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How about $1.7 billion in your stocking for Christmas? Powerball’s 46 straight draws with no winner bring Yuletide greetings

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A Christmas Eve Powerball drawing could add new meaning to holiday cheer as millions of players hope to cash in on the $1.7 billion prize, which comes after months without a jackpot winner.

The United States’ 4th-largest jackpot on record comes after 46 consecutive draws without someone claiming to have all six numbers. The last contest with a jackpot winner was on Sept. 6. The game’s long odds have people decking the halls and doling out $2 — and sometimes more — for tickets ahead of Wednesday night’s live drawing.

It’s a sign the game is operating as intended. Lottery officials made the odds tougher in 2015 as a mechanism for snowballing jackpots, all the while making it easier to win smaller prizes.

The Christmas holiday is not expected to impact the drawing process should there be a winning ticket, a Powerball spokesperson said.

Here is what to know about Wednesday’s drawing:

Christmas Eve cha-ching

That ticket placed in a stocking or under the tree could be worth a billion bucks — but with some caveats.

Powerball is played in 45 states, along with Washington, D.C., Puerto Rico and the U.S. Virgin Islands. Most of those areas require players to be 18 or older, though some states have steeper requirements. In Nebraska, players have to be at least 19 years old, and in Louisiana and Arizona, people can’t buy tickets until they are 21.

Winning tickets also must be cashed in the states where they were bought. And players can’t buy tickets in Alabama, Alaska, Hawaii, Nevada or Utah.

Other than that, lottery officials argue there is a chance a lucky Powerball ticket could be a gift that keeps on giving.

Charlie McIntyre, the New Hampshire Lottery’s executive director, said Tuesday: “Just think of the stories you can tell for generations to come about the year you woke up a billionaire on Christmas.”

A range of prizes can be presents

Wednesday’s $1.7 billion jackpot has a cash value of $781.3 million.

A winner can choose to be paid the whole amount through an annuity, with an immediate payment and then annual payments over 29 years that increase by 5% each time. Most winners, however, usually choose the cash value for a lump sum.

The odds are high for the top prize, but there are smaller prizes players can reap.

At the last drawing, players in Florida, Georgia, Illinois, New York, Ohio, Pennsylvania, Tennessee and Wisconsin each won $1 million. There are also prizes outside the jackpot, ranging from a few dollars to $2 million.

One woman told Powerball officials that she already made plans for her $1 million win: “We’re going to pay off our cars and credit cards and get a bigger house!”

And Thomas Anderson of Burlington, North Carolina, said he intended to use his $100,000 Powerball win from earlier this month to go back to school, according to Powerball.

Long odds for the billion-dollar jackpots

Lottery officials set the odds at 1 in 292.2 million in hopes that jackpots will roll over with each of the three weekly drawings until the pool balloons so much that more people take notice and play.

The odds used to be notably better, at 1 in 175 million. But the game was made tougher in 2015 to create the out-of-this-world bounties. The tougher odds partly helped set the stage for back-to-back record-breaking sweepstakes this year.

The last time someone won the Powerball pot was on Sept. 6, when players in Missouri and Texas won $1.787 billion, which was the second-highest top prize in U.S. history.

The U.S. has seen more than a dozen lottery jackpot prizes exceed $1 billion since 2016. The biggest U.S. jackpot ever was $2.04 billion back in 2022.

More about those unfavorable odds

It’s hard to explain what odds of 1 in 292.2 million mean. Even if halved, they remain difficult to digest.

In the past, one math professor described the odds of flipping a coin and getting heads 28 straight times.

Tim Chartier, a Davidson College math professor in North Carolina, on Monday compared the odds of a winning lottery ticket to selecting one marked dollar bill from a stack 19 miles (31 kilometers) high.

“It’s true that if you buy 100 tickets, you are 100 times more likely to win. But in this case, ‘100 times more likely’ barely moves the probability needle,” Chartier said. “Using the time analogy, buying 100 tickets is like getting 100 guesses to name that one chosen second over nine years. Possible — but wildly improbable.”

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Olivia Diaz is a corps member for The Associated Press/Report for America Statehouse News Initiative. Report for America is a nonprofit national service program that places journalists in local newsrooms to report on undercovered issues.



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In a typically candid assessment of the current artificial intelligence landscape, the outspoken CEO of $134 billion software analytics firm Databricks, Ali Ghodsi, issued a stark warning regarding the ballooning valuations of AI startups that lack fundamental business metrics. Speaking at Fortune Brainstorm AI in San Francisco, Ghodsi blasted the trend of investors pouring capital into unproven companies, stating, “Companies that are worth, you know, billions of dollars with zero revenue, that’s clearly a bubble, right, and it’s, like, insane.” Ghodsi clarified that he sees a “huge bubble in many, many portions of the market.”

