The Première Classe trade show was held on March 7-10 once again at the Tuileries Garden in Paris, having been staged at the Carrousel du Louvre last September. This season, the show featured 250 exhibitors, fewer than in the past, presenting their latest fashion and accessories collections with a focus on handbags, shoes, jewellery, and headgear. Première Classe was held in parallel with Matter and Shape, the contemporary design show launched by WSN in March 2024, which hosted almost double the number of exhibitors this session, generating new commercial energy.
A handbag by Michino – DR
The Michino brand exhibited its range of high-end leather goods at Première Classe. “French elegance combined with Japanese minimalism,” is how Yasu Michino likes to describe the brand he founded 10 years ago. Michino handbags are made in Italy in the Florence area, by artisanal workshops supplying some of the leading luxury houses. They are characterised by evergreen lines enhanced with subtle graphic details, and are priced from approximately €1,000. Michino, a French-Japanese designer who moved to Paris a long time ago, is a leather goods expert who has worked for labels like Givenchy, Balenciaga and Le Tanneur. A year ago, he decided to focus exclusively on his eponymous brand, which is doing very well in Asia and the USA.
Boots by United Nude – DR
Dutch footwear brand United Nude returned to Première Classe after a few years’ absence. It was co-founded in 2003 by renowned architect Rem D. Koolhaas, and is well-known for its extremely futuristic models (for example, it adopted 3D printing techniques early on) and de-structured heels. This season, it has gone in a rather more urban direction, with bright colours and XL platform soles. United Nude also presented a pair of boots, in black or white, featuring rows of transparent plastic pouches along the legs, which can hold letters forming sentences. A concept that was replicated on a handbag.
The Caro Bag – DR
Studio Caro was launched at the end of 2024 by Estonian-born designer Caro-Liine Tikk, who has worked at Bally, and defines itself as a brand of sustainable luxury accessories. The first products launched by Studio Caro are handbags made in Italian workshops using leather from dormant stocks. The Caro Bag, the collection’s firstborn, comes in small (€1,940), medium and large size, and is decorated with a clasp in 24-carat gold and palladium. Studio Caro is planning to introduce other product categories soon, such as hats and home decoration objects.
After three growth years, France’s apparel exports decreased by 1% in 2024, and textiles exports by 3%, while textile-apparel imports continued to diminish.
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Last year, France exported €14 billion worth of apparel. Despite the decrease on an annual basis, export revenue was still much higher than the €10.7 billion recorded in 2019, before the pandemic. The European Union was still France’s largest client, with €7.6 billion (up 1%), compared to €6.5 billion for the rest of the world (down 3%).
By country, France’s top apparel clients were Italy (where exports fell 5%), Germany (up 1%), Spain (down 2%), the USA (up 1%) and China (up 1%). The tariff war recently triggered by the US administration could redraw the map of France’s relations with the last two countries. Meanwhile, exports to Poland grew by a whopping 24%, those to the UAE by 25%, to Romania by 2% and to Hungary by 14%. Excluding Italy, the only sharp decline was recorded in Singapore, where French export revenue fell by 44%.
In 2024, France exported €5.5 billion worth of textiles, a 3% downturn, though the figure was still higher than the €4.7 billion exported in 2019. Textiles export revenue was split almost equally between Europe with €2.8 billion (down 1%) and the rest of the world with €2.7 billion (down 5%).
Institut Français de la Mode
China was France’s leading textiles client, exports to the Asian country growing 6%, ahead of Belgium and Germany, where exports were on par with the previous year. In the ranking of France’s 20 top textiles clients, only Spain (up 4%), Portugal (up 2%), the Czech Republic (up 15%), India (up 26%) and Hong Kong (up 22%) recorded increases. Exports to all other countries posted a drop, even a marked one in the case of the USA (where they fell 11%), Madagascar (down 27%) and Turkey (down 12%).
Imports decrease slows down
France’s apparel imports grew significantly in 2022 but then diminished by 8% in 2023. In 2024, they dropped by only 1%, to €23.4 billion, compared to €21.3 billion in 2019. The top four supplier countries were China (up 1%), Bangladesh (stable), Italy (up 1%) and Turkey (down 6%), followed by Vietnam (up 13%), which leapfrogged India (down 6%) in fifth place.
