La Martina is staging a minor revolution. The polo-inspired sportswear brand was founded in 1985 in Buenos Aires, Argentina, by Lando Simonetti who, with customary foresight, has realised the time has come for the brand to evolve from both the managerial and design standpoints.
“In the last four months, we have restructured our management team, with three key figures on the front line: I have taken on the role of chief marketing & sales officer, we have a new head of the legal and administration department, and a new head of product development,” said Alessandro Milia, speaking to FashionNetwork.com at La Martina’s Milanese flagship store, during Milan Fashion Week. “But the main news is the arrival of Antonella Di Pietro as the first creative director in the brand’s history, alongside a new art director and a new designer.”
Di Pietro has a 20-year-plus experience in the sector, having worked with leading fashion and luxury names like Tod’s, Karl Lagerfeld, Tommy Hilfiger, Moncler, Ferragamo, Pucci, Givenchy and Kenzo. Her goal in the new role is to translate La Martina’s values and its strong link with the Argentine polo game into authentic and contemporary creations, both in terms of style and image.
“Before we began to collaborate, Lando took me to Argentina, so that I could immerse myself in its atmospheres and colours. It was an essential journey, and it enabled me to create with my team a range of looks that reflect La Martina’s values, while adding a fresh twist. In the last two months, we have focused on womenswear, but we’ve incorporated some new features in menswear too. We’ve developed sportswear items wearable in everyday life, with a strong contemporary feel and a fun touch, for example through their colours,” Di Pietro told FashionNetwork.com. “Image-wise, we’ve shot a new campaign that reaffirms the brand’s link with polo, and we’ve edited our in-store displays focusing no longer on functionality but on looks, offering matching suggestions to our customers,” she added.
La Martina’s Fall/Winter 2025 collection pays tribute to the brand’s timeless aesthetic, reinterpreting it with a contemporary twist that promotes individuality through creative layering, and an invitation to mix classic and contemporary pieces. The ready-to-wear range reinterprets classic elegance with innovative details, emphasising bold silhouettes and cutting-edge design solutions.
The collection includes high-quality suede items embellished with hand-stitched seams and tassels, in a nod to Argentinean craftsmanship. The combination of smooth leather with soft or rough fabrics creates textural contrasts and visual effects. Denim adds a casual counterpoint to the looks, lending versatility and modernity to the formal silhouettes of the Guards line. Wardrobe classics such as blazers and trousers are now featured with contemporary cuts that include dropped shoulders, cropped lengths, and destructured shapes. The colour palette is inspired by Argentina’s landscapes, with natural hues such as deep brown, warm beige and neutral shades, as well as powder pink accents. Milia said that the new collection has been very well received on the market: “We have struck new partnerships with European distribution agencies that will enable us to enter new countries, or return to others where we were no longer present.”
Retail-wise, Milia said that La Martina has a busy store-opening plan for the next few years. “In Central America, where we already have 10 stores, we’re planning about 10 store openings in 2025; in China, some 15 stores will be added within three years to the five already existing; while in EMEA, we are planning about 30 openings in three years, five of them in 2025. All the new stores will feature the new interiors concept we’re developing,” he said. “Two other very important markets for us are South America, where we have about 40 stores, and India, where we’re operating 14 monobrand stores and about 80 pop-up ones. To bolster our ambitious objectives, last November we also hired a new sales director.”
Iceberg Jeans, the iconic streetwear line by Italian label Iceberg, is back. Under creative director James Long, the Iceberg Jeans line embodies a vibrant state of mind: fun, inclusive, contemporary, and accessible. Besides denim, the new collection includes outerwear, knitwear, tailored items, casual wear and accessories.
“I’ve always wanted to give Iceberg Jeans a new lease of life,” said Long, the creative director at Iceberg. “The brand has a unique energy, and like everything that Iceberg represents, it’s always about looking to the future with optimism. I love these designs, and I hope that others too will appreciate them and make them part of their everyday lives.”
Iceberg Jeans debuted in 1986, soon emerging as a bold brand bringing Italian design, with its mix of playfulness and wearability, to the world. Its success was fuelled by word of mouth, and by campaigns that have become pop culture icons, featuring celebrities such as Lil’ Kim and Paris Hilton. The new collection refreshes the positive essence of Iceberg Jeans’s heritage while looking to the future. The Iceberg Jeans Fall 2025 collection will be available at selected wholesale partners, Iceberg stores and online from June 2025.
Experimentation and innovation were the name of the game on the last day of Paris Haute Couture Week. Emerging couturiers took centre stage on Thursday, like Peet Dullaert, 35, from the Netherlands, and Miss Sohee, 28, from Korea. The latter staged her maiden couture week show, as a guest on the event’s official calendar. Dullaert and Miss Sohee unveiled Spring/Summer 2025 collections characterised by contrasting styles.
