for the future of its US PM ops in a statement that included that its Americas manufacturing footprint had been “right-sized” in Q4 with the closure of the Toluca site “to align to structural softness in North American Yarns [that will] drive immediate margin improvement”.
Poland’s biggest fashion retailer aims to double its revenue to 40 billion zlotys ($10.56 billion) by 2027, driven by the rapid expansion of budget brand Sinsay and its omnichannel strategy, it said on Thursday.
Reuters
“In three years we assume the company will be twice as big,” CEO Marek Piechocki said during a press conference.
Under LPP‘s new three year strategy through 2027, Sinsay is set to account for 75% of the group’s total sales, it said.
The Gdansk-based retailer aims to expand its store network to around 7,500 outlets by the end of 2027, with Sinsay stores making up around 6,000 of those, and to increase e-commerce sales to 10 billion zlotys in the same period.
“As in previous years, the company intends to consistently pursue its policy of sharing the profit generated with its shareholders,” LPP said, indicating plans to maintain its dividend payouts. The management recommended a dividend of 660 zlotys per share to be paid for the 2024 financial year.
The company also aims to double its core earnings (EBITDA) by 2027, compared to last year’s 3.67 billion zlotys, while keeping its debt levels safe, it said.
LPP’s revenue rose by 20% to 20.19 billion zlotys in 2024.