Apple convinced a U.S. appeals court on Friday to uphold its win against medical device maker AliveCor in a patent dispute that could have led to an import ban on Apple Watches.
Reuters
The U.S. Court of Appeals for the Federal Circuit affirmed, opens new tab the invalidity of AliveCor heart-rate monitoring patents that the company had accused Apple of infringing, negating a U.S. trade tribunal’s ruling that Apple had violated AliveCor’s rights.
An AliveCor spokesperson said the company was “deeply disappointed” by the rulings and is exploring “all available legal options, including potential appeals.” The spokesperson said the decision does not affect AliveCor’s ongoing business.
An Apple spokesperson said its teams have “worked tirelessly over many years to develop industry-leading health, wellness and safety features that meaningfully impact users’ lives.”
Mountain View, California-based AliveCor sought a ban on Apple Watch imports at the U.S. International Trade Commission in 2021.
It accused the tech giant of infringing three patents related to AliveCor’s KardiaBand, an Apple Watch accessory that monitors a user’s heart rate, detects irregularities and performs an electrocardiogram to identify heart problems like atrial fibrillation.
AliveCor told the commission that Apple copied its technology starting with Series 4 Apple Watches and drove it out of the market by making the iOS operating system incompatible with the KardiaBand.
The U.S. Patent Office‘s Patent Trial and Appeal Board invalidated the patents at Apple’s request in 2022. The ITC determined weeks later that AliveCor would be entitled to an import ban on infringing Apple Watches if the patents were valid, but paused the ban while the Federal Circuit considered appeals.
The Federal Circuit agreed with Apple on Friday that AliveCor’s patents were invalid and dismissed the ITC case.
Apple was hit with a separate import ban on some Apple Watches in 2023 as part of a patent dispute with Masimo, opens new tab over blood-oxygen monitoring technology. Apple has appealed the decision and resumed selling the watches after removing the technology.
The AliveCor cases are AliveCor Inc v. International Trade Commission, U.S. Court of Appeals for the Federal Circuit, No. 23-1509 and AliveCor Inc v. Apple Inc, U.S. Court of Appeals for the Federal Circuit, No. 23-1512.
Footwear design takes a step up in the UK with the launch of the Manolo Blahnik Scholarship at the London College of Fashion, University of the Arts London (UAL).
Reuters
Described as a “transformative award supporting emerging talent in design and craftsmanship”, the scholarship has been established through a “significant multi-year commitment” from the Manolo Blahnik Foundation.
Designed to support students studying at LCF’s School of Design and Technology, it will “ensure financial barriers do not stand in the way of creative excellence”.
With its inaugural recipient awarded on 11 March to a current first-year student on the BA undergraduate (Hons) Cordwainers Footwear course, “the scholarship embodies the spirit of innovation and craftsmanship that defines both the Cordwainers legacy and Manolo Blahnik’s renowned approach to design”.
Going forward, the scholarship will be available to applicants prior to accepting their place to study at LCF. With plans to expand the scholarship across other courses within LCF’s School of Design and Technology, “this initiative serves as a benchmark for future partnerships that aim to support and elevate emerging creative talent”.
The scholarship is open to students based in the UK and also from international backgrounds. They will receive full tuition support along with an annual contribution towards living expenses and course costs for the duration of their three years of study, “enabling them to fully immerse themselves in their creative education”.
Claudine Rousseau, dean of the School of Design and Technology at London College of Fashion, UAL, said: “This scholarship is an extraordinary opportunity for talented students who may otherwise face financial barriers in pursuing their creative ambitions. It is also a significant step towards widening participation and ensuring that diverse voices and perspectives continue to shape the future of heritage crafts.”
Designer Manolo Blahnik, founder and trustee of the foundation, added: “The reason I wanted to start [the Foundation] is to help people…The UAL scholarship focuses on supporting talented creatives to ensure the future of innovative, high-quality craftsmanship and to ensure it remains at the heart of the fashion industry.”
Almost last, but very probably best, Miuccia Prada presented her latest collection for Miu Miu—a meeting of multiple decades, manifold pronouns, and some really marvelous fashion on Tuesday, the final day of Paris Fashion Week.
Photo Credits: Godfrey Deeny
During a year that has begun with blatant attacks by the Trump administration on diversity of any form, it was particularly admirable to witness Miuccia’s cast, so obviously diverse in their sexual preferences. Added to that was an overriding sense of liberation in this show, with its super self-confident women, overt sensuality, and unexpected clothes.
The designer’s bold opening idea was using thick, military-style felted wool in generals’ coats or city skirt suits, where the only thing evident underneath was a bra. Cut to sit off the torso, with bold raised seams and darts at the back, making it all seem super now—easily identifiable chic for those in the know.
In an impish play, the tailoring was paired with early-teen cotton knee socks or black socks covered in crystals and strass. Miuccia, who personally loves fine jewelry, finished every model in spiky golden earrings and large floral brooches.
