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Creative directors (chapter 1): The star debutants’ ball

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Nicola Mira

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January 13, 2025

The new year promises to be rich in discoveries. Several creative director slots have been filled at some of the most prestigious luxury houses in the course of 2024, even in the run-up to the year-end festivities. For example at Chanel which, after six months of uncertainty, chose Matthieu Blazy to write its new chapter. Meanwhile, several outgoing designers have not yet found a destination, while others, though still in office, might be under threat, according to certain rumours. In this first overview, FashionNetwork.com has listed the most significant creative director debuts expected for 2025 at some of fashion’s leading labels.

Sarah Burton will première at Givenchy in early March – © Launchmetrics

Lanvin

The first must-attend event in 2025 is Lanvin’s runway return. The Parisian fashion house owned by Chinese giant Lanvin Group (formerly the Fosun Fashion Group) has been absent from Paris Fashion Week since March 2023. The show will be the chance to discover the work of Lanvin’s new creative director, British designer Peter Copping, who took charge last June, just over a year after his predecessor Bruno Sialelli left the house. Lanvin will close Paris Fashion Week Men with a co-ed show on the evening of January 26, just before the start of Haute Couture Week, which will begin the following day.

Calvin Klein

Calvin Klein is making its New York Fashion Week comeback, after a six-year+ absence, with a new creative director, Italian designer Veronica Leoni, head of style at the Quira label and formerly with Jil Sander, Celine, Moncler and The Row. She took over a position that until 2018 had been held by Raf Simons. Leoni’s first collection for the US label owned by PVH Corp. will be unveiled at New York Fashion Week on February 7.

Alberta Ferretti

2024 was a handover year at Alberta Ferretti. At the end of September, the eponymous designer decided to step down from the creative director role, while retaining that of vice-president of Italian fashion group Aeffe, which she founded in 1980 with her brother Massimo. She has been replaced by Lorenzo Serafini, who was in charge of design at the label’s young line, Philosophy, for 10 years. In 2025, Philosophy will merge with the Alberta Ferretti collections, whose new look is set to be unveiled in February in Milan.

Blumarine

Also in Milan, the womenswear fashion week in February is set to be the first showcase for the work of David Koma at Blumarine, the label owned since 2019 by the Exelite (ex-Eccellenze Italiane) holding company, belonging to Liu Jo’s founder and boss Marco Marchi. Koma took over as creative director in July from Walter Chiapponi, who left the Italian luxury label in a hurry only four months after being hired, having designed just one collection. Georgia-born Koma will continue to take care also of his own label, which shows in London.

Missoni

To everyone’s surprise, Filippo Grazioli, who had been in charge of style at Missoni since 2022, was dismissed last October. The Italian label’s new creative director is Alberto Caliri, who has been with Missoni since 1998. He was for many years the right-hand man of Angela Missoni, daughter of the label’s founder Ottavio. In 2021, when Angela retired from the creative director role she had held for 24 years, Caliri took charge of the ready-to-wear collections, an interim role until Grazioli’s arrival. Caliri then went on to oversee the Missoni Home furniture line, and is now the head of design for all the Missoni lines. This year, the label will present its new coordinated lifestyle image, incorporating women’s ready-to-wear, menswear and home decoration and furniture.

Givenchy

After Milan, it will be Paris’s turn to showcase the new names in charge of design at several labels. Notably, in early March, with the Givenchy show, the first to be held under Sarah Burton’s aegis. Until October 2023, Burton had spent her entire career at Kering-owned Alexander McQueen, and was replaced there by Seán McGirr. Burton took the helm of LVMH-owned Parisian house Givenchy last September, assuming the role vacated nine months earlier by US designer Matthew M. Williams. Given that Burton’s professional profile is very different from that of her predecessor, a new chapter is expected to begin for Givenchy, a label renowned for its sophisticated elegance.

Matthieu Blazy’s first runway show for Chanel is eagerly awaited – © ImaxTree

Tom Ford

There are two main reasons to look forward to Tom Ford‘s next runway show. First, because the US label, whose fashion business is run by the Ermenegildo Zegna group, is moving from Milan to Paris, where it will show in March. Second, because the event will mark not only a new creative departure for Tom Ford, but also the highly anticipated return to the fashion scene of Haider Ackermann, who closed down his own label in 2020. Ackermann, a Frenchman with Colombian roots who likes to draw his inspiration from global cultures, is renowned for his tailoring and draped cuts, and has replaced Peter Hawkings. The latter was in charge of style at Tom Ford for barely a year, having taken over from the eponymous Texan founder after he retired in spring 2023.

Dries Van Noten

The show by Dries Van Noten, owned by Spanish group Puig, is also expected to draw a crowd on March 5, as it will unveil the first collection developed by Belgian designer Julian Klausner. A member of the in-house design team, Klausner rose to the rank of creative director in December, and has the delicate mission of taking over the baton from the label’s founder, iconic couturier Dries Van Noten, who retired last June.

Miu Miu

Again in March, the Paris Fashion Week show by Miu Miu will be worth keeping an eye out for. The young line by Italy’s Prada group is still managed by Creative Director Miuccia Prada, but it is undergoing a major change within its design studio. The label has gone from strength to strength in recent seasons, and its highly regarded head of design Dario Vitale is about to leave. He will be reportedly replaced at the end of January by Francesca Nicoletti, who has been working with him for several years.