Behind them, Cambodia (up 16%), ahead of Tunisia (down 7%) and Morocco (up 2%). Imports from Pakistan recorded a 14% rise, while those from some other countries posted notable declines, for example from Portugal (down 11%), Myanmar (down 31%), Belgium (down 20%), Romania (down 10%) and notably Germany (down 29%).
Institut Français de la Mode
In terms of textiles, last year France imported €7.3 billion worth of goods. This was equivalent to a 4% downturn, smaller than the 9% drop recorded in 2023, and still above the €6.4 billion imported in 2019. Imports from non-EU countries, worth €3.9 billion (up 2%), were higher than those from Europe, worth €3.4 billion (down 10%).
China (up 7%), Italy (down 19%), Germany (down 7%), Belgium (down 1%) and Pakistan (down 5%) were the main supplier countries, followed by India (down 12%), Turkey (down 3%) and the Netherlands (down 6%). Imports from Bangladesh grew by a notable 13%, while those from Poland and Japan decreased respectively by 13% and 10%.
For Spring/Summer 2025, Roberto Cavalli‘s bold style is combining with the lightweight, durable materials of US accessories specialist LeSportsac. The results are four new lines inspired by Roberto Cavalli‘s iconic design style, reinterpreting a range of classic and new LeSportsac products.
Roberto Cavalli and LeSportsac have teamed up for a collaboration
The Mini Zebra line exemplifies Roberto Cavalli’s signature wild spirit; Freedom Run, designed by the Italian luxury label’s creative director Fausto Puglisi, is inspired by tiger stripes and traditional Japanese engravings, reinterpreted in hot desert hues; Matelassé is inspired by Italian craftsmanship; while the Puffy series, available in Mini Zebra, Freedom Run and total black versions, is designed for a modern, dynamic clientèle. All four lines are made of high-quality, lightweight materials and feature zips with twin pullers, one with the LeSportsac logo, the other with Roberto Cavalli’s.
“When I connected with LeSportsac, I wanted to use the collaboration as a way to think about a ‘Cavalli way’ to carry something on the subway in New York, or to Coachella or Burning Man,” said Puglisi. “In the end, we created something democratic, easy and young,” he added.
“It’s not a one-off — this is a real collaboration where two brands re-tell their story in a well-crafted, thoughtful way,” said Luca Schmitz, creative director at LeSportsac. “What impressed me about working with Fausto was his ability to translate Cavalli’s DNA for a younger audience. As 2024 marked our 50th anniversary, I can think of no better foundation than this collaboration to carry LeSportsac into the future,” concluded Schmitz.
The new lines are available from March 11 at Neiman Marcus department stores, at LeSportsac and Roberto Cavalli stores, and on the brands’ e-shops.
Boohoo Group… sorry Debenhams Group… shares spiked for a while on Tuesday after the fast-fashion-to-digital-department-store company announced its name change to Debenhams. But a rise from 26p each to 27.7p then a subsequent slide back to just over 26p made it clear that its name change and marketplace pivot wasn’t impressive enough for those not invested in the business to buy in big-time.
Back in 2020, the share were trading at more than £4 each so it’s clear that there’s a long road ahead for the business before it can be said to have recovered its mojo.
Having seen the reaction as far as the share price is concerned, what are interested parties and analysts saying about the rebrand?
Well, as far as one of the biggest interested parties is concerned — Frasers Group — we’ve heard absolutely nothing. We know Frasers isn’t afraid to put its head above the parapet and make its feelings known, but it seems to be taking its time about formulating its response.
Frasers is Debenhams Group’s biggest single shareholder and only last week it emerged that it had raised its stake again, from just over 28% to a little over 29%.
Given the well-publicised spat between Frasers and Boohoo/Debenhams over the latter’s governance, we assume Frasers wasn’t told in advance about the big changes announced yesterday.
And while they may eventually lead to a Boohoo recovery, it must have been bittersweet news for Frasers majority owner Mike Ashley who’d long coveted Debenhams.
He’d built up a big stake in that business during the last decade and was keen to take it over. But his stake was wiped out when the firm went into administration and was bought by Boohoo. So we await Frasers’ press release/open letter/stock exchange announcement with interest.
Cautious analysts
As for analysts, like the firm’s other shareholders, they remain to be convinced.
Mark Rogers, MD of The Motley Fool UK, the financial and investing advice company, clearly sees the potential in the moves. But he also recognises the dangers and remarked on how the fortunes of the various parts of the Boohoo/Debenhams empire have evolved in recent years.