Photo Credits: Godfrey Deeny
Photo Credits: Godfrey Deeny
Weaving disparate eras, Miu Miu suddenly grew cinematic—blending femme fatales from Hitchcock with knowing seductresses from David Lynch. Checked and printed skirts paired with side-buckled boots and fitted sweaters—each look completed with elaborately lacquered hair and sultry secretary glasses. A nod to Miss Moneypenny, but through the lens of Miu Miu in Paris, in a collection Miuccia aptly titled “Femininities.”
Photo Credits: Godfrey Deeny
Signora Prada never does anything in half measures, and in a season where fur has reconquered the runways, she sent out all manner of fur stoles—fox, wolf, and mink—worn as scarves and cut with hand-warmer pockets.
Crossing borders with footwear, most of her gals wore mannish burnished leather loafers, along with the coolest aged leather dude blazers with aplomb.
Miuccia always loves mixing up her Miu Miu cast. This season, she selected actress Sarah Paulson, of “The People v. O.J. Simpson” fame; fellow thespians Raffey Cassidy, Laura Harrier, Oscar Lesage, and Sunday Rose Kidman Urban; French ever-hip hipster Lou Doillon; artist Isabelle Albuquerque; Amelia Gray, daughter of Perseus; and rapper Nettspend. Talk about eclectic.
Before heading into the evening, first came some razor-sharp leather looks. The show ended with girls on the prowl—in slip dresses or off-the-shoulder silk dresses with bra straps always on display. Looking sensational inside the 1930s Palais d’Iéna, done up with yellow silk jacquard wallpaper.
Photo Credits: Godfrey Deeny
Backed up by a great cinema organ-driven soundtrack, climaxing with “Day Off” by Teho & Romain Garcia. Effectively bringing to an end the truly influential shows in contemporary fashion.
A bona fide home-run, bases-loaded hit show. If Miuccia Prada were a footballer, she would have just won the Ballon d’Or again for Miu Miu. At the very least, she got the most enthusiastic applause of four weeks of runway shows. That’s real respect.
Golden Goose is packing in a lot of excitement and features to its new London pop-up store with the Italian footwear brand having just unveiled its exclusive takeover of The Corner Shop at Selfridges.
Ahead of opening of its first London standalone store on Mount Street later this year, a taster of things to come can be seen until 12 April with the “one-of-a-kind” pop-up.
With a focus on “co-creation and shared moments”, the brand has transformed the temporary space into an “intimate, Italy-infused… archive of dreams”.
Drawing inspiration from the brand’s Venetian headquarters and artisanal heritage, the design blends “vintage aesthetics with contemporary craftsmanship”, featuring salvaged wood walls and furnishings alongside archival souvenirs.
At the heart of the pop-up, a vintage table hosts Co-Creation, a one-to-one personalisation experience with ‘Golden Goose Dream Makers’. Here, clients can personalise their favourite pieces with patches, charms, pins, brooches, crystals, studs and other embellishments.
Additional artisanal treatments, such as distressing, embroidery, and hand-painted designs “ensure each item is one of a kind, becoming a unique expression of individuality”.
But of course, product is key and the Corner Shop installation features a rotating focus each week, offering an “ever-evolving selection” of ready-to-wear, boots, bags & accessories and sneakers, including limited-edition and archive pieces. Here, the “standout highlight” is the global preview of the True-Star sneaker – the brand’s most anticipated release – available exclusively in the space.
Next to the Co-Creation space, Golden Goose has also unveiled its ‘Con Amore’ corner, where “every moment becomes a gesture of love”. Inspired by Italy’s floral shops, the area offers personalised gift wrapping, curated ribbons, and decorative bows – “elevating gifting into an art form”. It also provides visitors with coffee, sweet treats, and fresh flowers, “inviting them to pause and connect”.
Every week, Golden Goose will also hosts a series of immersive Co-Creation workshops. Customers can personalise their Marathon Sneakers with exclusive design options, such as changing the label tab; add a retro twist with keychains, laces, and charms on the Forty2 Sneakers; enhance their sneakers and nails with crystal embellishments; and express their creativity by personalising archive products with tattoo-inspired artwork.
Golden Goose CEO Silvio Campara talked of bringing its “craftsmanship and heritage to such an iconic space”, noting: “This pop-up offers a unique opportunity to connect with the Selfridges community and customers, showcasing our distinct DNA and Co-Creation services. It’s more than just a retail space, it’s an immersive journey where artisanal tradition and community unite, placing the client at the heart of every experience.”
He also said the pop-up “marks a key milestone in Golden Goose’s expansion in the UK… This is the first step towards a larger presence in the UK, culminating in the highly anticipated opening of our flagship store on Mount Street later this year – a space that will elevate the in-store and Co-Creation experience to new heights.”