Bottega Veneta

The Italian luxury label has picked Louise Trotter to replace Blazy, who left for Chanel, having been in charge of style at Bottega Veneta since 2021. The British designer is inbound from Carven, where she was named creative director in 2023. She is due to take up her new position at the Kering-owned label at the end of January. The date of her first runway show has not been set, but it is expected to be in September, as one of the highlights of Milan Fashion Week.

Chanel

The most hotly anticipated event at next October’s Paris Fashion Week, for the Spring-Summer 2026 season, will undoubtedly be the Chanel show. After months of crazy rumours, it was Blazy who landed the job of the century. He succeeds Virginie Viard, who left the house in June after five years as creative director, and over 30 years as Karl Lagerfeld’s closest collaborator. A way for Chanel to close once and for all the chapter of its history written by the Kaiser. Talented French designer Blazy assumed his new role at the start of 2025, and his mission is to modernise the venerable Parisian house, while making it ever more desirable.

Celine

In October 2024, Hedi Slimane left Celine, a label he successfully relaunched in 2018. His successor was appointed only a few hours after the announcement of Slimane’s departure. US designer Michael Rider, who has a 20-year experience in the luxury industry, is joining the LVMH-owned label at the start 2025. Rider has worked at Balenciaga and Ralph Lauren, and notably also at Céline from 2008 to 2018, under Phoebe Philo. The launch date of his first collection is not yet known, but it is expected to be in the coming autumn.

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Fashion

German retailers see slower sales growth over consumer uncertainty

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January 31, 2025

German retail sales rose in 2024, but growth should be more modest this year due to the high level of uncertainty, according to retail association HDE.

Last year, retail sales rose 1.1% compared to the previous year in inflation-adjusted terms, official data showed on Friday. The HDE forecasts 0.5% growth in real terms this year.

“Consumption and the retail sector in Germany will not really gain momentum in 2025 either,” said HDE managing director Stefan Genth.
“There is simply too much uncertainty,” he said. “Wars, high energy costs and overall economic stagnation are a toxic cocktail for consumption.”

In nominal terms, retail sales rose by 2.5% in 2024 and are expected to grow by 2.0% in 2025, according to HDE’s forecast.

The latest HDE survey with 700 retailers shows that 22% of respondents expect sales to increase this year, while almost half of them expect results to be below the previous year’s level.

In December, retail sales fell by 1.6% compared with the previous month, official data showed. Analysts had predicted a 0.2% increase.

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John Lewis had disappointing festive season

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January 31, 2025

Many big names in UK retail had a good Christmas season — despite the sector being generally sluggish — but it seems John Lewis Partnership (JLP) may not have been one of them.

The retailer — which operates its eponymous department stores and webstore, plus Waitrose supermarkets — has missed its profit target after a disappointing festive season.

It hasn’t shared any info officially but internal documents seen by The Telegraph suggest bad news to come when it does release its results.

Those internal documents have only been shared with staff so far with the company saying that sales have fallen short of expectations and it’s unlikely to achieve its hoped-for £131 million full-year profit.

The company is said to have blamed “lower consumer confidence and weaker than expected market confidence” for the sales miss in the month to 21 December, although also the fact that key trading days fell outside the period.

Sales targets were missed at both of the firm’s chains, although the newspaper said it still claimed it outperformed rivals and staff should be “proud of our performance”.

It will be interesting therefore to see exactly what its figures were as  a number of rivals have actually reported a good Christmas. If its stores have beaten other supermarkets and chains like M&S, perhaps its targets were too ambitious in the first place.

We won’t know for a while, but we do know that with M&S resurgent, JLP’s supermarkets and department stores have lost some of their lustre as the destination of choice for Britain’s middle classes.

So what were the firm’s benchmarks? Back in September it had said it was seeing strong demand and expected a significant rise in profits for the year to January. The prior year’s pre-tax profit had been £56 million and the year before that it made a loss.

It had also talked about its turnaround efforts paying off and that it was seeing a “considerable improvement” in performance, with the John Lewis chain in particular expected to benefit from a buoyant second half.

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Kim Jones steps down from Dior menswear creative helm

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January 31, 2025

Christian Dior Couture announced on Friday that Kim Jones, its Dior Homme artistic director, is leaving the post after seven years.

Dior Men – Spring-Summer2025 – Menswear – France – Paris – ©Launchmetrics/spotlight

It’s been rumoured for some time that he would exit the label but it’s not yet known what his next step will be.

Jones has been widely praised for his work at Dior with his latest men’s collection shown this month being hailed as a success.

He’s been a key creative at LVMH having also designed its Fendi women’s collections. And he helmed Louis Vuitton’s menswear before he joined Dior.

The company said it “wishes to express its deepest gratitude” to the designer “who has accelerated the development of Men’s collections internationally and has greatly contributed to the worldwide influence of the House by creating an inspiring wardrobe that is both classic and contemporary, and connected to some artists of our time”.

And Delphine Arnault, who’s chairman and CEO of Christian Dior Couture, added: “I am extremely grateful for the remarkable work done by Kim Jones, his studio, and the ateliers. With all his talent and creativity, he has constantly reinterpreted the House’s heritage with genuine freedom of tone and surprising, highly desirable artistic collaborations.”

Jones meanwhile called it a “true honour to have been able to create my collections within the House of Dior, a symbol of absolute excellence. I express my deep gratitude to my studio and the ateliers who have accompanied me on this wonderful journey. They have brought my creations to life. I would also like to take this opportunity to thank the artists and friends I have met through my collaborations. Lastly, I feel sincere gratitude towards Bernard and Delphine Arnault, who have given me their full support.”

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