Vogue editor-in-chief Anna Wintour revealed Tuesday she has no intention of retiring, as the fashion legend accepted her latest prestigious UK honour from King Charles III at Buckingham Palace.
Wintour, 75 – already made a dame in 2017 – was this time made a companion of honour, joining a select group never numbering more than 65 recognised for major contributions in their field.
Renowned British artist Tracey Emin was also at the palace Tuesday to formally receive her damehood, after both women were named in Charles’ first birthday honours list in 2023.
“It’s wonderful to be back at Buckingham Palace and I was completely surprised and overwhelmed to be given this great honour,” said Wintour, who removed her trademark sunglasses to receive it.
British-born Wintour – who has helmed American Vogue for more than three decades – noted that when she was last honoured, by Queen Elizabeth II, “we both agreed that we had been doing our job a very long time”.
“Then this morning His Majesty asked me if this meant I was going to stop working and I said firmly, no,” she added, wearing an Alexander McQueen outfit.
“It makes me even more convinced that I have so much more to achieve.”
The Order of the Companions of Honour, founded in 1917 by King George V, is limited to 65 members at any one time.
Those who have made a long-standing contribution to arts, science, medicine or government can be appointed, with Judi Dench, Elton John, David Hockney current honourees.
Wintour, who was raised in the UK to a British father and an American mother, has edited Vogue in the United States since 1988.
Over the ensuing decades she has earned a reputation as one of the most influential and formidable figures in fashion.
Emin, 61, one of Britain’s best-known living artists, was made a dame for her services to art.
A leading figure in the provocative Young British Artists movement of the late 1980s and 1990s, she has battled cancer and has undergone major surgery in recent years.
In 2025, French luxury leather goods brand Camille Fournet is celebrating its 80th anniversary. The brand was founded in 1945 by Camille Fournet, a craftsman based in the Aisne region of France. Over the years, the company has broadened its business, notably with leather goods.
In the 1960s, Camille Fournet began to create leather watch straps for French and Swiss watch makers. Tapping this expertise, and producing at a factory that was opened in the 1970s in Tergnier, France, the brand launched the first Camille Fournet watch straps in 2006, then introduced a range of leather goods in 2020, notably belts and handbags. The Camille Fournet brand now accounts for 25% of the company’s €40 million revenue.
To continue to grow, the brand, which opened a store on rue Cambon in Paris in 2006, and has two stores in Japan in addition to various department store concessions, is keen to boost its export retail business.
“Japan has always been our main market in terms of in-store sales, but the USA is now number one in terms of e-commerce sales. There is a strong appetite for French leather goods [in the US],” said Jean-Yves Basin, CEO of Camille Fournet.
Its unisex leather products retail on average at prices between €1,500 and €1,700. The brand will be available in New York in March via a space in “a French department store,” said Basin. Camille Fournet’s retail expansion drive will then focus on opening shop-in-shops in India and the Middle East: at Galeries Lafayette in Mumbai this summer, and in Dubai in the autumn.
Camille Fournet was bought in 1994 by its current president and majority shareholder Jean-Luc Déchery, while new minority shareholders bought stakes last year. The company is also strengthening its third-party production business for luxury labels.
A year ago, it invested €7 million in a new facility at its Tergnier production site, with the goal of increasing its handbag manufacturing capacity for French luxury labels.
New York Fashion Week kicks off the international catwalk season this Thursday morning with designers deeply worried about tariffs and the brands threatened by multiple international sanctions.
The season is increasingly denuded of its greatest designers: Ralph Lauren, Tommy Hilfiger, Marc Jacobs (who showed off-calendar), and Proenza Schouler, whose appointment as new creative directors of Loewe is expected to be announced this spring.
The most famous brand showing in New York will be Calvin Klein, a runway return after almost a half-decade hiatus with new designer Veronica Leoni. But that same brand has just been put on China’s Unreliability Entity List, along with fellow PVH stablemate, Tommy Hilfiger.
The aggressive moves came after President Donald Trump, a former New York resident, imposed fresh tariffs on China. In response, China’s Commerce Ministry complained that the two fashion brands “violated normal marketing trading principles, interrupted normal transactions with Chinese companies, adopted discriminatory measures against Chinese companies, and seriously damaged the legitimate rights and interests of Chinese companies.” Without, however, providing any exact details.