The vibes in the Valley are bad, in the opinion of Ghodsi, who holds a PhD in computer science. He said that even the investors fueling this frenzy are aware of the unsustainable nature of the market. In private conversations, he claimed, venture capitalists express exhaustion with the hype cycle, telling him, “Maybe I should just go on a break for, like, six months and come back and it’ll be, like, really financially good for me.”

Ghodsi said he agreed with the critique of circular financing among many players in the AI space, artificially inflating the market. Rather than viewing the bubble as near its popping point, Ghodsi predicts the “circular aspect” of the situation will deteriorate before it corrects. “I think like 12 months from now, it’ll be much, much, much worse.” Current market wobbles are actually a healthy signal for CEOs to “take a step back,” he added.

The IPO question and strategic patience

This skeptical view of the current market hype explains Databricks’ reluctance to rush toward an initial public offering (IPO), despite Ghodsi admitting to “flirting” with the idea. He highlighted that staying private at this point offers a strategic buffer against market volatility. He drew a sharp contrast between Databricks and competitors who rushed to go public during the 2021 boom, only to face severe corrections.

“In 2021, most of my peers, CEOs, they were like we got to IPO,” but by 2022, Ghodsi added, they were suddenly in cost-cutting mode, whereas Databricks was able to hired thousands of people. He emphasized that if a bubble does burst, remaining private would allow the company to continue investing in long-term AI utility rather than reacting to short-term stock fluctuations.

Real hurdles vs. market hype

While the venture market overheats, Ghodsi argued that the reality of enterprise AI adoption is being throttled by corporate inertia, rather than a lack of technology. He identified security concerns and data governance as the primary bottlenecks for large organizations.

Databricks, which per its name has many clients that hire it to sort through their data, has many customers 10 years old and older, and they’re all really held back on cyber concerns.

“The big thing holding you back” in that scenario, Ghodsi said, “is that you can’t actually do anything because you’re so worried about getting hacked.”

He said “AI lawyers,” or lawyers specializing in the emerging field of AI law, are now slowing down operations by scrutinizing regulations and model policies. Furthermore, he described the data architecture within most legacy organizations as “an absolute mess” resulting from 40 years of piling on software from different vendors, leaving data siloed and difficult to access—and a lot of work for Databricks to do.

Where the real value lies

Despite his warnings about the bubble, Ghodsi remained bullish on specific, high-utility AI applications, particularly “AI agents” and “vibe coding.” He revealed a surprising statistic: “For the first time we’re seeing over 80% of the databases that are being launched on Databricks are not being launched by humans but by AI agents.”

He argued that the foundation model layer—the technology provided by companies like OpenAI and Google—is becoming a commodity with low margins due to hyper-competitiveness. Instead, the real revenue potential lies in the application layer where agents perform specific work, such as drug discovery in healthcare or automated research in finance.

Ghodsi advised corporate leaders to cut through the internal politics stalling these advancements. Noting the “tussle” between executives fighting to be the “AI person,” he offered blunt advice: “Pick one person for your company” to lead the strategy, rather than creating a “three-headed monkey” of conflicting leadership.



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Utility CEO on the data center crunch: America’s ‘check engine light’ is on and ‘no one’s going to pay attention until it breaks down’

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The rapid proliferation of artificial intelligence and data centers is pushing the U.S. electrical grid into uncharted territory, prompting one of the nation’s top utility executives to issue a stark warning to regulators: The system is flashing warning signs that can no longer be ignored.

Calvin Butler, CEO of Exelon, the nation’s largest utility company by customer count, compared the current state of the U.S. energy grid to a vehicle being driven to the brink of failure, in conversation with Fortune‘s Executive Editorial Director Diane Brady at the Fortune Brainstorm AI conference in San Francisco.

“We are telling policy makers the warning lights are on,” Butler said. It’s like you’re driving your car, the check engine light is on, and you just don’t want to take it into the shop. “You’re like, I’m going to keep pushing this and no one’s going to pay attention until it breaks down,” Butler told Brady. From his perspective, he sees a malfunction as inevitable. “I’m telling you on that hottest day or that coldest day, you might have a supply crunch and people are going to suffer. I’m telling you, you have to fix it now.” 

Butler’s warning comes, of course, amidst a historic surge in electricity demand as AI usage gobbles up compute, which in turn gobbles up energy across the country. There’s a bit more to it than that, Butler said, with pressure coming from a “convergence” of factors, including the onshoring of manufacturing and the broader electrification of the economy.

“I’ve been in the utility industry for about 25 years … and probably the last four decades we have never had a moment of this amount of load growth,” Butler said.

The supply crunch

The crux of the problem, according to Butler, is a disconnect between rising demand and the incentives to build new power generation. Exelon, which spun off its generation business (Constellation Energy) three years ago, now operates as a regulated utility that delivers power but does not generate it.