Dullaert, a Paris-based Dutch designer, showed for the first time at Paris Haute Couture Week exactly a year ago. In his third Parisian show, he juxtaposed glamourous looks with more everyday ones, like the suits and trousers sets or the black tweed maxi coat, worn back-to-front with the cuffs, pockets and buttons at the rear, which could morph into an evening dress if needed.
Dullaert’s couture looks were made from bodysuits and playsuits in tight stretch fabric, on which he added long, sheer flared skirts decorated with geometric patterns embroidered with gems, or made with swathes of silk draped directly on the body, giving the models real freedom of movement. The feeling of freedom was heightened by the use of a wrinkled high-performance fabric developed by the label.
Other looks were covered with thin tassels lined with sequins, or with crystals, with draped white and black tulle, taffeta and other glimmering silks. Dullaert’s looks were characterised by flowing volumes and silhouettes, but he didn’t shy away from intervening decisively in the garments’ construction, for example baring a shoulder or cutting his dresses with long slits along the legs.
The couture show by Miss Sohee, real name Sohee Park, was eagerly awaited. The London-based Korean designer showed twice before in Paris, and was a hit on the Milanese runways in February 2022, backed by Dolce & Gabbana. She pulled out all the stops in Paris, immersing her guests in a magical universe where eras and bold silhouettes mixed spectacularly, showcased inside the gilded halls and under the majestic chandeliers of the Pozzo di Borgo palace.
Miss Sohee’s ladies seemed to be ready for a grand ball with their shimmering, vibrantly coloured crinoline dresses, satin sheath dresses glittering with pearls, and statement coats whose long trains were ornamented with embroidered bucolic scenes, like a golden peacock or floral branches, rich in crystals and sequins. Looks worthy of the Venice Carnival.
Botticelli’s Venus seemed to have inspired Miss Sohee, scallops and seashells being among the key elements in her collection. A large shell rose like a fan at the back of a corset which extended into a long, faded-pink silk skirt. Elsewhere, shells encased the hips in two short bustier dresses in python and crocodile-effect leather, or added length to a bustier entirely decorated with gems that was sewn onto a tulle top dotted with mother-of-pearl drops.
Shells embroidered in small patterns featured on a silk duchesse dress, and more shells in silver pleated fabric turned into a micro hooded jacket over a Fantômas-style black velvet jumpsuit, with a double row of white pearls draped around the waist.
Nothing seemed too precious and extravagant for Miss Sohee’s ladies, who also wore more contemporary outfits consisting of lace jumpsuits, miniskirts and laced thigh-high boots. Park founded her label in 2020, after studying at Central Saint Martins in London, and her customers include scores of celebrities, among them names like Cardi B. and Bella Hadid.
All hail physical retail. The demise of the high street store predicted in the early pandemic period was wide of the mark as a near nine out of 10 of Britons visited a retail destination during October and November.
In fact, 88% now shop in-store, an amazing increase of 86.1% since last May. And it’s been heavily influenced by workers increasingly returning to city and town centre offices as well as consumers aged under 35.
That’s according the the latest Consumer Pulse Report by MRI Software/Retail Economics showing “high streets remain the lifeblood of the retail ecosystem”, leading in visitor frequency with an average of 2.2 visits per person per month “reinforcing their importance as destinations that bring people together.”
The survey reveals that 31% of office workers play a key role in high street retail, with visits peaking during lunch hours while 33% of themchoose to visit after 5pm on weekdays, particularly Tuesdays and Wednesdays which have become the popular days to venture into the office.
“As return to office becomes more widespread, the retail sector has an opportunity to maximise engagement and sales by leveraging these insights and presenting itself as a convenient shopping option for the hybrid workforce”, the report highlights.
Working from home is increasingly becoming a non-starter for many businesses with regular news stories about major companies insisting that their staff returned to the office full-time or at least three or four days a week.
Further, the under-35 demographic is increasingly motivated by experiential retail opportunities.
In November, this age group averaged 9.5 visits to physical retail destinations, more than double the frequency of those aged 55 and over.
Interestingly, the rise of social commerce, which enables shoppers to make purchases within social media apps such as TikTok and Instagram, “is likely influencing footfall into physical retail destinations and creating opportunities for in-store experiences”, the study claims.
Jenni Matthews, marketing & insights director, MRI Software, said: “The latest findings depict a retail sector that continues to adapt and remain relevant as consumer behaviours shift.
“With 88% of the UK population visiting retail destinations and under-35s driving experiential trends, it’s clear that physical retail remains a powerful touchpoint for engagement.
“Retailers have an incredible opportunity to leverage these insights, not just to meet consumer expectations, but to exceed them by creating vibrant, immersive destinations that align with changing consumer behaviours.”