He told FashionNetwork.com: “It’s been a stunning fall from grace for the Boohoo brand. This move would have seemed unthinkable just a few short years ago, when Boohoo’s valuation was topping £5bn, and the Debenhams brand seemed destined for the retail scrapheap.
“But the latest results show just how badly Boohoo’s Youth Brands are struggling — and how desperate management is to pivot to something showing some signs of life.”
Rogers recognises that Debenhams has become the star performer for the business but told us that “while some of the early results from the Debenhams online-only store are encouraging, it might be a bit early to declare ‘Debenhams is back’.”
That’s a reference to the upbeat headline of the press release Boohoo/Debenhams issued on Tuesday announcing its new name and the other changes.
Meanwhile analyst Chloe Collins, head of apparel at GlobalData, believes the rebrand “highlights how much its youth fast fashion brands — PrettyLittleThing, boohoo.com, and boohooMAN — continue to struggle. Youth brands GMV pre returns plummeted in FY24/25. This comes off the back of an already disappointing year in FY23/24, when the group’s total GMV fell 13.3%”.
She highlighted the role of Shein in impacting the results with the Chinese rival able to do the things Boohoo was good at — ultra-fast, ultra-cheap fashion — even faster and more cheaply. She also said the pivot of young shoppers to towards the resale market, as well as smaller capsule wardrobes, is a problem for the group.
Collins conceded that “dropping the Boohoo [Group] name is likely also an attempt from the company to ditch the negative connotations associated with it in terms of sustainability and quality credentials”.
The new look from PLT
But she believes that consumers will only be convinced about this if they see tangible improvements. “Consumers are more eco-smart than ever, and demand transparency,” she explained. “PrettyLittleThing rebranded last week, attempting to reposition itself with more elevated, timeless styles. However, the reaction to this has been mostly negative, with the brand failing to justify its new higher price points with either improved quality or better environmental credentials and alienating its youngest followers who do still want trend-led styles, who now have even more reason to turn to Shein instead”.
While she conceded that with Debenhams likely to overtake the Youth Brands in terms of turnover, as well as profit, there’s some logic to the changes, she’s less convinced by the pivot to a marketplace model for the whole business.
“Marketplaces continue to outperform within the retail market, thanks to their wide range of brands and agile online operations, meaning they bring superior convenience to shoppers,” she said. “The group is therefore planning to apply this marketplace model to the rest of its business, including youth brands and Karen Millen, in hopes of seeing a similar success. However, this is unlikely to work, given the waning desirability of these brands and Shein’s marketplace ambitions”.
Optimistic stance?
However, a Panmure Liberum analyst note the Debenhams Group shared had a more upbeat view of the transformation plan.
It said the Debenhams marketplace “is the growth driver, the biggest contributor to group profits and the engine behind the strategy to turn the fashion brands around. The group sees potential here for a multibillion-pound GMV business generating 20% EBITDA margins. While sales in the Youth Brands continue to decline, there is now a plan to turn these around. Further cost savings, lower stock risk and launching fashion marketplaces are all part of a plan to further leverage the Debenhams playbook and technology.
“From buying the Debenhams brand out of administration in 2021, the group has done a major turnaround of Debenhams to the extent that it is now the engine of growth… the most profitable part of the group generating a 12% EBITDA margin and will serve as the blueprint to turn around the Youth Brands”.
And it highlighted how CEO Dan Finley, the man who turned around Debenhams and is now in charge of the whole company, also had a big impact on the firm’s acquired fashion brands such as Wallis, Burton, MissPap, Coast, Oasis, Warehouse and Dorothy Perkins. That could be key for the future of the Youth Brands.
Panmure Liberum said: “Finley… led the turnaround [of] the fashion labels which were loss-making three years ago and are now contributing mid-single % EBITDA margins. This serves as a blueprint as to what can be done in the Youth Brands.”
The investment bank and corporate broker has lowered its sales forecasts for the Boohoo/Debenhams business for FY26 and FY27 mainly because it believes the turnaround will take some time. Yet overall it sees cash flow starting to improve and major potential for the rebranded group.
“The group has successfully transitioned the [fashion] labels business from loss-making to a 7% EBITDA margin business now by focusing on profitable sales and leveraging the Debenhams platform. We see potential for the Youth Brands to be converted to a smaller size but more profitable model over the medium term, something that we do not assume in our forecasts, but it could be a source of material upside,” it said.