Butler argued independent power producers currently lack the financial motivation to construct new power plants. “The independent power producers have no incentive to build anything new because they’re maximizing their assets,” he explained, allowing that this is a fair thing to do under current market conditions. But because producers are squeezing maximum revenue from existing infrastructure rather than expanding capacity, the risk of a shortfall is growing, on the one hand, and price hikes are also inevitable.

When asked for a prediction regarding electricity prices for the coming year, Butler offered no comforting ambiguities.

“I can tell you with certainty the prices are going to go up,” Butler said.

He pointed to market dynamics within the massive PJM Interconnection—a regional transmission organization serving 13 states and the District of Columbia—as a driver. State governors in the region previously implemented a price cap that saved customers roughly $3 billion, but as those caps face expiration or adjustment, the suppressed costs will likely resurface. (Pennsylvania Governor Josh Shapiro threatened in September that the state would go its “own way” if energy conditions don’t change.)

A conservative approach to tech

Despite the pressure to power the AI revolution, Butler emphasized that utility companies themselves should not be on the bleeding edge of technology adoption.

“You don’t want your utilities to be the leaders in technology … because when we lead and something goes wrong, bad things happen,” Butler said.

He added that Exelon prefers to be a “follower” rather than a laggard. (Butler didn’t mention the infamous name of Enron, the last major innovator in the energy space and also a famous blow-up 25 years ago.)

While Exelon uses AI for customer service and proactive grid maintenance, Butler said he remained cautious, particularly regarding cybersecurity. He highlighted the vulnerability of third-party suppliers, rating his comfort level with the supply chain’s security protocols as only a six or seven out of 10.

Building for resilience

To address the looming capacity issues, the industry plans to invest $1.1 trillion over the next five years. This includes massive infrastructure projects, such as a newly announced 765-kilovolt transmission line stretching 220 miles across Pennsylvania and West Virginia to improve reliability.

However, Butler reiterated that physical infrastructure alone won’t solve the problem if the policy framework ignores the “check engine” light. “We’re the backbone. We’re 5% of the economy, but we power the next 95%. And we have to get this right.”



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Millennial designer spent months building ‘The Holiday’ cottage replica. It’s renting at $499/night

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Everyone has must-watch holiday movies that they binge during the festive season, from Love Actually to Home Alone. But few actually get the chance to step inside the world of their favorite comfort flicks—that is, until now. Superfans of The Holiday can now rent out a replica of the quaint English cottage where fictional Hollywood bigwig Amanda Woods (played by Cameron Diaz) was charmed by heartthrob British book editor Graham (played by Jude Law). They’ll have to wait four months, and make the trek to Georgia instead of the Cotswolds. 

Home designer Lucy Small put The Holiday Cottage up for short-term rentals this October after a nine-month build—and a fan frenzy quickly ensued. The 37-year-old has spent the past six years designing homes in the Blue Ridge Mountains; she’s worked on three dozen houses, from bathroom and kitchen rebuilds to hardcore construction projects. But nothing could have prepared her for the rush of attention that came with her latest project: replicating the cozy Rosehill Cottage featured in The Holiday, from the ground up. After all, nearly two decades after the movie’s release, it continues to be a top-watched festive flick—in 2023, The Holiday was streamed 2.3 million times, according to an analysis from Samba TV.

As it turned out, the house featured in the 2006 film—owned by Kate Winslet’s character Iris, who home-swapped with Amanda’s L.A. mansion for the Christmas season—never actually existed in real life. It was a big undertaking, but Small saw a potential hit on her hands. 

“The Holiday Cottage was really a fun thing. I was like, ‘Hey, why don’t I do this? I have everything at my disposal to be able to do it, I know how to build, and I can find land,’” Small tells Fortune, adding she’s a fan of the iconic movie. “Honestly, it was just one of those situations where I had this wacky idea, and everyone got excited about it, and no one stopped me.”

David Cannon Photography/Courtesy of Lucy Small

Before the foundation of the two-bedroom, two-and-a-half bath home was even built, Small had attracted attention from thousands of customers. She first announced her plan to build the cottage in 2022, and fan fervor started pouring in. The entrepreneur says they only had digital renders of the cottage at the time, but people were already sending her handwritten letters about how they couldn’t wait to stay there. Around 4,000 people left their emails on a website Small threw together to update the public on its availability. Now, just two months after going live on the market, the short-term stay is fully booked out until March 2026. 

“People have really loved it, and every time I get one of those letters of, ‘This means so much to me, thank you so much for making it possible,’ that’s just way more worthwhile to me than anything else,” Small continues. “Anyone can build a house, have it be a good investment, and sell it to an investor. But this seems to really have meaning to people, and that makes it important.”