Being placed on the list means probable fines, and restrictions on sales and investments in China.
Still, don’t expect a quiet NYFW season with 47 brands staging runway shows, 16 brands holding presentations, a further 19 labels busy with by-appointment displays, and four brands listed as digital shows in the six days of action that ends Tuesday evening February 11, with Thom Browne’s show.
The New York season comes after multiple designers spoke out in last month’s menswear and haute couture shows in Europe against attacks on the LGBTQI+ community in the wake of Trump’s return to power in Washington.
Which indirectly highlights one of the New York’s season’s greatest strengths. Its remarkable ethnic and gender diversity – certainly compared to continental Europe. According to the Council of Fashion Designers of America (CFDA), U.S. fashion’s governing body, designers are almost exactly split between men and women with one listed as non-binary. While 48 brands are designed by a caucasian designer; 17 by an Asian designer; 16 brands by a Black designer; and seven by Latinx designers.
Truly the Big Apple remains the melting pot of the world, and of fashion. In this moment of resistance and hope, we spoke with the CFDA’s CEO Steven Kolb, as the fashion games begin.
FashionNetwork: China has just announced retaliatory tariffs. What impact will this have on NYFW? And on American designers? And on PVH, which includes Calvin Klein and Tommy Hilfiger, and has been named on the Unreliability Entity List by China?
Steven Kolb: China’s retaliatory tariffs will affect American fashion. Increased manufacturing costs and disruptions in the supply chain may influence designers’ pricing and production. NYFW could also experience these impacts as brands tackle these challenges. PVH’s designation on China’s Unreliable Entity List could restrict market access, disrupt supply chains, and affect consumer demand.
FN: Despite these concerns, which new talent are you most excited about in this coming season?
SK: We’re looking forward to the return of Calvin Klein Collection under the creative direction of Veronica Leoni as well as Christopher John Rogers. New to the schedule are such talents as Gabe Gordon, LeBlancStudios by Yamil Arbaje and Angelo Beato, and Zoe Gustavia Anna Whalen, Heirlome and Chuks Collins. New York Fashion Week has always been a place of discovery and these talents bring a new voice and perspectives to the American Collections.
FN: Fashion weeks in Europe in January – both menswear and couture – saw a lot of expressions of support for the LGBTQI+ community. Do you expect that to also happen in NYFW?
SK: The LGBTQI+ community has long been an essential part of New York Fashion Week and American fashion. Given the current political climate, we expect designers to express their support for the community. Fashion reflects culture, and NYFW will continue to be a platform for that.
U.S. footwear firm Caleres announced on Monday the appointment of Brian Costello to the role of chief merchandising officer at its Famous Footwear brand.
In this role, Costello will oversee all buying and merchandising, including women’s, men’s and kids’ athletic and fashion footwear and accessories, for the Famous Footwear’s U.S. and Canada stores and e-commerce sites.
With over 30 years of fashion retail experience across department store Macy’s and Nordstrom, Costello was responsible for leading all footwear categories, women’s accessories and a variety of ready-to-wear categories at Nordstrom Rack, a large segment of the women’s shoe business at Nordstrom, and planning and site merchandising for the launch of Nordstrom Rack’s online store.
“I’m proud to be joining Caleres and Famous Footwear,” said Costello. “As a retailer, many of our best wholesale partners were at Caleres. As a competitor, I always watched and shopped Famous Footwear. I’m honored to be leading such a strong merchant organization.”
In its most recent trading update in January, Caleres cut its target for consolidated sales, earnings per share and adjusted earnings per share for the full year, due to weak holiday sales and weather-related disruptions at its Famous Footwear chain.
“Brian has a long track record of exceptional fashion and footwear industry leadership,” said Mike Edwards, president of Famous Footwear.
“With expertise in merchandising and planning for both footwear and ready-to-wear, I’m confident he will help drive growth and achieve our ambitions at Famous Footwear.”
The St. Louis-based footwear company expects full-year consolidated net sales to be down 3% to 3.5%, compared to 2.5% to 3%, it reported back in January.