The nine-month process to bring The Holiday cottage to life

It’s no easy feat bringing a piece of cinema into the real world—especially when you’re up against a home that’s impossible to replicate. In truth, the Rosehill Cottage featured in The Holiday was just a bit of movie magic; the home’s weathered facade was built in an open field, while the interior was filmed on sets. Home-makers might hesitate at the idea of building an unbuildable home—but Small was actually excited by the premise. 

“I found out that the house never actually existed in real life, which, for me, is a big deal. Because if you can actually go visit the Brady Bunch house, or the Home Alone house, me building another one is less interesting,” she explains. “But if it never existed, if it’s a set that was torn down 20 years ago, that’s a lot more interesting, because there is literally nothing else in the world like it.”

Small put the project into motion several years ago, but quickly ran into some time-consuming roadblocks. Georgia, a popular tourist getaway and filming location, was slow to issue more short-term rental licenses as temporary stays flooded the market. Heavy taxes and fees also had to be factored into the price, as counties wanted in on the industry’s growing success. Finding the right land to build on was a struggle—but once they settled on a plot in North Georgia, it was off to the races. 

David Cannon Photography/Courtesy of Lucy Small

In total, it took nine months to build The Holiday Cottage, from breaking ground to putting in the final flourishes. Small worked with an architectural designer, watching the romcom together “1,000 times” to try and get it right. The first hurdle: They realized the house would never meet code. When trying to build at scale, they discovered the ceilings would be too low, standing at only seven feet tall, based on where the windows were positioned in the movie. The film version of the cottage had only two chimneys but featured three fireplaces; the bathroom floor was sloped; and, in reality, one window would cut halfway through the kitchen cabinet. Small and her team did everything to match the same aesthetic, even setting up fake walls and slopes.

Replicating the home’s furnishings proved to be a bit pricey, too. Despite the quaint movie cottage, seemingly adorned with humble, second-hand furniture, the kitsch decor was beyond Small’s budget. Using Google image reverse search, she tracked down antiques identical to the ones in the set, which ran upwards of $30,000 each. The bamboo umbrella tree shown in the cottage entryway, for example, was priced at over $15,000. Eventually, Small was able to parallel the same warm, charming atmosphere with similar decor. She declines to share how much the entire build set her back, or even when she’ll recoup on costs. Small says she rents out the home at a modest price—$399 per night during the low season, and $499 during high season—and is adamant The Holiday Cottage has been a worthwhile investment. 

“It’s not like we were totally surprised and totally blew the budget. We knew what it would be—we don’t charge a stupid amount,” Small says. “And so it’s still been a good investment, given that we did not like cheap out on the build at all.”

Having 4,000 eager fans lined up—and why Small is fine being a ‘one-hit-wonder’

With 4,000 eager renters already waiting for the pin to drop, The Holiday Cottage’s instant success wasn’t a huge surprise. However, Small wasn’t used to her projects getting so much attention. 

“As someone who, frankly, does not know how to use social media at all, who doesn’t have it, who’s pretty private, I’m usually unable to get eyeballs on any of my projects,” she continues. “For this one, [attention has] just been pouring in completely, even though I haven’t gone out to seek it, which has been a very new position for me as a designer.”

Once The Holiday Cottage booking site went live on Oct. 4, Small says dates started filling up “immediately.” And media attention only riled up more interest; the millennial home designer says she “can’t think of a magazine” that hasn’t covered her new build. And just in time for the holidays, it’s proved to be the perfect place to get into the festive spirit. Currently, there is only one open day in March, a few available slots in April, and just one in May. The Holiday Cottage isn’t available for a multi-day booking until June 2026—the house is nearly booked out for six straight months.

David Cannon Photography/Courtesy of Lucy Small

Small’s latest project has proved a huge success, and she says renters have so far been loving it. Travelers leave their stories in the home’s guest book; a trio of sisters brought their mother, a big fan of The Holiday, along for the ultimate dream stay; another visitor used to watch the movie with her mom every Christmas, and after her passing, rented the place with her dad. For the people who stay there, the short-term rental is more than a place to crash. It’s the chance to be immersed in romcom nostalgia and reconnect with loved ones. 

When asked if she is planning another movie-related build, Small says she’s perfectly happy being the homeowner of this one viral sensation. Right now, she has no other ideas—all she knows is she will only take projects like this, where people are excited about the result. Plus, Small believes there’s no other home built that can replicate the same magic as The Holiday Cottage. 

“Honestly, I’m fine being a one-hit-wonder,” Small says. “I don’t need it to be a big money-maker or big success, because a lot of the things that make this house—The Holiday Cottage—so special, I don’t think can be replicated.”

A version of this story originally published on Fortune.com on November 28, 2025.

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